Willard Lustenader

Subsequently Polled

2018

WILL LUSTENADER Education Courtauld Institute of Art, University of London, M.A. 1981 Vassar College, Poughkeepsie, New York, B.A. 1979 Selected Exhibitions 2015 65 Art of the Northeast, Silvermine Gallery, New Canaan, CT, June-July, 2015, Michelle Grabner and Brad Killam curators Remythologies: New Inventions of Old Stories, Housatonic Museum of Art, June 11 – July 24, 2015 2014 Fred. Giampietro Gallery, New Haven, CT Group exhibition: “Self-Absorbed” June, 2014 Paul Mellon Arts Center, Choate Rosemary Hall, Wallingford, CT, “Manufactured Realities” Will Lustenader and Blinn Jacobs, Sept. – Oct. 2014 Artspace, New Haven, CT, City-Wide Open Studios, October Fred. Giampietro Gallery, New Haven, CT Solo exhibition: “Approximating Continuity” April 25- May 24 Artspace, New haven, CT “Something Blue” benefit auction exhib. April 2013 The Gallery at Whitney Center, Hamden , CT “Vibrant, A Look at Contemporary Lyricism Curated by Debbie Hesse and Insook Hwang, Presented by The Arts Council of Greater New Haven Nov. 2013 – Feb. 2014 Artspace, City-WideOpen Studios, Oct. 2013 John Slade Eli House Center for Contemporary Art, New Haven, CT “Handful of Art” Group Show June 2013 Artspace, New Haven, CT “Domestic Spaces” Flatfile selections. July – Sept. 2013 2012 Fred. Giampietro Gallery, New Haven, CT “Look Out / Out Look” Nov. 16 – Dec. 21 2011 Giampietro Gallery, New Haven, CT “Areas of Refuge” Solo exhibition June 2011 Artspace, New Haven, CT “Out of Line” work on paper curated by Leslie Nolan, Dir. Center of Contemporary Printmaking, Norwalk, CT Manifest Gallery, Cincinnati, OH group show “ ARCH., Exploring Made Space” Mar. 2011 Flinn Gallery, Greenwich Public Library, Greenwich, CT “Three Visions: Perry Burns, Willard Lustenader and Karen Santry” Feb 3 – March16, 2011 2010 Silvermine Galleries,“61st Art of the Northeast”, New Canaan, CT Katie Rashid, director Jack Shainman Gallery, NY, juror International Juried Show 2010, Visual Arts Center of New Jersey, Summit, NJ Jan. – Mar. 2010 Artspace “Conspectus I” flat file exhib. New Haven, CT curated by Liza Statton 195 Gallery, New Alliance Bank Exec. Suite, New Haven, CT 2009 San Diego Art Institute, “50th Annual Awards Exhibition”, San Diego, CA Manifest Gallery , “Monochrome”, Cincinnati, OH Artspace, “Refurbished Means”, New Haven, CT Bachelier Cardonski Gallery, “Open House, David Eddy, Willard Lustenader, Kathryn McAuliffe, Melissa Stern and Luari Zarin” Kent, CT Artspace, “ Index II”, New Haven, CT Member’s Exh. City Wide Open Studios, artSPACE, New Haven, CT John Slade Ely House Center for Contemporary Art, “Inviting Abstraction, W. Lustenader, Megan Craig and Levni Sinanoglu, New Haven, CT 2008 Wesport Arts Center,” Willard Lustenader” Westport , CT . Solo Exhib. Creative Arts Workshop, “Painting as Presence”, New Haven, CT William Bailey juror, Honorable Mention Silvermine Galleries, “59th Art of the Northeast” New Canaan, CT Thom Collins , Dir. Neuberger Museum, Purchase, NY juror. Honorable Mention Hygienic Gallery, New London, CT “Third Crossing” Jeffery Anderson, Dir. F. Griswold Museum, Old Lyme, CT juror, Best in Show. Brad Cooper Gallery, Tampa, FL “Co-Existence” 23rd Anniversary Exhib. Dec. 2007 – Feb. 2008 Seton Art Gallery, Sacred Heart University, Faculty Show, Fairfield, CT 2007 Hoorn-Ashby Gallery, New York, NY “The Unexpected” Luchsinger Gallery, Wallace Performing Arts Center, Greenwich Acad., Greenwich, CT Solo Exhib. Haskins Laboratories, New Haven , CT “Table Tops” ,Debbie Hesse curator Seton Gallery, Uni. of New Haven, CT Faculty Show Nov./ Dec. Brad Cooper Gallery Group Show, Tampa, FL Hoorn Ashby Summer group, Nantucket, MA Artspace, New Haven, CT 2006 Brad Cooper Gallery, Tampa, FL “Conventional Wisdom” Solo Exhib. Chase Freedman Gallery, JCC Greater Hartford, West Hartford, CT “Four Years of Space” Solo Exhib. Vanbrundt Gallery, Beacon, NY Artspace, Open Studios, New Haven, CT Hoorn-Ashby Gallery, Nantucket, MA Brad Cooper Gallery, Tampa, FL Greenwich Art Soc. Members Exh. Greenwich, CT Dede Young juror Stamford Art Assoc. Winter Exhibition, Stamford, CT 2005 Longstreth Goldberg Gallery, Naples FL Artspace, Open Studios, New Haven, CT Bachelier Cardonsky Gallery, Carol Anthony, Willard Lustenader and Melissa Stern . Kent, CT Hoorn-Ashby Gallery, Summer Group, New York, NY Hoorn-Ashby Gallery, Nantucket, MA Brad Cooper Gallery, Tampa , FL 2004 Brad Cooper Gallery, Tampa, FL “20 Years, 20 Artists” Gallery North, Setauket, NY Cooley Gallery, Old Lyme , CT “Annual Group Exhibition” Hoorn-Ashby Gallery, New York, NY “City Life” Artspace, New Haven, CT “Open Studios1 Louisiana State University Art Gallery, Baton Rouge, LA “20x20x20” 1st prize. Hoorn-Ashby Gallery, Nantucket, MA summer group Artspace, New Haven, CT benefit auction New Britain Museum of American Art, New Britain , CT benefit Brad Cooper Gallery, Tampa, FL summer show, gallery artists 2003 Brad Cooper Gallery, Tampa, FL “Painting and Drawing” Solo Exhib. Melvin Gallery, Florida Southern