Víctor Pérez-Porro

Geometric-Kaleidoscopic 2 - 21st Century, Oil painting, Geometric Abstraction

2022-2023

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...

Geometric abstraction painting by Brazilian-born artist Elizabeth Freire. Painting is acrylic on canvas. Signed on reverse and titled "From the Center". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo and the architect Oscar Niemeyer. She then traveled extensively throughout Europe and North Africa. In 1983, the sculptor Cardenaz advised her to go to Carrara in Italy to develop her carving skills. She spent the following two years at the Studio Nicoli where she met the sculptors Knutt Steen, Gigi Guadagnucci...

ACRYLIC PAINTING IN WOODEN FRAME, ON SUPPORT OF FABRIC. IS PROVIDED WITH A VARNISH LAYER TO SAVE FROM DUST AND DIRT :: Painting :: Abstract :: This piece comes with an official ce...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

This piece is part of an exhibition in which Yuri Figueroa explores the relation between artworks that inform each other but respond to different systems of categorizing movement and...