Flowers Still-life Scacciati 17th Century Paint Oil on canvas Old master (2/3)

1670-1699

Still life in a landscape with fruit and game Work of the late Roman Baroque of the late seventeenth / eaarly eighteenth century attributable to Giovanni Paolo Castelli, known as Spadino (Rome, 1659 - 1730) oil on canvas 62 x 76 cm., Framed 90 x 109 cm. An open-air setting, with a hilly landscape gash that opens into the distance in the central part, surrounds our beautiful canvas, which showcases a rich selection of game and fruit, arranged in the foreground near the point of view of the observer, occupying a large part of the visual field with their bright and festive colors. The style and quality of the work, like the pictorial technique of this still life, characterized by subtle luminous vibrations and a lively chroma, make it attributable to the Roman Giovanni Paolo Castelli, known as Lo Spadino (Rome, 1659 - 1730), one of the most important specialists of this pictorial genre of late Baroque Rome, which had a very successful career between the 17th and 18th centuries. Analyzing the rich and heterogeneous catalog of the Roman master, in fact, our canvas can be included among his rare works which, alongside a selection of fruit - among which stand out large melons, ripe figs, dark grapes and plums - we see a game advert, presumably as requested by a patron who loves hunting. Next to various birds, spoils of a profitable hunting trip, there is also a small green woodpecker, with the characteristic red spot on the head, and a nice rodent that terminates from behind the trunk. The painter abandons himself to a skilful and brilliant chromatic texture of the surfaces, through a pictorial material rendered with exceptional vibration in its luminous and 'tactile' body, fully respecting the taste of the full Roman Baroque. The quality appears excellent, distinguished by a skilful and brilliant chromatic texture of the surfaces, which appear almost vibrant thanks to a skilful drafting of the pictorial material. Inevitable and evident are the Flemish suggestions, which had influenced the Roman Baroque still life, in particular the work of Abraham Brueghel...

Pieter Casteels III (Antwerp 1684 - 1749 Richmond) circle Floral still life Signed lower left, on the stone: P Casteels About 1730 Oil painting on...

Jacob De Wit (Amsterdam, 1695 - 1754) attributable/ workshop Pair of Cupids with Garland of Flowers Oil on canvas 91 x 103 cm. - Framed 104 x 115 cm. Provenance: Christie's (London, Old master Painting 12.12.1996) lot 82 This magnificent composition depicts two cupids holding a garland of flowers, placed on a fine architecture with bas-reliefs and masks, presumably the top of a fountain. One of the two cupids sympathetically holds a part of it with his hands, while his head turns towards the viewer; the second cupid, on the other hand, must have clumsily broken the thread holding its end, and is sitting sullenly with a torch and a tear streaking his chubby cheek. The work, given its stylistic features and compositional taste, can be attributed to the Flemish artist Jacob de Wit (Amsterdam, 1695 - 1754), or to an artist from his workshop, with his typical triumphal and opulent style, which reveals clear influences from Rubens and Van Dijck, but also from Gerard de Lairesse...

Aniello Ascione (Naples, news from 1680 to 1708) Still life with festoon of flowers and fruit Oil painting on canvas 89 x 117 cm - in frame 104 x 132 cm. With expertise and attrib...

STILL LIFE WITH BIRDS AND RAISINS, WORKSHOP OF FRANS SNYDERS (1579-1657) An exquisite and attractive work, our painting with its rich and harmonious composition is one of the remarkable examples of the passion of art lovers of the 17th century for still lifes, the genre in full ferment in Antwerp in early 17th century, long before its arrival to Paris in the 1630s & 40s. Our painting presents on an entablature covered with wine-colored velvet cloth, various objects in an artistic arrangement which is intended to be spontaneous. The tight framing, like an extract and the piled up objects suggest a plenitude and an infinite richness of what nature can offer and reinforce the feeling of prosperity. The wicker basket overflowing with translucent bunches of grapes in green and purplish hues with icy reflections dominates the right side of the painting. In the center is the game birds, partridge, snipe, sparrow, pincon and others, each bird with a fine and precise design, transparent plumage, the meticulous rendering of the different beak or leg parts, zebrures and streaks of the down. On the left, two stacked white and blue Chinese...

Flowers - Carlo De Tommasi Italia 2007 - Oil on canvas cm. 80x50. With frame cm. 100x70 Frame available on request from our workshop. In this precious oil painting, Carlo De Tommasi ...

Matthew Cook Ophelia Oil & Acrylic on Aluminum 24 x 24w in 38.25h x 38.25w x 1d in (framed) 97.16h x 97.16w x 2.54d cm MLC021 Bio: Matthew Cook is a realist painter, born in Toledo...

Mockery and Hate are the English translations of Sköll and Hati, the Norse mythological wolves that chase the Sun and Moon across the sky and ultimately devour them at Ragnarok. They...