College, Lakeland, FL “Painting and Drawing” Solo Exhib. Stephen F. Austin State University, Art Center, Nacogdoches, TX Kathryn Schultz Gallery, Cambridge Art Association, Cambridge, MA Kauffman Gallery, Shippensburg University, Shippensburg, PA Louisiana State University Art Gallery, Baton Rouge, LA “20 x 20 x 20” Brad Cooper Gallery, Tampa, FL “Realist Arrangements” Artspace, New Haven, CT “Open Studios” Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” 2002 Premier Etage Galleries, Newport, RI “Recent Paintings” Solo Exhib. Hartford Steam Boiler, Polytechnic Club, Hartford, CT Solo Exhib. Brad Cooper Gallery, Tampa, FL “Nude in the Postmodern”, Best in Show. John Slade Ely House, Center for Contemporary Art, New Haven, CT “Portraits” Artspace, New Haven, CT “City Wide Open Studios” New Britain Museum of American Art, New Britain, CT “The Body Revealed, 200 Years of the American Nude”, Douglas Hyland, curator Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” Premier Etage Gallery, Newport, RI “Gallery Artists” 2001 Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” New Britain Museum of American Art, New Britain ,CT “Recent Acquisitions” Premier Etage Galleries, Newport, RI “Figures and Still Life” Solo Exhib. artSPACE, Citywide Open Studios, New Haven, CT New Britain Museum of American Art, New Britain, CT “Art for the Cure”, Honorable Mention. 2000 Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” artSPACE, Citywide Open Studios, New Haven,CT 1999 Cooley Gallery, Old Lyme, CT Solo Exhibi. Yale University, Ezra Stiles College Master’s House, New Haven, CT Solo Exhib. Silvermine Galleries, 50th Art of the Northeast, New Canaan, CT Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” 1998 Cooley Gallery, Old Lyme, Connecticut Lyme Art Association, Old Lyme, CT 1997 Nassau Club, Pinceton, N J Solo Exhib. New Britain Museum of American Art, New Britain, CT “Art for the Cure” Honorable Mention. Gregory Gallery, Darien, CT Cooley Gallery, Old Lyme, CT 1996 Ward Center for the Arts, St. Paul’s School, Baltimore, MD Paul Mellon Arts Center, Wallingford, CT Cooley Gallery, Old Lyme , CT Gregory Gallery, Darien, CT Artspace, New Haven, CT John Slade Ely House, Center for Contemporary Art, New Haven, CT, Award Solo Exhib. Greenwich Art Society, Greenwich, CT E.C. Potter Award for Best in show. Silvermine Guild Galleries, 46th Art of the Northeast, New Canaan, CT Erector Square Gallery, New Haven, CT 1995 Paul Mellon Arts Center, Wallingford, CT "Portraits, Figures and Landscapes" Solo Exhib. John Slade Ely House, Center for Contemporary Art, New Haven, CT Greene Art Gallery, Guilford, CT Cooley Gallery, Old Lyme, CT 1994 Cooley Gallery, Old Lyme, CT John Slade Ely House, Center for Contemporary Art, New Haven, CT 1993 Wallace Library Gallery, Stony Creek, CT "Selected Paintings 1986-1993" Solo Exhib. Artspace, New Haven, CT "New Work/New Haven, Juror's Choice" Willard Lustenader, Linda Lindroth and Bryan Nash Gill curated by Charlotta Kotik, Curator of Contemporary Art, Brooklyn Museum of Art. 1992 Artspace, New Haven, CT New Art/New Haven, curated by Charlotta Kotik CB's Gallery, New York, NY "American Art Since 1992", curated by Margaret Bodell 1990 Hotel de Ville de Montrouge, Paris, France 1989 Madison Gallery, Madison ,CT Erector Square Gallery, New Haven, CT 1988 Erector Square Gallery, New Haven, CT 1987 Erector Square Gallery, New Haven, CT Erector Square Gallery, New Haven, CT "XXXVe Salon de Montrouge" 1986 Paul Mellon Arts Center, Wallingford, CT "New Paintings" Solo Exhib. Sarah Rentschler Gallery, New York, NY 3 person exhib. Greene Art Gallery, Guilford, CT Southern Massachusettes University Gallery, North Dartmouth, MA "Evils of Power", catalogue 1985 Showplace Gallery, New Haven, CT "Recent Paintings" Solo Exhib. New Haven Foundation, New Haven, CT "Works on Paper" Solo Exhib. Slater Memorial Museum, Norwich, CT juried show. Showplace Gallery, New Haven, CT Group show. Richardson-Vicks Corp. Gallery, Wilton, CT, Alice Neal juror Stamford Art Association, Stamford, CT "Faber-Birren Color Award Show" 2nd prize Erector Square Gallery, New Haven, CT Silvermine Gallery, New Members Show, New Canaan, CT 1984 "New Work" Solo Exhib. group Shoreline Alliance for the Arts, Guilford, CT Richardson-Vicks Corp. Gallery, Wilton, CT , Robert Motherwell juror 1983 Wilton Gallery, Wilton, CT Fox Hill Gallery, Ridgefield, CT 1979 Palmer Gallery, Vassar College, Poughkeepsie, NY Collections: New Britain Museum of American Art, New Britain, CT General Electric Corporation, New York, NY Warburg Pincus, New York, NY Surdna Foundation, New York, NY Stephen Hood, Sao Paulo, Brazil Robert and Maureen Rothchild Collection, New York, NY Horace Irvine, II Collection, Boston, MA Suida-Manning,Dolnier Collection, Watertown, CT and Newport, RI Housatonic Technical College, Bridgeport, CT Stoke, Stoke & Lanar LLC. Miami, FL J. Skagen, Chicago, IL Patrick and Carol Cardon, Pontlevoy, FR and Camden, ME Burt and Elena Prohaska Glinn, Southampton, NY B. and