Willem de Looper

Zanzibar, 1971 (Abstract Expressionist colorfield painting)

1971

Deborah Kass (b.1952). 16 Barbras (Jewish Jackie Series), 1992. 40 x 48 inches. Acrylic silkscreen inks on canvas. Signed, titled and dated in pencil en verso. Biography: (b. 1952, lives and works in Brooklyn, NY) Deborah Kass employs the visual motifs of post-war painting to explore the intersection of politics, popular culture, art history and personal identity. Her celebrated series, The Warhol Project, from the early 1990’s refocused Andy Warhol’s eye for celebrity portraiture. Her work incorporates lyrics from Broadway musicals, movie quotations and Yiddish sayings into canonical formats like Frank Stella’s concentric squares, Ellsworth Kelly’s rainbow spectrum and Andy Warhol’s camouflage patterns. Kass’s work is in the collection of the Museum of Modern Art, the Whitney Museum of American Art, The Jewish Museum and the Solomon R. Guggenheim Museum, The National Portrait Gallery, among others. She is a Senior Critic in the Graduate Painting Program at Yale University. Recent solo and group exhibitions include The Pittsburgh Biennial at The Andy Warhol Museum; “The Deconstructive Impulse” at the Neuberger Museum of Art in Purchase, NY; “feel good paintings for feel bad times” and “MORE feel good paintings for feel bad times” at Paul Kasmin Gallery; and “Shifting the Gaze: Painting and Feminism” at The Jewish Museum in New York, NY. In 2012, The Andy Warhol Museum hosted “Deborah Kass: Before and Happily Ever After, a Mid-Career Retrospective.” Kass’s work was also featured in the Metropolitan Museum of Art’s “Regarding Warhol: Sixty Artists, Fifty Years.” SOLO EXHIBITIONS 2013 “My Elvis +,” PAUL KASMIN GALLERY, New York 2012 “Deborah Kass: Before and Happily Ever After, a Mid-Career Retrospective,” ANDY WARHOL MUSEUM, Pittsburgh, PA 2010 “MORE feel good paintings for feel bad times,” PAUL KASMIN GALLERY, New York 2007 “feel good paintings for feel bad times,” PAUL KASMIN GALLERY, New York “Armory Show,” PAUL KASMIN GALLERY, New York 2001 “Deborah Kass: The Warhol Project,“ WEATHERSPOON ART GALLERY, University of North Carolina at Greensboro, NC 2000 “Deborah Kass: The Warhol Project,” UNIVERSITY ART MUSEUM, University of California at Santa Barbara, Santa Barbara, CA “Deborah Kass: The Warhol Project,” BLAFFER GALLERY, University of Houston, Houston, TX 1999 “Deborah Kass: The Warhol Project,” NEWCOMBE ART GALLERY, Tulane University, New Orleans, LA (traveling, catalogue) 1998 ARTHUR ROGER GALLERY, New Orleans, LA 1996 “My Andy: a retrospective,” Kemper Museum of Contemporary Art and Design, Kansas City, MO 1995 “My Andy: a retrospective,” JOSE FREIRE FINE ART, New York “My Andy: a retrospective,” ARTHUR ROGER GALLERY, New Orleans, LA 1994 BARBARA KRAKOW GALLERY, Boston, MA 1993 “Chairman Ma,” JOSE FREIRE FINE ART, New York “Chairman Ma,” ARTHUR ROGER GALLERY, New Orleans, LA 1992 “The Jewish Jackie Series and My Elvis,” FICTION/NONFICTION, New York “The Jewish Jackie Series,” SIMON WATSON, New York 1990 SIMON WATSON GALLERY, New York 1988 SCOTT HANSON...

Beautiful collage painting by unknown artist. Acrylic on torn paper segments, reassembled as collage. Art object assempled on rectangular sheet of hand made rag paper measures 12.5...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 10 sheets, corresponding to the 10 elegies, each measuring 14.5 x 23 inches. Please request additional images depicting alternate formats or videos. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...

Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...

"Blue and Green Abstract" by Claudia Sisemore, acylic on canvas, 43.5 x 46 inches, $4,800. "I have a vague idea of what I am going to paint. I...

"Untitled, 1975" by Claudia Sisemore, acylic on canvas, 41.5 x 50 inches, $4,800. "I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore -- Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...