Vivian Liddell

Myth of Sisyphus IX This heart within I can feel, this world I can touch the

2022

"Myth of Sisyphus VI (Each mineral flake of that night-filled mountain)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece shows a landscape with shrubbery, rocks, and a field underneath a black sky. Framed image is an example of the frame in which it can come in. Framing is an additional $100. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

"Myth of Sisyphus X (A Man Defines Himself by his make-believe)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece contrasts boldly between white forms and chains in the foreground and dark blue background. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

"Myth of Sisyphus II (Abstract thought returns to prop of flesh)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece has a bold contrast between black chains and a pastel background. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...

"Myth of Sisyphus III Black Sky (If it were sufficient to love)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series...

In this small and delicate painting, the combination of paint, pastel and paper collage, create a strong, abstracted composition. Pink and black pop from a vibrant background of inte...

Borneo's pieces are deeply influenced by various creative sources, with a particular focus on the culture of the late '80s and '90s: from high-brow Memphis-inspired design to urban c...

"Making a Beseech" (Frill Dog series). A colorful contemporary dog painting of a Scottish Terrier dog with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog, Boots, a Scottie. Making a beseech is the only trick the Scottie, Boots knows, paws over nose. Nancy van Meter...

“There is that Far-off Tall Dog Singing to a Hole in Bank” (Frill Dog series). A colorful contemporary dog painting of Foxhounds dogs singing to a fox in a hole with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog. Nancy van Meter...