M. Cohen, Greenwich,CT D. and K. Keegan, Greenwich, CT Choate Rosemary Hall, Wallingford, CT F. and K. Giampietro,, New Haven, CT H. Greene and M. Kluger, Redding, CT Day Pitney LLP, New Haven, CT Smilow Cancer Hospital, Yale New Haven Hospital, New Haven, CT Bibliography: Areas of Refuge review Ct Art Scene New review for "Areas of Refuge" at Giampietro Gallery by Hank Hoffman for CT ART SCENE Greenwich Time, Willard Lustenader in ‘Three Visions’ exhibition...” Jan. 13, 2011 New Haven Magazine, “The Family Home” by Duo Dickinson, Aug. / Sept., 2010 , p. 28 Manifest vol.39,” Monochrome” catalog Fine Arts Fund pub. 2009 , vol. 39, pp. 9-10 Cincinnati Art Snob, blogspot “Manifest” review posted Sunday, Sept. 27, 2009 Garage Noir, blogspot by Karl Stephan. June 6, 2009 vol. 2, issue 6 New Haven Register, “Paean to Painting” by Judy Burke, Sunday, May 18, 2008 Shoreline Times, “Painting as Presence” by Leah Lopez Schmalz, May 2008 Tampa Review 31/32, “Home Movie” p.11, Uni. of Tampa Pub., 2007 Greenwich Academy Gets Glimpse of Great Art, Greenwich Post, Nov. 15, 2007 Connecticut Art Scene, “Open Studios” by Hank Hoffman, Oct. 19, 2006 New Haven Independent, by Lesha Daley, “From ‘Swimsuit Girl’ to.....” Oct. 16, 2006 New Haven Advocate, Oct. 9, 2006, p.3 New Haven Register, City-wide Open Studios, Oct. 9, 2005 New York Times, CT section, p.13 June 19, 2005 The Ledger, Tampa, FL regional, review Emotion Flows from Realism in FSC Show”, Sept. 19, 2003, p. 4 St. Petersburg Times, Tampa, FL review “Feel the Tension in the Room” by L. Bennett, May 17, 2003 “The Introspective Realism of Willard Lustenader”, by Dr. S. Salamone, Brad Cooper Gallery publication, May 5, 2003 Newport This Week, Newport, RI review “Much to Ponder at Lustenader Show” May 30, 2002, P. 13 New Britain Museum of American Art, cat. The Body Revealed, April-June 2002 The Hartford Courant, Owen McNally, Oct. 7, 1999, p. 37 Antiques and the Arts Weekly, review “Cooley Gallery To Exibit Works by Contemporary Artist Bill Lustenader” Oct. 1, 1999, p. 80 Optimist, Northampton, MA cover and article by Mark Auerbach, “Light in the ....Art of Willard Lusternader” Oct.3, 1996 New Haven Register, May 3, 1987 New Haven Independent, review by Christopher Arnott, Revisionist History” vol. 1, no. 35, May7, 1987 Connecticut’s Finest Magazine, “People and Places”, Charotte Libov, Winter 1986 issue, p.18 Record-Journal, Wallingford, CT “Artist Expresses Images, Feelings...” interview by Martin Glasser...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. EXHIBITIONS AND PRODUCTIONS Minimalist Aesthetic, group exhibition, Wadsworth Atheneum Museum of Art, Hartford, CT New Work, Hostetler Gallery, group exhibition, Nantucket, MA Infinite Connections, group exhibition, ArtSpace Torrington, Torrington, CT 2011 Power Boothe: Out of Order, solo exhibition, New Britain Museum of American Art, New Britain, CT Excavating New Ground: American Art in the 1970s, group exhibition, University of Virginia Art Museum, Charlottesville, VA 2008 American Abstract Artists Exhibition, group exhibition, The Painting Center, New York, NY Interspace: Line and Color, three-person exhibition, Washington Art Association, Washington Depot, CT 1999 Columbia Festival of the Arts, solo exhibition, Columbia MD New Work, group exhibition at Goya-Girl Press, Baltimore, MD Twenty-Third Annual National Invitational Drawing Exhibition, Emporia State University, Emporia, KS 1998 New Prints Published by Goya-Girl Press, group exhibition, Baltimore MD The Fanelli Show, O.K. Harris Gallery, NY Chance + Necessity, Goya-Girl Press, Baltimore, MD Tilted Arc, set design, Doug Verone Dance Co., Joyce Theater, NY 1997 Investigations, four-person exhibition, Goya-Girl Press, Baltimore, MD Abstract Index, group exhibition, Condeso/Lawler Gallery, NY Made at the Mill, group exhibition of prints, Goya-Girl Press, Baltimore, MD Art Without Curves, 1120 Gallery, Phoenix, AZ TEN WAYS, group exhibition Milan, Italy and in Bonn Germany POWER BOOTHE, New Work Hostetler Gallery, group exhibition, Nantucket, MA Power Boothe: Paintings, solo exhibition, EBK Gallery (small works), Hartford, CT Borderline, solo exhibition, Five Points Gallery, Torrington, CT New Work Hostetler Gallery, group exhibition, Nantucket, MA Rhythm and Repetition in 20th Century Art, group exhibition, Heckscher Museum of Art, Huntington, NY For Leo, group exhibition, Sideshow Gallery, Brooklyn, NY 75th American Abstract Artists Print Portfolio, group exhibitions at: Martin Gallery, Allentown, PA New Work, Hostetler Gallery, group exhibition, Nantucket, MA Breaking Boundaries, group exhibition, Atlantic Center for the Arts, New Smyrna Beach, FL Painted Black, OIA group exhibition, New York Law School Gallery, NY 1996 American Abstract Artists 1936–1996, Mishkin Gallery, NY American Abstract Artists, 60th Anniversary Exhibition, Kean College Art Gallery, NJ and Westbeth Gallery, NY Small Works, Stephen Haller Gallery, NY 1995 Power Boothe, solo exhibition, Stephen Haller Gallery, NY Small Works, group exhibition, Stephen