Theresa Vandenberg Donche

Fetish, Painting, Acrylic on Canvas

2020

Bold, expressive and full of energy. A new start, a new time. Intuitively applied, gesturally painted with acrylic, spray paint, ink, pencil and oil stick, ready to hang. :: Pa...

The balance between structure and free thought, order and chaos, dreamlike and tension. Intuitively painted and structurally executed with acrylic, oil stick, ink, spray paint and p...

foolishly impractical especially in the pursuit of ideals :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to H...

Exploring the tension between the reality of space and the illusion of the moment, between existence and imagination, convention and freedom, perspective and abstraction. To be envel...

Big Personality [2021] original Acrylic and ink on canvas Image size: H:140 cm x W:100 cm Complete Size of Unframed Work: H:140 cm x W:100 cm x D:4cm Sold Unframed Please note t...

"Except for Then" is a contemporary abstract painting of warm golds, pinks, peach and orange. Oil on canvas, signed on verso. 2010 48" x 36" canvas Deirdre Schanen artist statemen...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Florus is an original abstract painting by Catherine Pennington-Meyer. The title of this piece means ‘bright’ or ‘rich’ in Latin. A vibrant expressionist abstract full of energy. It will bring a splash of positivity and colour to any scheme. Discover more of Catherine Pennington-Meyer's original artwork with Wychwood Art online and in our Oxfordshire gallery. Catherine is an award-winning artist who currently lives and works near Munich, in Germany. Her work concentrates primarily on abstract expressionism. Catherine has participated in exhibitions throughout Europe and has quickly established a prestigious international collector base. Catherine says of her art: `I see my painting as a kind of language, translating what I feel or experience to those viewing it. I am innately drawn to create raw, emotive, expressionist pieces, mostly abstracts, which distil a subject down to its feeling. I don`t only want my art to be `beautiful` but for it to reach out and touch the person who is viewing it on an immediate, intuitive level. I want my paintings to speak to their audience in their own visceral language. I am influenced by nature, particularly the multifaceted nature of water, and memories of growing up in particularly beautiful landscapes in North Yorkshire and Scotland. I also find human psychology and science fascinating. But I see compositions everywhere, whether it be flowers in a park, the way smoke curls, books on a library shelf or a street market. Everything is made up of shapes and colours. The world is a constant source influences and inspiration.’ Over time, as her work has developed, she has been increasingly compelled towards abstraction, through which she feels able to communicate an energy which is untethered by the constraints of realism. She enjoys playing with light, depth and movement in her art to give it immediacy and to draw a viewer into the composition. Catherine also enjoys poetry, and her works occasionally have accompanying narratives. Catherine views visual and written art...