Udo Haderlein

Acrylic Paint and Ink on Canvas "Morning Beach" 2016 by Udo Haderlein

2016

Acrylic ink and paint on canvas, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 21.18 in ( 53,8 cm ), Width: 21.18 i...

Acrylic ink and paint on canvas, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 21.26 in ( 54 cm ), Width: 17.32 in ...

Acrylic ink on canvas, 2016. Signed and dated on the back. Framed. It comes directly from the studio of the artist. Height: 21.46 in ( 54,5 cm ), Width: 29.45 in ( 74,8 cm ), Depth: ...

Acrylic ink and paint on canvas, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 21.26 in ( 54 cm ), Width: 17.32 in ...

Acrylic ink on canvas, 2018. Signed, titled and dated on the back. Ready to hang. The artwork comes directly from the artist's studio. Height: 19.69 in ( 50 cm ), Width: 19.69 in ( 5...

Acrylic ink and paint on canvas, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 21.26 in ( 54 cm ), Width: 17.32 in ...

TIME, IT TAKES I 2022 Paris, France A graphic and bold abstract painting on linen, with dark blue green ink and white acrylic accents. A single, bold, orange line is situated on the left side of the painting, a commentary on markers of time as an ineffective unit of measurement. Time interpreted not as linear, but an experience outside of numbers and outside of logic. Option to create a pair alongside "Time, It Takes II" (as pictured). Price and size are per painting. Evans Deventer...

The canvas comes to life with a captivating yet understated painting, heavy on texture, using antique linen, crafted with a unique blend of dye, pigment, and acrylic. The artist's su...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

SET US IN STONE II 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone I" (as pictured). Price and size are per painting. Evans Deventer...

Drawing inspiration from the ancient Roman term "Los Osculi," translating to "right to kiss," the artist delves into a compelling exploration of the past's intriguing customs. In ancient Rome, women were prohibited from drinking as it was believed to lead to adultery and even possess abortifacient properties. Consequently, the husband and male family members of an "honest" woman possessed the right to kiss her on the mouth to ensure her sobriety. The allure of fleeting kisses, whispers of scent, and the sensuality of suspicion captivated the artist's imagination. On an antique French canvas...

Large Celestial Mythical Horse Painting by Alex K. Mason "Wardusa", Acrylic Gouache Ink on Canvas, Blue, White, Gold, Yellow This painting is part of a constellation series I did f...