Haller Gallery, NY Scratching the Surface, group exhibition, Stephen Haller Gallery, NY 1994 The Persistence of Abstraction, group exhibition, Noyes Museum, Ocean Park, NJ Maryland Institute, Then and Now, traveling exhibition, Josiah White Center, Jim Thorp, PA, Anita Shapolsky Gallery, NY Between the Sexes, group exhibition, Maryland Art Place, Baltimore, MD New Performances in Found Spaces, exhibition of drawings and photographs of set designs, Lincoln Center Library, NY Our Town, set design for dance production, choreographed by Emily Keeler, music by Richard Beggs, Oakland Ballet, Premiere Paramount Theater, Oakland, CA Set in Motion, New York State Council selection of films, Lincoln Center, Walter Reade Theater, NY 1993 Inaugural Show, group exhibition, The Painting Center, NY Recent Painting and Sculpture, group exhibition, Robert Morrison Gallery, NY Private Lives, group exhibition of artists who make films, Zooma Gallery, NY Ring Around the Rosie, set design for dance/theater production in collaboration with David Parsons, music by Richard Peaslee, lighting by Michael Chyboski, Premiere Hancher Auditorium, Iowa City, IA Thicker Than Water, set design for dance production, choreographed by Stephan Koplowitz, music by Scott Killian, Premiere Dance Theater Workshop, NY The Devil Comes to Princeton, set design for theater production, text by Mac Wellman, directed by Beth Schachter, Premiere Princeton University, Princeton, NJ 1992 Recent Paintings, solo exhibition, Robert Morrison Gallery, NY Drawings, solo exhibition, Lewiston Aubern College Gallery, Lewiston, ME Action, group exhibition, Trenkmann Gallery, NY A Momentary Order, set design for dance/theater production in collaboration with Doug Varone, choreographer, music by C. Hyams Hart, costume design by Lynne Steincamp, Premiere Lewiston, ME Short Shorts, film showing, Thread Waxing Building Space, NY 1991 Paintings and Drawings, solo exhibition, Dance Theater Workshop Gallery, NY Recent Paintings, solo exhibition, Trenkmann Gallery, NY Group Show, Robert Morrison Gallery, NY Interactions, group exhibition, Institute for Contemporary Art, Philadelphia, PA Once and Once, director, designer, filmmaker for theater/film production in collaboration with Keely Garfield, choreographer and C. Hyams Hart, composer, Premiere Dance Theater Workshop, NY Five Films, film showing, Dance Theater Workshop, NY Garden Party, set design for dance production by Claire Porter, Premiere Dance Theater Workshop, NY Intimate and Not So Intimate, set design for dance production, choreographed by Blondell Cummings, Premiere St. Marks Dance Space, NY 1990 New Paintings, solo exhibition, Time Life Building, NY Paintings and Photographs, two-person exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY 30 Stories, set design, theater production by Ain Gordon, Premiere P.S. 122, NY Cartoon, set design, dance production choreographed by Keely Garfield, Premiere Dance Theater Workshop, NY Ringer Pike, co-director and set design, multimedia stage production by Dale Worsley, Premiere Hall Walls, Buffalo, NY Dinizulu and His African Dancers and Singers, set design for video production by Skip Blumberg, NY 1989 Recent Work, solo exhibition, Souyun Yi Gallery, NY New Painting, solo exhibition, The Harrison Gallery, Boca Raton, FL Restructure/Subtracting the Grid, group show, New Jersey Center for Visual Arts, Summit, NJ Set Drawings for Modern Dance, group exhibition, Harvard Theater Collection, Cambridge, MA Postcards, set design for video production by Mark Rappaport, NY Quad, set design for video, dance production by Samuel Becket, Global Village Production, NY Moon, film premiere, Equitable Center Theater, Whitney Museum, NY Film/Video Arts Angel Award Showcase, film showing, Museum of Broadcasting, NY 1988 Paintings: 1971–1988, solo exhibition, Hurlbutt Gallery, Greenwich, CT Recent Paintings, solo exhibition, PMW Gallery, Stamford, CT Drawings for Sets and Films, solo exhibition, Dance Theater Workshop Gallery, NY Wilderness, director, designer, filmmaker for theater/film production in collaboration with Catlin Cobb, choreographer, Stephen Fechter, writer, A. Leroy, composer, Premiere Dance Theater Workshop, NY The Joys and Enigmas of a Strange Hour, set design, Dance Theater Workshop, NY 1987 New Paintings, solo exhibition, painting, Souyun Yi Gallery, NY Boothe and Zetterstrom, two-person exhibition, drawing, Almquist Gallery, New Preston, CT Twenty Summers Past, group exhibition, Colorado Springs Fine Arts Center, Colorado Springs, CO House Keeping, set design for dance production in collaboration with Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY The Event of the Year, set design for dance production choreographed by Emily Keeler for Jacques d’Amboise’s National Dance Institute, Premiere San Francisco Opera House, CA Keeping up with the Eighties, set design for theater production in collaboration with Michael Smith and A. Leroy, Premiere Dance Theater Workshop, NY Beside Herself, 16mm film, Premiere Performance