Tyler Sorgman

Superbloom, Original Abstract Painting, 2020

2020

Artist Commentary: This piece has been included in multiple exhibitions! It has been shown in Montserrat College's "Inspired Views" show, which showcases work made by K-12 art educators. This year, Uproot was featured in the Cambridge Art Association's National Prize Show and the Area Code Art Fair. Keywords: red, pink, abstract, geometric, house Artist Biography: Tyler Sorgman...

Softness 24.0 x 24.0 x 1.5, 5.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Impasto painted strokes of bright colors are the framework of artist Shiri Phillips’ abstrac...

#599 by Jessie Woodward [2022] Jessie’s instinctive way of working explores the language of paint and mark making to evoke emotions in the viewer, aiming to communicate how pure abs...

(Comes framed in a deep-profile maple floater frame, ready to hang.) Artist's Statement: "I was working on my loose, almost graffiti-like "Rosetta" series when this painting took a turn towards formality, and instead of trying to wrench it back into the Rosetta mold I just let it go where it wanted to. Has my usual insane assortment of mediums . . . " “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...