Tom Hamil

Nocturnal Train In The City Abstract Expressionism

1980s

A dymanic mid century abstract expressionist painiting with geometric shapes in cool tones and two figures by Leslie Luverne Anderson (American, 1928-2009). Oil on masonite. Titled "...

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...

A lighthearted figurative abstract by Bay Area artist Kristin Cohen (American, b.1963). Signed and dated lower left, "Cohen '95." Presented in the artist's painted wood frame. From ...

Double sided figurative abstract by San Jose, California area artist Daniel David Fuentes (American, 20c-2017). San Francisco bay area abstract expressionist and landscape artist dur...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

Acrylic paint on masonite.

John Hultberg Oil on canvas Panorama of pictures. 1998 Hand signed lower right, J. Hultberg ‘98. Artist, date, and title written on verso. Canvas 25.5”H x 35”W, Frame 26”H x 35.5”W. Oil painting depicting a mosaic of photographs overlooking an abstract geometric landscape. John Hultberg (1922 – 2005) was an American Abstract expressionist and Abstract realist painter. Early in his career he was related to the Bay Area Figurative Movement; he was also a lecturer and playwright. John Hultberg was born in 1922 in Berkeley, California. Hultberg attended Fresno State College, graduating in 1943. During World War II, he was a Navy lieutenant. After the war, his education at the California School of Fine Arts (CSFA) (now the San Francisco Art Institute) was funded by the G.I. Bill. His teachers included Mark Rothko and Clyfford Still and he was a classmate of Richard Diebenkorn, who was also a mentor, James Budd Dixon, Walter Kuhlman, Frank Lobdell, and George Stillman, which whom he created a portfolio of 17 lithographs. This 1948 portfolio, titled Drawings, has been acknowledged as a landmark in Abstract Expressionist printmaking. The group has been referred to as "The Sausalito Six," because most, lived in Sausalito, north of San Francisco. Many of the "First Generation" artists in this West Coast movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them abandoned non-objective painting in favor of working with the figure. Among these First Generation Bay Area Figurative School artists were: David Park, Richard Diebenkorn, Rex Ashlock, Elmer Bischoff, Glenn Wessels, Wayne Thiebaud, Raimonds Staprans, and James Weeks. The "Bridge Generation" included the artists: Henrietta Berk, Nathan Oliveira, Theophilus Brown, Paul Wonner, Roland Petersen, John Hultberg, and Frank Lobdell. He was also a contemporary of Clay Spohn and David Park. Hultberg studied at the Art Students League of New York beginning in 1952. Hultberg was first married to Hilary Blech. In 1961 Hultberg met fellow artist Lynne Mapp Drexler...

Sailboats oil painting on canvas, signed lower right KOKO. The certificate of authenticity is available by artist Koko. We have some custom framing options upon customer request.