Space 122, NY Our Man, 16mm film, Premiere Dance Theater Workshop, NY Films by Artists, group film showing, White Columns Gallery, NY Naked Eye Cinema, group film showing, Zone Gallery, NY Art Mix 87, film showing, Avenue B, NY 1986 New Paintings, solo exhibition, Lynn Mayhew Gallery, Ohio Wesleyan University, Delaware, OH Drawings and Notations for Post-Modern Dance, group exhibition, Harvard University Theater Collection, Cambridge, MA Low Tide, set design for dance production, Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY Transparent Means for Traveling Light, set design for dance production in collaboration with David Gordon, John Cage, composer, Premiere Loeb Theater, Harvard University, Cambridge, MA and Brooklyn Academy of Music, NY Overture, 16mm film, Premiere Dance Theater Workshop, NY New Film Works, group film showing, curated by Amy Taubin, The Kitchen, NY Avant Garde Arama, group film showing, Performance Space 122, NY 1984 Currents, solo exhibition, Institute for Contemporary Art, Boston, MA Modern Art, group exhibition, selected by John Yau, Ted Greenwald Gallery, NY Illusion in Contemporary Art, group exhibition, Trompe L’Oeil Gallery, NY 8 in ’84, group exhibition, Ronald Feldman Gallery, NY Framework, set design for dance production, in collaboration with David Gordon, choreographer, Premiere Dance Theater Workshop, NY and Loeb Theater, Harvard University, Cambridge, MA Variety Show, set design for dance production in collaboration with choreographer Charles Moulton and composer A. Leroy, Premiere Dance Theater Workshop, NY And So and Also, 16mm film, Premiere The Collective for Living Cinema, NY New Filmmakers, group film showing, San Francisco Cinemateque, San Francisco, CA 1983 Paintings: 1973 to 1983, solo exhibition, Climenhaga Fine Arts Center, Grantham, PA Subtleties, group exhibition, painting, Sutton Gallery NY Art and Dance, group exhibition, Institute for Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY Dance Environments, set design and performance in collaboration with contemporary choreographers, Premiere Institute for Art and Urban Resources, P.S. 1, Queens, NY Bill Loman Master Salesman, set design for video production in collaboration with Michael Smith, Premiere The Kitchen, NY The Mother of Us All, set design for musical by Gertrude Stein and Virgil Thomson, directed by Stanley Silverman, Premiere Saint Clement’s Theater, NY Phantom Limbs, set design for theater production directed by Gitta Honninger, Theater of the Open Eye, NY 1982 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Navigation Series, solo exhibition, Dance Theater Workshop Gallery, NY Trying Times, set design for dance production in collaboration with David Gordon, Premiere Dance Theater Workshop, NY Step Wise Motion, set design for dance production, choreographed by Charles Moulton, Premiere Dance Theater Workshop, NY It Starts at Home, set design for theater production in collaboration with Michael Smith, Whitney Museum, NY Film Works, group film showing selected by Amy Taubin, The Kitchen, NY 1981 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Transitions, group exhibition, Summit Art Gallery, Summit, NJ Drawings, group exhibition, The Art Gallery, University of Nebraska, Omaha, NE Bridge Dance, set design for dance production by Meg Eginton, Premiere Dance Theater Workshop, NY 1980 The Cold Eye, set design for film by Babette Mangolte, NY 1979 The Language of Abstraction, group exhibition, Betty Parsons Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1978 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1977 Private Images, group exhibition, Los Angeles County Museum of Art, Los Angeles, CA Collectors’ Choice X, group exhibition, McNay Art Institute, San Antonio, TX Painting, group exhibition, P.S. 1, Institute for Urban Resources, Queens, NY Book-Objects by Contemporary Artists, Albright Knox Art Gallery, Buffalo, NY Group Exhibition, A.M. Sachs Gallery, NY 1976 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Books, two-person exhibition, Franklin Furnace Gallery, NY Rooms, group installations, Institute for Art and Urban Resources, P.S. 1, Queens, NY Gallery Artists, group exhibition, A.M. Sachs Gallery, NY Southern Exposure, set design for theater production by Mabou Mines Theater Group, directed by Joanne Akalaitis, Premiere Performing Garage, NY 1975 Collectors’ Choice V, group exhibition, Philbrook Art Center, Tulsa, OK Recent Acquisitions, group exhibition and traveling exhibition, Solomon R. Guggenheim Museum, NY PUBLIC COLLECTIONS Center Gallery, NY Elephant Steps, set design for musical theater production by Richard Foreman and Stanley Silverman, Premiere, Tanglewood, Lenox, MA Baltimore Museum of Art, MD The British Museum, UK Brooklyn Museum of Art, NY Climenhaga Fine Arts Center, PA Colby College Museum of Art, ME Colorado Springs Fine Art Center, CO Fogg Museum, Harvard University, MA Joel & Lila Harnett Print Study Center, University of Richmond Museum, VA Harvard University Museums, MA Heckscher