Unknown

Modernist Cubist Moses on the Mount

Robert S. Neuman was born in Kellogg, Idaho, in 1926. After an honorable discharge from the Air Force in 1946, he received his BA in 1949 and his MFA in 1951, both from the California College of Arts and Crafts in Oakland. He moved from the Bay Area to the East Coast in 1957 where he began teaching art at SUNY New Paltz, then at Massachusetts College of Art, Brown University, and Harvard University’s Carpenter Center for Visual Arts. He received a Fulbright Fellowship for Painting in 1953 and the John S. Guggenheim Foundation Fellowship in 1956. He has been the subject of countless exhibitions, including five solo shows in 2013. Neuman’s work has been on view at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Pennsylvania Academy of Fine Art, and the Museum of Modern Art, New York. His work is included in public collections including the Carnegie Museum of Art, Yale University Art Gallery, the Museum of Fine Arts Boston, and the Fogg Art Museum of Harvard University. He died in June 2015. During the 1950's, Neuman painted in an Abstract Expressionist style, incorporating the stylistic signifiers of the Bay Area School such as broad surface treatments, a full color palette, and atmospheric light. In the 1960's, Neuman's art evolved into geometric abstraction, fusing form and content that often verged on symbolism. He produced various bodies of works such as the Kandinsky-esque cosmos paintings...

CLAUDE GAVEAU (1906 - 1970) A beautiful and large signed oil on canvas by the important french painter Claude Gaveau. The work is signed upper right and unlined and unrestored on...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

Reginald Wilson was born in 1909 in the small town of Butler, Ohio. Determined from boyhood to be an artist, he arrived at the Art Students League of New York when he was twenty. He studied with John Stuart Currie, among others, meanwhile making a living with odd jobs like that of office boy or night watchman. He was an easel painter in the Federal Art Project and served for three years as an airplane mechanic in the US Army Air Force during World War II. He and the artist Carolyn Haeberlin were married in 1942, moving in 1945 to where they made their home in a 200-year-old farmhouse. Wilson’s paintings and works in other media were exhibited widely beginning in the 1940’s, in New York City and in major museums and universities across the country. In Woodstock he showed at a number of galleries including that of the Woodstock Artists Association where he won the 1973 Sally Jacobs-Phoebe Towbin Award. His mid-Twentieth century contemporaries included Karl Fortess...

UNIDENTIFIED "ABSTRACT FIGURE" OIL ON CANVAS, UNSIGNED AMERICAN, C.1960S 27.5 X 35 INCHES Fine Condition

Visual texture and colorful cubist nude reminiscent of Picasso's Women of Algiers series. Signed "Croce" lower, right. Unframed. Image, 14"H x 36"W.

Work on canvas Golden wooden frame 63 x 72 x 5 cm

"Spirit" a bold and thoughtful cubist oil on canvas was painted in December of 2001 by African American artist William (Bill) Cooper. William Y. Cooper was a writer, painter, muralist, illustrator, and art teacher. He moved to Western New York in 1954 from Birmingham, Alabama, to pursue work, and Buffalo has been his home ever since. In 1975, he received his Bachelor of Fine Arts degree from the University at Buffalo; he was also a state certified art teacher. Cooper woked primarily in oils and acrylics, but also creates drawings on paper. He has painted several commissioned murals and has had more than fifteen one-man shows in Western New York and Ghana, West Africa, and has participated in more than twenty-five group exhibitions since he began his professional career in 1969. His paintings and drawings address both his African heritage and his experience as an American through symbolism and metaphor. He observes, “I am an Afrocentric artist. My worldview is rooted in an African frame of reference and a deep, abiding sense of the creator from whence I draw my inspiration, strength, and a sense of who I am. The use of symbols allows me to explore literal ideas.” Among Cooper’s published works are two children’s books, 77 Jackson Street, Rear and Nakai and the Red Shoes, and a novel for adults, The Mopane Tree. Cooper founded the Afrocentric Artists’ Collective and ran the organization from 1979 to 1981. In 2013 he was designated a “Living Legacy” artist by the Burchfield Penney Arts Center, the latest in a series of honors which has also included awards from the Arts Council of Buffalo & Erie County, the New York State Council on the Arts, and Alpha Kappa Alpha...