Yvette Dubois Habasque

Parisian Abstract Expressionist Original Oil Painting -

2008

Stunning original oil painting by the British contemporary artist, Sally Bradshaw. The work, signed verso and dated 2017, displays an abundance of rich and warm colours - of greens, yellows and soft pastel pinks - a diverse range of palette all blended to create this wonderful work of art. The work is signed by the artist verso and is a stunning example of her work. A regular exhibitor here at the Stag...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed dated 96' canvas size: 24 x 18 inches condition: overall very good,...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) dated 68 oil painting on canvas, unframed canvas size: 26 x 36 inches condition: overall very good, ...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed oil painting on canvas, unframed canvas size: 51 x 38 inches condition: overall very good, a few minor s...

Original painting by Paola Zarate & Mark Wilson Two best friends completed a wonder of artworks for a weekend in Silverdale, Washington. "Smile For Me" represe...

Composition in Orange - French American Frédéric Choisel is inspired by the cities of France, New York and the Bay Area and creates elegant abstracti...

Created during my first residency at Found Wonder Studios in Brooklyn, New York. Represents the easter spirit within the composition. Egg Shells is a lighter...

Signed lower left. “Abstract and Fractured Biomorphic and Geometric Forms” which was painted in the mid to late 1950’s is a nod to Picasso’s famous painting Guernica, which Hart may have seen when it was given to the Museum of Modern Art in New York in 1958. Several elements in the painting clearly reference Guernica: the black geometric and cut-out shapes, the biomorphic shapes, the abstracted horse’s head and body, with a district reference to the bull’s tail, along with the black and white pallet choice and various details throughout-all hallmarks of Picasso’s Guernica. The abstracted reality Hart presents in these references go beyond a simple nod and reflect a personal interpretation reflected in the splintered abstraction and her bespoke interpretation. Agnes Hart’s first began her career as a social realist artist in the 1930’s. She was also WPA artist. Her longtime friend Milton Avery encouraged her, and she exhibited in the same gallery in the late 1940’s, the RoKo Gallery. Her instinctive and personalized modernist periods often reflected a similar path of her compatriot artists during the first half of the 20th century. Her early works were influenced by her teachers Josef Presser, Paul Burlin and Lucile Blanch, and Reginald Neal, and reflected historical modern trends-at times showing the influence of Avery and other modernist. Like Elaine DeKooning, Lee Kraser, Michael Corrine West...