Museum of Art, Huntington, NY Hunterdon Museum of Art, NJ Kennedy Museum, OH Lehman Brothers Kuhn Loeb, Inc., NY Metropolitan Museum of Art, NY Mississippi Museum of Art, MS Missoula Art Museum, MT Museum of Fine Arts, Boston Museum of Modern Art, NY Painting Endures, group exhibition, selected by Dore Ashton, Institute of Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY 1974 New Paintings, solo Exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art of This Decade, group exhibition, Solomon R. Guggenheim Museum, NY Victor, 16mm film, Premiere Collective for Living Cinema, NY Glass Curtains, 16mm film, Premiere Collective for Living Cinema, NY 1973 Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art for Acquisition, group exhibition, Rhode Island School of Design Museum, Providence, RI Jim, 16mm film, Premiere Collective for Living Cinema, NY Match, 16mm film, Premiere Collective for Living Cinema, NY 1972 Recent Work, group exhibition, Art and Urban Resources, NY Group Exhibition, A.M. Sachs Gallery, NY 1971 New Talent, group exhibition, A.M. Sachs Gallery, NY Ten Young Artists, group exhibition, Solomon R. Guggenheim Museum, NY 1970 Red Horse Animation, set design for theater production by Mabou Mines, directed by Lee Breur, Premiere Guggenheim Museum, NY 1968 Painting and Sculpture, group show, Whitney Museum, Art Resources PRIVATE COLLECTIONS (SELECTED) Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA New Britain Museum of American Art, CT New Jersey State Museum, Trenton, NJ Parrish Art Museum, Southampton, NY Princeton University Library, NJ Solomon R. Guggenheim Museum, NY Stanford University Art Museum, CA University of Virginia Art Museum, Charlottesville, VA Wadsworth Atheneum Museum of Art, CT Weatherspoon Art Gallery, NY Whitney Museum of American Art, NY Blackstone Group Bloomingdale’s, NY Chase Manhattan Bank, NY Christophe DeMenil Collection, TX Colorado College Collection, CO Deloitte Haskins and Sells, NY Design Unit Collection, NY Edgar Tobin Aerial Surveys Collection, IL Edward Carpenter Collection, CT Estee Lauder Corporation, NY General Electric Corporation Collection, NY Howard and Roberta Miller Collection, CT Lehman Brothers Kuhn Loeb Collection, Inc., NY New York Bank for Savings, NY Philip Morris Companies Collection, Inc., NY Patrick J. Waide Collection, NY John F. Saladino Collection, Inc., NY Sony Corporation Collection, NY Trump Collection, NY Walter and Linda Wick Collection, CT Connecticut Art Education Association, Inc. Scott Shuler Distinguished Art Advocate Award GRANTS AND AWARDS 2009 2000 Andy Warhol Foundation Grant For Art-Body-Mind: An Integration Symposium at Ohio University 1997 National Endowment for the Arts Inter-Media Grant For multi-media dance project in collaboration with Doug Varone, Choreographer, and Lynne Steincamp, costume designer 1992 Lila Wallace-Reader’s Digest Grant For Momentary Order, a multi-media dance project in collaboration with Doug Varone, choreographer, C. Hyams Hart, composer, and Lynne Steincamp, costume designer ACADEMIC ADMINISTRATION AND TEACHING 1991 New York State Council on the Arts Grant For Once and Once, a multimedia theater film collaboration with Keely Garfield, choreographer, and C. Hyams Hart, composer 1989 Pollock/Krasner Foundation Grant for painting Film Video Arts, Angel Award for film 1988 Maryland Institute Trustees Award for Teaching Excellence National Endowment for the Arts Inter-Arts Grant For Wilderness, a multi-media theater/film collaboration Foundation for Contemporary Performance Art Art Matters, Inc., Grant 1987 New York State Council on the Arts Grant 1986 New York State Council on the Arts Grant For Transparent Means for Traveling Light, a collaboration with David Gordon and John Cage Art Matters, Inc., Grant Yaddo Fellow for painting and writing New York State Council on the Arts Grant Massachusetts Arts Council Grant For Transparent Means for Traveling Light production at Loeb Theater 1985 John Simon Guggenheim Fellowship for painting Asian Cultural Council Fellowship for independent study in Japan Just Above Midtown Production Grant National Endowment for the Arts Inter-Arts Grant For “Mike’s House,” a video production in collaboration with Michael Smith 1984 National Endowment for the Arts Inter-Arts Grant For “Variety Show,” in collaboration with Charles Moulton Massachusetts Arts Council Grant, 1984 For “Framework,” a dance project in collaboration with David Gordon New York Art and Performance Award (Bessie Award) New York State Council on the Arts Grant For Trying Times, a dance project collaboration with David Gordon, choreographer 1982 Institute for Art and Urban Resources for one-year residency at P.S. 1 1976 National Endowment for the Arts, Artist Fellowship for painting 1971 Theodoran Award, Guggenheim Museum, for traveling exhibition, Ten Young Artists, purchase award Hartford Art School, University of Hartford 2011 - present Professor of Painting and Drawing University of Hartford, 2001–2010 Dean, Hartford Art School Ohio University, 