Victoria Veedell

Last Light

2024

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels th...

Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vas...

Drawing from the ever-changing nature of California light, Gregg Renfrow works in translucent layers, pouring mixtures of polymer and pigment over sheets of cast acrylic. A disciple...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vastness” and instill feelings of awe in his viewers, he says. Furthering his exploration of the abstract, Barkoff paints in his studio, rather than en plein air, fabricating landscapes from his visual and emotional memories. The Impressionist-turned-Expressionist painter is inspired by the atmospheric qualities of works by Claude Monet and J. M. W. Turner and cites Gerhard Richter as a more contemporary influence. He recently transitioned from using a paintbrush to using a squeegee and palette knives for his work, as the latter allow for greater spontaneity and manipulation of color. He says of his work: “Looking at a blank canvas can be both exciting and frightening at the same time. Most of the time exciting wins out and I plunge in. That is, I paint the landscape, which for me is what it’s all about. The landscape represents nature and contemplating nature is being in touch with God. You could cast me as a modern-day Luminist-Tonalist-Impressionist. Monet’s Water Lilies have been a big influence, along with the landscape painter Wolf Kahn.” “The landscape is what I see before me or from my mind’s eye. When I paint a mountain or a tree, I’m not trying to capture the mountain or tree literally (that’s what a photograph does). I’m trying to express my inner spirit in the painting – to transcend the physical to reach the spiritual.” “My most successful pictures are not those that are the most accurate in terms of nature, but are the ones where the state of my consciousness allowed me to translate my feelings – my deepest inner feelings – to the canvas. When I get into this altered state...