Items Similar to Hawk Bird Of Prey Framed Original Mid 20th Century Powerful Watercolor Painting
Want more images or videos?
Request additional images or videos from the seller
1 of 24
Elisabeth FrinkHawk Bird Of Prey Framed Original Mid 20th Century Powerful Watercolor Painting1969
1969
About the Item
Dame Elisabeth Frink.
English ( b.1930 - d.1993 ).
Hawk, 1969.
Watercolor.
Signed & Dated Lower Right.
Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ).
Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ).
Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969.
The painting is presented and supplied in a glazed frame and mount dating from June 1997.
This vintage watercolor is in very good condition, commensurate with its age.
The watercolor is signed and dated lower right.
Previously with Beaux Arts, London and Bath in 1999.
Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places.
She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth.
She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973.
Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London.
The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals.
The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International.
In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness.
Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’.
Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings.
Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death.
For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work.
In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994.
Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide.
© Big Sky Fine Art
This original watercolor on paper painting of a hawk by Dame Elizabeth Frink is executed in pale neutral tones. The magnificent bird lies upside down, with his head in the bottom left portion of the image. The artist has concentrated the detail on the head, with the precisely painted beak and dark eyes both closed. The feathers on the back of the bird’s neck fall softly backwards, whilst his great powerful wings reach upwards to the top of the image, the strokes of the artist’s brush delineating the long feathers. This is a powerful work which speaks of the majesty of its subject.
- Creator:Elisabeth Frink (1930-1993, British)
- Creation Year:1969
- Dimensions:Height: 34.45 in (87.5 cm)Width: 28.15 in (71.5 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This vintage watercolor and its presentation are in very good condition, commensurate with its age.
- Gallery Location:Sutton Poyntz, GB
- Reference Number:1stDibs: LU489313924102
Elisabeth Frink
Dame Elisabeth Jean Frink was an influential English sculptor and printmaker whose work captured the complexities of the post-war era. Born in Thurlow, Suffolk, she studied at Guildford School of Art (1946–1949) under Willi Soukop, and at Chelsea School of Art (1949–1953). Frink emerged as a key figure among the Geometry of Fear sculptors, a group of post-war British artists including Reg Butler, Bernard Meadows, Kenneth Armitage, and Eduardo Paolozzi. Her oeuvre encompassed themes of masculinity, strength, and struggle, frequently depicting men, birds, dogs, and horses but rarely female forms. Her powerful sculptures and prints evoke the raw emotional aftermath of war. Frink's early years in wartime Suffolk left a profound impression on her art. She gained international recognition at the 1952 Venice Biennale, where Herbert Read hailed her as "the most vital, the most brilliant and the most promising" artist of the event. Her early success, such as Bird (1952, Tate, London), showcased her distinctive approach, blending menace and grace in avian forms. Her innovative bronze sculptures, characterised by rugged, worked surfaces, broke with traditional modelling techniques. The 1960s and 1970s marked a period of experimentation. While living in France, she produced the monumental Goggled Heads, haunting male figures exuding threat and alienation. Returning to England, her focus shifted to male nudes with powerful, barrel-chested forms and textured surfaces, exemplified by Running Man (1976, Carnegie Museum of Art). In the 1980s, Frink's career reached new heights. A retrospective at the Royal Academy in 1985 cemented her legacy, despite a demanding schedule that included major commissions like Dorset Martyrs in Dorchester. She continued to work tirelessly, contributing to public art projects, mentoring students, and serving on advisory committees. Even after being diagnosed with cancer in 1991, Frink persisted in her creative endeavors, producing her final monumental work, Risen Christ for Liverpool Cathedral, installed just days before her death on April 18, 1993. Frink's impact on sculpture extends beyond her life. Notable works like Warhorse and Walking Madonna are displayed at Chatsworth House, while Desert Quartet (1990) earned Grade II* listing in 2007, a rare honor for a contemporary piece. Her commitment to figurative art inspired the creation of the Frink School of Figurative Sculpture in 1996, a tribute to her artistic vision. David Bowie counted her among his favorite artists, owning several of her works. As Frink herself believed, sculpture transcends function, existing as an independent and sacrosanct object, harmonising with its environment while commanding a profound presence—a philosophy vividly embodied in her enduring legacy.
