George Wright

A hunter in a stable interior, by George Wright (30 June 1860 - 11 March 1944)

James Ward, an 18th-century English artist, captures a serene and intimate scene in his oil painting Mare and Foal in a Stable Interior. This work embodies Ward's expertise in portra...

In this charming oil on canvas, Irish artist Sam Spode beautifully captures a serene moment within the quiet, intimate setting of a stable. The grey pony, depicted with remarkable detail, stands alongside a loyal dog, creating a peaceful harmony between the two animals. Samuel Spode...

Wilfrid Bailey (fl. 1940s–1950s) was a British painter whose work focused on the landscapes, wildlife, and rural traditions of northern England. Though not widely known nationally, h...

"The Galloping Racehorse" by John Frederick Herring Sr. is a stunning oil painting on canvas that vividly captures the dynamic motion and energy of a racehorse in full gallop. In thi...

Alfred Grenfell Haigh British, (1880-1963) Braydon Oil on canvas, signed & dated 1913, further inscribed Braydon Image size: 22.5 inches x 29.5 inches Size including frame: 28.5 in...

English 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and by ...

"Jim" by WILLIAM WASDELL TRICKETT (FL. 1921-1939) signed oil on canvas, framed in wooden original frame framed: 18 x 22 inches canvas : 12 x 16 inches Provenance: private collection...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...