Unknown

'Cubist Still Life', School of Berlin

circa 1950s-1960s

'Still Life with Pineapple', oil on panel, by Lucien Martial (circa 1960s). Like human life, fruit is perishable and ephemeral, and thus many believe th...

'Still Life with Bouquet of Flowers', oil on board (1970), by Lilian Whitteker. This impressionist bouquet of mixed flowers churns with colour, elegantly posed on a table in a goblet...

'Un Bouquet de Fleurs', oil on board, by Anna Costa (circa 1970s). In addition to her many landscapes, Costa painted many still lifes, mostly bouquets of flowers as subject. In this ...

'Still Life with White Pitcher and Fruit', oil on board, by Anna Costa (circa 1960s). In addition to her many landscapes, Costa painted many still lifes, mostly bouquets of flowers a...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

Lilies and Rose bud by Rosie Copeland [2019] Original Oil on board Image size: H:37 cm x W:24 cm Complete Size of Unframed Work: H:2 cm x W:37 cm x D:24cm Framed Size: H:55.5 cm x W:...

Libbi Gooch Black Jar and Roses Original Abstract Still Life Painting Oil on Board Canvas Size: 80 cm x 80 cm x .5 cm Framed Size: 93 cm x 93 cm x 1.8 cm Sold Framed Free Shipping Pl...

Still life with a bottle. 1994, oil on cardboard, 93,5 x 101 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publish...