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2010
1stDibs seller since 2016
120 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Sutton Poyntz, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllA Tight Finish Framed Mid-20th Century British Horse Racing Original Painting
By John Rattenbury Skeaping
Located in Sutton Poyntz, Dorset
John Rattenbury Skeaping.
English ( b.1901 - d.1990 ).
A Tight Finish, 1970.
Gouache & Watercolor.
Signed & Dated Lower Right.
Image size 21.5 inches x 29.1 inches ( 54.5cm x 74...
Category
Mid-20th Century Modern Animal Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
A Three Horse Race Framed 20th Century Original Horse Racing Watercolor Painting
By John Rattenbury Skeaping
Located in Sutton Poyntz, Dorset
John Rattenbury Skeaping.
English ( b.1901 - d.1980 ).
A Three Horse Race, 1963.
Gouache & Watercolor.
Signed & Dated Lower Left.
Image size 15.6 inches x 21.5 inches ( 39.5cm x 54...
Category
Mid-20th Century Modern Animal Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
On The Gallops Race Horses Equine Speed Framed English Horse Racing Painting
By John Rattenbury Skeaping
Located in Sutton Poyntz, Dorset
John Rattenbury Skeaping.
English ( b.1901 - d.1990 ).
On The Gallops, 1976.
Gouache & Watercolor.
Signed & Dated Lower Right.
Image size 18.5 inches x 26.8 inches ( 47cm x 68cm )....
Category
Mid-20th Century Modern Animal Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Egyptian Buffalo & Farmers 19th Century American Orientalist Framed Watercolor
By Edwin Lord Weeks
Located in Sutton Poyntz, Dorset
Edwin Lord Weeks.
American ( b.1849 - d.1903 ).
Egyptian Buffalo And Farmers, Egypt.
Watercolor On Paper.
Monogram Lower Right.
Image size 5.1 inches x 8.3 inches ( 13cm x 21cm ).
F...
Category
Mid-19th Century Romantic Animal Drawings and Watercolors
Materials
Paper, Watercolor
$1,967 Sale Price
20% Off
Horse & Rider Modern British Northern Art Manchester Salford Original Watercolor
By Geoffrey Key
Located in Sutton Poyntz, Dorset
Geoffrey Key.
English ( b.1941 ).
Horse and Rider, 1988.
Watercolor & Ink On Paper.
Signed & Dated Lower Left.
Image size 10 inches x 6.7 inches ( 25.5cm x 17cm ).
Frame size 16.1 inches x 12.6 inches ( 41cm x 32cm ).
Available for sale; this original painting is by Geoffrey Key and is dated 1988. The painting is presented and supplied in a sympathetic and contrasting contemporary frame (which is shown in these photographs) to suit the subject coloration, mounted using conservation materials and behind glass.
The artwork and its presentation is in very good condition. It wants for nothing and is supplied ready to hang and display.
The watercolor is signed and dated lower left.
Geoffrey Key is a leading figure in Northern contemporary art, widely regarded as Lancashire’s greatest living artist, noted for his realism, his expressive use of bold color and his graphic, linear style. His striking works, now much in demand, have established him as a major player of post war British figurative art.
Geoffrey Key was born in Rusholme, Manchester in 1941. His mother, Marion, worked as an illustrator and encouraged him to draw and he took to this easily and with great enthusiasm. He was educated at Manchester's High School of Art, whose headmaster, Ernest Goodman, established the Salford Art Club. It is fitting that many years later, after Goodman's death, its members chose Geoffrey Key as Honorary President. In 1958 Key enrolled at the Manchester Regional College of Art, where he was tutored by the sculptor Ted Roocroft and the painter Harry Rutherford, both of whom influenced him greatly. After gaining the National Diploma of Design and the Diploma of Associateship of Manchester, the latter with distinction, Key took up a postgraduate scholarship in sculpture.
His academic awards include the Heywood Medal in Fine Art and the Guthrie Bond Travelling Scholarship.
Geoffrey Key’s early work included an important period of development during which he concentrated on painting and drawing a specific area of the Derbyshire landscape, the Whiteley Nab hill, south of Glossop. Key created literally hundreds of images of this one landscape and later revealed that the sole purpose of this dedicated period of study, was to build upon the firm foundation established by his academic training, whilst divesting himself of the influences he had absorbed in order to arrive at his own personal artistic language. In other words, this is where he found his own style.
