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Blue Awning Calangute, Oil Painting by Philip Jones, 2000

2000

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Tree Shape II, 2024 - Abstract Oil Painting on Found Book Cover, Blue and White
By Daisy Cook
Located in Kingsclere, GB
Tree Shape II, 2024 oil on found book cover 18.5 x 15 cm 7 1/4 x 5 7/8 in signed, titled and dated verso Daisy Cook is a British painter of landscape and still life. Cook create...
Category

2010s Abstract Paintings

Materials

Found Objects, Oil

Diamonds, 2024 - Abstract Geometric Oil Painting and Collage on Found Book Cover
By Daisy Cook
Located in Kingsclere, GB
Diamonds, 2024 oil and collage on found book cover 21.5 x 15 cm 8 1/2 x 5 7/8 in signed, titled and dated verso Daisy Cook is a British painter of landscape and still life. Cook...
Category

2010s Abstract Paintings

Materials

Found Objects, Oil

Estuary IV, 2018 - Abstract Oil Painting with Found Objects (Feathers) in Grey
By Pamela Burns
Located in Kingsclere, GB
Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...
Category

21st Century and Contemporary Land Abstract Paintings

Materials

Found Objects, Oil, Board

Marina, 2024 - Horizontal Abstract Landscape Oil Painting, Blue and White
By Keith Purser
Located in Kingsclere, GB
Keith Purser lives and works on the edge of the desert-like environment of Europe's largest shingle bank, in the shadow of Dungeness power station and within sight of the coast of Fr...
Category

2010s Abstract Paintings

Materials

Oil, Board

Dune Light, 2023 - Horizontal Abstract Landscape Oil Painting, Blue and White
By Keith Purser
Located in Kingsclere, GB
Keith Purser lives and works on the edge of the desert-like environment of Europe's largest shingle bank, in the shadow of Dungeness power station and within sight of the coast of Fr...
Category

2010s Abstract Paintings

Materials

Oil, Board

Landscape, 1950s Oil Painting. Friend of John Minton in Soho, London
By Robert Frame
Located in Kingsclere, GB
Landscape, oil on canvas painting by Robert Frame,1959 circa Additional information: oil on canvas 20 x 24 in 50.8 x 61 cm (RF002)
Category

20th Century Landscape Paintings

Materials

Canvas, Oil

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