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Heinrich Brad SchmidtAtlas Cornice Drawings 2 —Vienna Secessionistc. 1920
c. 1920
About the Item
Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to a buff wove support sheet (9 7/8 x 13 inches). Unsigned, from the artist's estate auction. Matted to museum standards, unframed.
In Greek Mythology, Atlas and his brother Menoetius fought with the Titans in their war against the Olympians, the Titanomachy. When the Titans were defeated, many of them (including Menoetius) were confined to Tartarus, but Zeus condemned Atlas to stand at the western edge of Gaia (the Earth) and hold up the sky on his shoulders, to prevent the two from resuming their primordial embrace. Thus, he was Atlas Telamon, "enduring Atlas," and became a doublet of Coeus, the embodiment of the celestial axis around which the heavens revolve.
- Creator:Heinrich Brad Schmidt (American, Hungarian)
- Creation Year:c. 1920
- Dimensions:Height: 11.32 in (28.76 cm)Width: 3.38 in (8.59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 987721stDibs: LU53232590611
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View AllAtlas Cornice Drawings 1 — Vienna Secessionist
By Heinrich Brad Schmidt
Located in Myrtle Beach, SC
Heinrich Brad Schmidt, two early 20th-century German Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot ...
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Image size 7 3/8 x 4 7/16 inches (187 x 113 mm); front panel size 8 11/16 x 5 3/4 inches (221 x 146 mm).
ABOUT THE ARTIST
“Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.”
—Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993.
Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree.
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Image size/sheet size: 24 1/16 x 18 inches (611 x 457 mm).
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—Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993.
Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree.
Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975.
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