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Bound Up, Oil and Wax on Canvas Painting by Basil Beattie, 2000

2000

Oil and Sand on Canvas 'Traces (II)' Painting by Pamela Burns B. 1938, 1993 Additional information: Medium: Oil and sand on canvas Dimensions: 25.4 x 50.8 cm 10 x 20 in Signed, date...

Bajazet Encag'd, Oil on Canvas Painting by Jack Knox 1936-2015, circa 1965 Additional information: Medium: Oil on canvas 122 x 153 cm 48 1/8 x 60 1/4 in Signed; with title and Artist's address verso Provenance Acquired from the below by a private collector Exhibitions Royal Scottish Academy, 1965, cat. no.219 Jack Knox was a Scottish painter and teacher. Born in Kirkintilloch, East Dunbartonshire in 1936, Knox studied at Glasgow School of Art 1953-57, with teachers such William Armour and David Donaldson, before spending a year at the Paris atelier of the French painter André L'hote. Combining what he took from this experience with the impact of seeing the first show of American Abstract Expressionists in Europe in 1959, he began a diverse career which saw constantly changing styles, from gestural abstraction to still lifes and portraits. In 1965 he was appointed lecturer at Duncan of Jordanstone College of Art where he worked alongside fellow artists such as Alberto Morrocco...

Confluence, Oil on Canvas Painting by Felicity Mara B. 1958, 2021 Additional information: Medium: Oil on canvas Dimensions: 213.4 x 182.9 cm 84 x 72 in Signed, dated and titled verso Felicity Mara was born in London and studied Fine Art in Camberwell, though her works are intimately connected to the artistic heart of Cornwall, St Ives. Moving to the Duchy in 1994, she is now based at Porthmeor Studios, a space on the edge of the Atlantic which was used by Ben Nicholson and Sir Terry Frost. It is from here that she creates her elegantly spare pictures from abstracted forms in the much the same way that the St Ives school did in the 60s. Subject matter can be found, with vistas through windows, still lifes and waveforms alluded to in the sweeping marks of her brush. Felicity's sparse marks show the restraint of minimalism, so much more impressive in the usually large scale of her canvases. To create these striking lines, Felicity uses a wonderfully fresh palette and by leaving sections of the canvas unpainted her pictures echo the textures of the coastal landscape seen from her studio. "My paintings are not literal depictions of the things around me, but I work with all these things in a sense - the landscape outside my window...

Untitled, Oil on Canvas by Douglas Swan, 1963 Circa Additional information: Medium: Oil on Canvas 60 x 25 1/2 in 152.4 x 64.8 cm Signed and inscribed ve...

Opening #4, Acrylic on Panel Painting by Michael Batty, 2001 Additional information: Medium: Acrylic on panel Dimensions: 22 x 22 in Michael Batty (Canadian, born 1967) Michael Ba...

Prospect, Acrylic on Panel Painting by Michael Batty, 2000 Additional information: Medium: Acrylic on panel Dimensions: 22 x 22 in Michael Batty (Canadian, born 1967) Michael Batt...

Becoming #3, Acrylic on Panel Painting by Michael Batty, 2002 Additional information: Medium: Acrylic on panel Dimensions: 22 x 22 in Michael Batty (Canadian, born 1967) Michael B...

Purple and turquoise swirled together. Purple and turquoise oil paint was pushed around in swirl-like motions with a palette knife. This is part of the artist’s ongoing practice, ...