1998–2001 Director, School of Art Maryland Institute, College of Art, 1993–1998 Co-Director, Mt. Royal Graduate School, and Artist and Critic-in- Residence Princeton University, 1988–1995 Lecturer in the Humanities, Visual Arts Program School of Visual Arts, 1979–1988 Instructor Colorado College, 1977 Director, Painting and Drawing Summer Program 2014-2015 Faculty Humanities Center Fellow, Lecture: Complexity and Art-making, University of Hartford Humanities Center Lecture Series, Spring 2015, Theme: Exploring Complexity 2008–2009 Chair, University of Hartford’s Academic Strategic Planning Committee 2007–2012 Delegate, Commission on Accreditation, National Association of Schools of Art and Design 2005–2012 Accreditation Chair, Evaluation Teams to assess schools for National Association of Schools of Art and Design accreditation 2000 Director of Art-Body-Mind: An Integration, four-day symposium at Ohio University ¬Presenters: Mark Johnson, Lewis Hyde, Ellen Dissanayake, Joseph Caroll, Brian Hansen, Nancy Aiken and others 1998 Curator of Chance + Necessity, a painting exhibition at Maryland Art Place (MAP) ¬Wrote catalogue essay 1986–1998 Co-Director (with composer, Dick Connette) of Present Company, Inc., Not-for-Profit Production Company in New York, NY to produce original theater and film projects ¬Produced two-multi-media theater events and five independent short films ¬Designed sets for Obie Award-winning off-Broadway theater productions, including Richard Foreman’s Ontological Hysteric Theater and Mabou Mines theater company ¬Designed sets for dance productions in collaboration with choreographers, including Doug Varone, Dave Gordon, and David Parsons, and with composers Virgil Thompson, Philip Glass, and Dick Connett GRANT PANELS AND JURIES 2015 ¬Art directed and designed film productions, including Michael Snow, Mark Rappaport, Babette Mangold and Richard Foreman, resulting national awards ¬ Production design and art direction for many videos, including Cyndi Lauper, Dion, and Jean Luc Ponty, resulting in international video awards Juror, Abstraction Exhibition, Colorado Sprints Art Center, Colorado Springs, NY Panel, Five Points Gallery, Torrington, CT Juror, Colorado Springs Arts Center, CO 2014 Juror, Mystic Art Center, Mystic Seaport, CT 2010 Juror, Alliance for Young Artists, NY Juror, ArtSpace. Hartford, CT 2009 Juror, ArtSpace. Hartford, CT Juror, West Hartford Art League, CT 2006 Juror, Mystic Art Center, Mystic Seaport, CT Juror, Silvermine Art Center, CT 2004 Juror, West Hartford Art League, CT 2002 Juror, Exhibition, Gallery on the Green, Canton, CT 1999 Freedom of Speech in the Arts, Panel at Ohio University, OH 1997 Fulbright Committee, Maryland Institute College of Art, MD Juror for 7th Annual Pennsylvania Juried Exhibition, PA 1994 National Endowment, Presenting and Commissioning Program, Washington, DC 1991 New York State Council for the Arts, Film Panel, NY 1989 National Endowment for the Arts, Inter-Arts Panel, Washington, DC 1986 National Endowment for the Arts, Inter-Arts Panel, Washington, DC VISITING ARTIST AND LECTURER 2015 Lecture on Abstraction, Colorado Springs Arts Center, Colorado Springs, CO Lecture on Abstraction, Worthington Historical Society, Worthington Corners, Worthington, MA 2014 Mystic Art Center, Mystic Seaport, CT Workshop on Composition; Workshop on Value and Color 2010-11 New Britain Museum of American Art, New Britain, CT Five lectures titled: “Art Matters” 2010 Wadsworth Atheneum, Hartford, CT Connecticut Art Education Association 2007 Wadsworth Atheneum, Hartford, CT West Hartford Art League, West Hartford, CT 2005 Virginia Commonwealth University, Richmond, VA 2002 Wadsworth Atheneum, Hartford, CT Center for Art and Culture, Aix-en-Provence, France 1999 University of Minnesota, MN Emporia University, KS Columbia Festival for the Arts, Columbia, MD St. Mary’s College of Maryland, St Mary’s City, MD 1977 Elizabethtown College, Elizabethtown, PA Kennedy Center, Washington, DC 1995 Pennsylvania Academy of Art, Philadelphia, PA The Cooper Union, New York, NY Florida State University, Tallahassee, FL 1994 Arizona State University, Tempe, AZ Messiah College, Grantham, PA 1991 Trinity College, Hartford, CT Institute for Contemporary Art, Philadelphia, PA 1990 Bard College, Annandale-on-Hudson, NY Maryland Art Institute, College of Art, Baltimore, MD 1987 San Francisco Art Institute, San Francisco, CA 1986 Ohio Wesleyan University, Delaware, OH 1984 Film/Video International, Castle Hill, MA 1982 Rutgers College, New Brunswick, NJ 1978 Pratt Institute, New York, NY 1976 Maryland Institute, College of Art, Baltimore, MD EDUCATION Colorado College, BA, 1969; Honorary Doctorate of Arts, 1989 PROFESSIONAL MEMBERSHIPS 2005–PRESENT 1998–PRESENT 1986–PRESENT 1983–PRESENT PUBLICATIONS Whitney Museum Independent Study Program, 1967–1968 American School of Classical Studies in Athens, Greece, 1990 Post-graduate research in classical archeology University of California at Berkeley, CA, 1996 Post-graduate research associate in