Carlo De Tommasi

FLOWERS - Carlo De Tommasi - Still Life Oil on Canvas Italian Painting

2007

Flowers - Carlo De Tommasi Italia 2010 - Oil on canvas cm. 80x60 Gold leaf gilded wooden frame cm.106x86 This wonderful painting inspired by Jean Baptiste Monnoyer, shows a vase with...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. Gold leaf gilded and mahogany lacquered wooden frame. The painting is inspired by one of the canvases of the Belgi...

Flowers - Carlo De Tommasi Italia 2013 - Oil on canvas mis. cm. 110x90. Gold leaf gilded and laquered wooden frame ext. mis .cm. 130x110. The painting by the painter Carlo De Tommas...

Grotesque - Carlo De Tommasi Italia 2012 - Oil on canvas cm. 130 x 80. Peral grey laquared wooden frame cm. 150 x 100 The painting created by the painter Carlo De Tommasi is in neoc...

Flowers - Carlo De Tommasi Italia 2010 - Oil on canvas cm. 70x55 Frame available on request from our workshop. In this precious oil painting, Carlo De Tommasi is inspired by the comp...

Flowers - Carlo De Tommasi - Italia 2007 This is his reinterpretation of a greatest old master painting by Jan Van Os. Oil on canvas cm. 80x40. Gold leaf gilded wooden frame Mis ...

Flemish school, 17th Century Narcissi and other summer blooms in a glass vase on a ledge Oil on canvas 18.7/8 x 14.3/4 in. (48 x 37.3 cm.)

Master of the Grotesque Vase (active in Rome and Naples in the first quarter of the 17th century) Still life of flowers in a classic vase oil on canvas 66 x 51 cm, In frame cm. 82 x...

Still life painting of fruit in a basket Continental, c. 1800 Frame: Height 81cm, width 91cm, depth 7cm Canvas: Height 57cm, width 69c...

A lovely pair of Dutch oil on panel framed paintings by Jan Evert Morel, (1777-1808), both signed lower left and late 18th Century in date. The pai...

A French oil on canvas still-life floral painting in the Dutch School style from the 18th century, in giltwood frame. Born in France during the Age of Enlightenment, this exquisite f...

RODOLPHE CAILLAUX French, 1904-1990 Bouquet of flowers, oil on canvas, signed lower right, overall (with frame): 23"h x 20"w in bold, vibrant red, blue, gray, yellow gold and black c...

approximate image size 13'' x 7 1/2'', frame size 20 1/2'' x 15''. Pierre Jerome French 1905-1982 During his 50+ year career as an artist, he won several major awards, including aw...

Gorgeous oil painting still-life of a spring bouquet of various flowers in a blue and white vase next to a tea set on a table by central California artist...

A fine still life oil painting with flowers in vases by American artist Everett Lloyd Bryant (1864-1945). Bryant was raised in Galion, Ohio, and showed early art talent but had no fo...

78087 vintage Indian rug with Arabesque Dutch Renaissance style 04'03 x 06'05. With its effortless beauty and architectural elements of arabesque vines scrolls, this hand knotted woo...

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

Italian 17th Century The cat and the canary Oil on canvas 37.1/4 x 50 in. (94.6 x 127.5 cm.)

Still life painting of fruit in a basket Continental, c. 1800 Frame: Height 81cm, width 91cm, depth 7cm Canvas: Height 57cm, width 69c...

English School, circa 1827 A gentleman’s vices the newspaper dated ‘Sunday December 23 1827’ (upper left) oil on canvas 20 ¾ x 24 ½ in. (52.7 x 62.3 cm.) frame 25 ⅝ x 29 ¼ in. (65.1...

Juan Sánchez Cotán (1560 - 1627) was one of the most important still life painters in Spain and beyond. He developed a certain type of still life with...

Wonderful Early 19th-century Still life of different fruits on an earth bank. Very much painted in the same way as George William Sartorius painted his still lives this piece has al...