Unknown

Abstract Composition - Original Lithograph - 1981

1981

Magic Circles is a beautiful acrylic painting realized by the Italian artists Frida & Raul in 2022. Hand-signed.

Magic Circles is a beautiful acrylic painting realized by the Italian artists Frida & Raul in 2022. Hand-signed. Perfect conditions.

Autumn is an original tempera painting on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Hand-Signed on the lower right margin In very good condition. Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990). Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

Untitled is an original oil on canvas realized by Roberto Sébastian Matta in 1996. It comes with a certificate of authenticity by Matta's son ...

The city is Scared - The Comet Covid-19 is an original contemporary artwork by the emerging artist Mirtilla Durante. Mixed colored oil on canvas. Tit...

Cells is a beauty painting by the Italian artists Frida & Raul in 2020. It is realized by mixed technique pixel with acrylic, iron. The further we g...

This piece is from my private collection of lithographs, etchings and engravings from great artists of the 20th Century. It is a limited edit...

Surrealist print with pastel tones. Edition 6 of 10 prints. Print is titled and signed by the artist. Framed in a wooden frame with a white matte. Dimensions without frame: H 23 in x W 29.5 in. Artist Biography: Honey also known as Melinda Beeman graduate of the San Francisco Art Institute, this celebrated California artist has been exhibiting since 1973. After graduation with a Master of Fine Arts in Printmaking, Melinda spent a year in London studying print making. Since her return, she has exhibited her unique original hand-made prints throughout the United States and Europe. Melinda Beeman's art has also been featured in several international publications, including Art News, Performing Arts Magazine and Art in America. In 2000, she formed and developed the Marfa Studio Arts foundation. She has also taught at the University of Houston. Now she lives with her partner in Marfa raising and milking goats. Her work has been in the collections of, IBM Corporation, Chemical Bank, Bankers Trust, Crystal Energy...

Derrick Latimer Sayer (British, 1917 – 1992) World Theatre of War Signed ‘Derrick Sayer’ (lower left Gouache 7 x 9 in. (17.8 x 22.8 cm.) Derrick Latimer Sayer (1912–1992) has been described as a Neo-Romantic and pop artist, with a career that spanned from the spiritualism of postwar English landscapes, to the bright, optical playfulness of 1960s Pop art. Sayer had a distinguished start to his career, having studied at the Chelsea School of Art in the early 1930s under Graham Sutherland and Henry Moore. In 1936 he founded the Mousehole Group Art School in Cornwall with fellow painters George Lamborn and Guy Allen, and for the next few years he exhibited at a number of small local galleries, while also executing commercial advertising work for major companies such as Shell Oil. The 1940s and 50s were a period of widespread travelling, teaching and experimentation for Sayer, as he founded the Army Art Centre in 1945, worked in the South of France in 1949 and displayed works at the Leicester, Redfern and Winton Galleries across the 1950s. In 1966, he took up the helm as the Head of Art at the Chelsea Westminster Adult Education Institute, a position he held until his retirement in 1982. Ten of Derricks works can be found at the Chelsea Westminster Hospital Arts Project, hung alongside a permanent collection that includes Patrick Heron, Howard Hodgkin, and Sian Tucker. Sayer was known for his studies of female nudes, particularly the examination of the nude in nature...

Derrick Latimer Sayer (British, 1917 – 1992) Caterpillar Signed, inscribed and dated ‘CATERPILLAR’ (lower left), ‘Derrick Sayer 55’ (lower right) Gouache 7.7/8 x 9.1/4 in. (20 x 23.5 cm.) Derrick Latimer Sayer (1912–1992) has been described as a Neo-Romantic and pop artist, with a career that spanned from the spiritualism of postwar English landscapes, to the bright, optical playfulness of 1960s Pop art. Sayer had a distinguished start to his career, having studied at the Chelsea School of Art in the early 1930s under Graham Sutherland and Henry Moore. In 1936 he founded the Mousehole Group Art School in Cornwall with fellow painters George Lamborn and Guy Allen, and for the next few years he exhibited at a number of small local galleries, while also executing commercial advertising work for major companies such as Shell Oil. The 1940s and 50s were a period of widespread travelling, teaching and experimentation for Sayer, as he founded the Army Art Centre in 1945, worked in the South of France in 1949 and displayed works at the Leicester, Redfern and Winton Galleries across the 1950s. In 1966, he took up the helm as the Head of Art at the Chelsea Westminster Adult Education Institute, a position he held until his retirement in 1982. Ten of Derricks works can be found at the Chelsea Westminster Hospital Arts Project, hung alongside a permanent collection that includes Patrick Heron, Howard Hodgkin, and Sian Tucker. Sayer was known for his studies of female nudes, particularly the examination of the nude in...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Weymouth Harbour, Dorset. Original harbour painting. Mixed Media on board (Gesso, acrylic and acrylic inks). Image Size. 51cm x 38cm. Framed size. 75cm x 57cm x 4cm. Sold framed – Be...