After graduating Key worked as a teacher at Duke Street Secondary Modern in Broughton, Salford, which later became Broughton Modern. In every spare moment though he painted and his talent was quickly recognised. As the likes of Salford Art Gallery, The Rutherston Loan Collection and North West Arts began to acquire his work he made the decision to relinquish his salary and to become a full time artist.
Key was elected to membership of the Manchester Academy of Fine Arts in 1968 and was a prize winner in 1971. During this time he was also commissioned by three North West England based companies – Mather & Platt, Richard Johnson & Nephew, and Wilson’s Brewery. The Richard Johnson & Nephew pictures are now held by the Museum of Science and Industry, Manchester.
In the 1980s the French company Société des Caves de Roquefort also commissioned Key’s work and further successful exhibitions were held in both the UK and abroad. In 1987 the Manchester Evening News asked Key to write an article on L. S. Lowry, who Key had known well, for a feature marking the centenary of the artist's birth. This article was accompanied by a contemporary drawing of Lowry by Key. Apart from LS Lowry, Key is arguably Lancashire’s best-known and most collected contemporary artist. Key says ‘I knew Lowry and he was a lovely...
Category
Late 20th Century Cubist Animal Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Art Nouveau Watercolor Painting Naked Lady Red Boa Skating Pulled By A Poodle
Located in Sutton Poyntz, Dorset
Oscar Wilson.
English ( b.1867 - d.1930 ).
The Lady Of The Lake.
Watercolor & Ink On Paper.
Signed Lower Left.
Image size 17 inches x 10.2 inches ( 43cm x 26cm ).
Frame size 23 inc...
Category
Early 20th Century Art Nouveau Figurative Drawings and Watercolors
Materials
Ink, Watercolor, Paper
You May Also Like
Fish under the Water, Watercolor on paper, Blue by Indian Artist "In Stock"
By Kartick Chandra Pyne
Located in Kolkata, West Bengal
Kartick Chandra Pyne
Untitled
Watercolour on Paper
30 x 22.5 inches
Untitled
Watercolour on Paper
30 x 20 inches
(Set of Two)
Inclusive of shipment in roll form.
Style : After graduating from the Government College of Art and Crafts, Calcutta in 1955 Pyne began to move away from the tenets of both classical Indian and Western art to respond to the beckoning of his own artistic impulses. Landscapes fascinated him initially. But along with the world of nature and flora emerged his own reconstructed images of fauna that often signified as metaphors of human passion and energy, and his paean to the elemental magic of women. This transition may have risen from his penchant for human psychology and observing the intricacies of human behavior.
In the case of Pyne too, his artistic vision does not adhere to logic because he does not see with his eyes but rather through his subconscious mind -- in an act of surrender to the liberty of his dreamy vision -- with little control over the wanton caprice of his depictions. So, in this distinctive vein, he is perhaps the most seminal surrealist of the contemporary Indian art.
About the Artist and his work :
Born : 1937 in Calcutta, West Bengal.
Education : 1955 Diploma in Fine Arts, Govt. College of Art and Craft, Calcutta.
Exhibitions :
1961 : AIFACS, New Delhi.
1967, 80, 82 : Academy of Fine Arts, Calcutta.
1968-87 : Lalit Kala Akademi, New Delhi.
1968 : Jehangir Art exhibition, Bombay.
1979 : 100 Years of Modern Indian Art, Fukuoka Art Museum, Japan.
1988 : Chandigarh and Chitrakoot Art exhibition, Calcutta.
1991 : Calcutta 300 - Birla Academy of Art and Culture, Calcutta.
1991, 92, 93, 95, 97, 2001 : Chitrakoot Art , Calcutta.
1992 : Gandhara Art...
Category
Early 2000s Modern Animal Paintings
Materials
Paper, Watercolor
The «flamenco» looking for his «flamenca» - flamingo made in pink, green colour
By Alisa Fomina
Located in Fort Lee, NJ
The depiction of flamingo and Spanish hair comb is an author's play around similar sounding words. The prevalent colours are pink, green and grey.
The picture size is 16x12 in (40,5x30 cm)
Alisa Fomina, 1989, Minsk (Belarus). Born in an environment with artistic traditions, raised in Andalusia and currently residing in Madrid, Spain. Graduated in Advertising and Public Relations, University Rey Juan Carlos, 2013 (Madrid, Spain).