philosophy and cognitive studies Wadsworth Atheneum, Board (serve on the Education Committee) National Association of Schools of Art and Design College Art Association American Abstract Artists “Chance + Necessity,” Catalog Essay for Chance and Necessity, an Exhibition of Abstract Painting, MAP Publication, 1998. “Out of Balance, A Study of Mondrian’s Dynamic Equilibrium Concept,” American Abstract Artists Journal, NO. 2, AAA Publications, 1996. “Notes on Abstract/Meaning,” American Abstract Artists Journal, No. I, AAA Publications, 1996. “On Painting,” Meaning, Volume II. Segue Foundation, 1987. “When the Fourth Soldier Falls, A Study of Piero Della Francisca’s Resurrection,” Issue, Volume 6, Reflex Horizons, Ltd., 1986. BIBLIOGRAPHY Acocella, Joan, “Power Boothe on Two Edges,” The Village Voice, February 20-26, 1991, review with photo. _____, Joan, “New York Reviews,” Dance Magazine, September 1988, review with photo. Ashton, Dore, American Art Since 1945 (Oxford University Press), 1982, pages 159-160, with photo. _____, “Power Boothe’s Gait,” Arts Magazine, June 1981, article with photos. _____, “Painting Endures,” Institute of Contemporary Art, Boston, 1975, catalogue with photo. Baker, Kenneth, “Inauspicious Content in a New ICA Form,” Boston Phoenix, May 17, 1975, review. Bannon, Anthony, “Members Gallery, Albright Knox,” Buffalo Evening News, April 15, 1977, review. Bell, Jane, Arts Magazine, January 1974, review with photo. Betz, Margaret, “Power Boothe (A.M. Sachs),” Art News, May 1976, review with photo. Burnside, Madeleine, “Power Boothe (A.M. Sachs),” Art News, December 1977, review with photo. Catlin, Roger, “Power Boothe’s Work Rises Out of ‘Order’, Hartford Courant, January 30, 2011. Commanday, Robert, “Effective Vision in Oakland,” San Francisco Chronicle, September 24, 1994. Dieckman, Katherine, “Film Noir et Blanc,” Village Voice, February 10, 1987, review. Dunning, Jennifer, “Symbolism by Power Boothe,” New York Times, March 17, 1991, review. _____, “Out in the Proving Grounds, Times Get Tougher,” New York Times, May 26, 1991, article. Edelman, Robert G., “Power Boothe at Stephen Haller,” Art in America, May 1996, review with photo. Ellenzweig, Allen, “Power Boothe,” Arts Magazine, May 1976, review with photo. _____, “Power Boothe,” Arts Magazine, December 1977, review with photo. Everingham, Carol J., “Power Boothe’s Abstract Musical Figures in Paint,” The Advocate and Greenwich Time, November 1988, review with photo. Foster, Hal, Artforum, December 1977, review with photo. Frank, Peter, “Power Boothe (A.M. Sachs),” Art News, January 1975, review with photo. Haggerty, Gerard, “Power Boothe, Ron Ehrlich...

Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, Chapel Hill. He joined the faculty at Maryland in 1978 and has maintained a professional focus on abstract painting and contemporary art theory. His work has been featured in 21 solo and over 100 group exhibitions in museums, galleries, and art centers in Washington, DC, New York, NY, Maryland, Virginia, North Carolina, West Virginia, Missouri, Ohio, Georgia, Minnesota, Illinois, Massachusetts, Pennsylvania, Tennessee, Texas, and internationally in Brussels, Russia, Jordan and Algiers. His work is currently represented by G Fine Art in Washington DC. Past gallery affiliations include Fusebox in Washington DC, and Baumgartner Gallery in DC and NY. Richardson has received numerous grants and awards for his work, including five Maryland State Arts Council Visual Arts Fellowships. Commissioned artwork is permanently installed at Ronald Reagan National Airport and Reston Town Center in Virginia. His work is held in numerous public and corporate collections, including the Hirshhorn Museum and Sculpture Garden (DC), the Corcoran Gallery of Art (DC), the Ackland Art Center (NC), the U.S. Department of State (Algiers), the District of Columbia Town Hall, Prudential Life (NY), IBM Corporation (DC), Richmond Federal Reserve Bank (VA), Washington Post Corporation (DC), Northrop-Grumman (VA), and Reston Town Center (VA). Richardson’s exhibitions have been reviewed in Art In America, Artforum International, ARTnews, NYArts Magazine, The Art Papers, The New Art Examiner, The Washington Post, The Washington Times, The Philadelphia Inquirer, The Baltimore Sun, The Richmond Times Dispatch, The El Paso Times, The Winston-Salem Journal, and The Washington City Paper, among others. Essays and monographs on his work have been published in many exhibition brochures and catalogues. An extensive interview with over 40 reproductions of his work can be found at the online curatorial project geoform. Richardson is an active visiting artist, lecturer, and juror at academic institutions and museums throughout the region and across the country. SELECTED GROUP EXHIBITIONS 2016 Resonance. Steven Cushner, W.C. Richardson and Robin Rose...

Christine Romanell’s bold geometric wall sculpture bursts with vibrant color and dynamic movement, showcasing her signature use of sacred geometry. This three-dimensional constructio...