Since childhood, influenced by family artistic tradition and dedicated to drawing that resulted in the First Prize at the XI Christmas Card Contest (2004) and First Prize at the XII Contest in 2005, Marbella.
Her work, mostly paintings and drawings are made for private collectors.
However she has been participating with different brands like the Spanish brand ‘Citrique Sunglasses’.
In 2016 a collaboration with the "Italian Institute of Culture" in the lectures of the writer Giorgio Caproni with an illustration of the writer.
As well, the participation in the project of the Italian writer Alessandro Ferraro in the book '' The secret galleries of the soul. Giorgio Caproni '', for Ediciones Complutense with the portrait of Giorgio Caproni, 2019.
A collaboration with the Spanish newspaper ‘El Pais’ with an illustration in one of his reports of the singer Nick Cave.
In November 2016 made a deck designed exclusively for ‘Correos España’, the national postal service, in the "Generations Collection", whose originals are exhibited at the Galería Cartel of
Málaga in April and May 2017.
The illustrations have a graphic technique with the use of materials such as acrylic paint,
watercolor pencils and felt-tip pens.
Influenced by the children's world taking as reference the old cartoons, their stories and fantasy with very small details and always with vivid colors.
FAIRS AND EXHIBITIONS
·Participation in the collective exhibition in Gallery "Art Enfant" (Moscow) 2013.
· Exhibition in "Sánchez y Juan Gallery" (Elche, Spain) January 2014.
· Exhibition at "Galería Sánchez y Juan" (Elche, Spain) from January 2015 to December 2016.
· Periodic sale in the "Alexander Luxury Home Collection" since 2014 (Marbella, Spain).
· Exhibition in "Galería Cartel" (Málaga, Spain) 2015.
· Exhibition in "Galería Cartel" (Málaga, Spain) from April to May 2017.
· Collective exhibition in "Want Art Gallery...
Category
2010s Modern Animal Drawings and Watercolors
Materials
Paper, Acrylic, Watercolor, Felt Pen
Untitled, Deer, Watercolor on Paper, Brown, Green Colors by K. C. Pyne"In Stock"
By Kartick Chandra Pyne
Located in Kolkata, West Bengal
Kartick Chandra Pyne - Untitled - 18 x 24 inches (unframed size)
Watercolor on Thick Imported Paper, 2003
( Framed & Delivered )
Style : After graduating from the Government College...
Category
Early 2000s Modern Animal Drawings and Watercolors
Materials
Paper, Watercolor
The French Rooster
By Raymond Debieve
Located in London, GB
'The French Rooster', gouache on art paper, by Raymond Debiève (circa 1960s). A Mid-Century modern depiction of the French coq, or rooster. The origin o...
Category
1960s Modern Animal Paintings
Materials
Paper, Gouache
$2,411 Sale Price
20% Off
French Neo-Impressionist Modernist Dog in a Tent Mid 20th Century Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Neo Impressionist Dog in a Tent
by Louis Bellon (French 1908-1998)
signed lower left
gouache painting on paper, unframed
measurements: 11.75 x 16.5 inches
provenance: private collection of the artists work, Provence, France
Condition report: very good, colour strong, very shallow crease to lower right corner of sheet
Interesting Neo-Impressionist 1950's French painting of a rather lively dog at the entrance to brightly coloured canvas tents...
Category
Mid-20th Century Modern Animal Paintings
Materials
Gouache
$1,205 Sale Price
20% Off
Vintage French Modernist Jean Lurcat Watercolor Painting Mod Blue and Orange Owl
By Jean Lurçat
Located in Surfside, FL
Jean Lurcat,New York, France, 1892-1966
Depicts a highly stylized, expressionist owl bird figure hidden in leaves surrounded by bright, vibrant, vivid blue, yellow, and orange colors...
Category
Mid-20th Century Modern Animal Paintings
Materials
Watercolor, Lithograph
Recently Viewed
View AllMore Ways To Browse
Mid Century Art Uk
Catholic Painting
Midcentury Vintage Painting France
Vintage French Painting Midcentury
Old Bird Painting
Mid Century Bird Paintings
Venice Painting Mid Century
Bird Painting Midcentury
Paintings Early 20th Century Venice
Frames 27x19
Algeria Painting
Original Illustration Bird
Framed Collection Of Feathers
Early 20th Century Horse Paintings
Large Mounted Animal
Moore Sculpture Original
Holy Family Painting
Birds Of Prey