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Giuseppe TassoneCaravan of shepherds Oil on canvas painting Giuseppe Tassone18th 18th Century
18th 18th Century
About the Item
Giuseppe Tassone (Rome 1653 - Naples 1737)
Shepherd's Caravan
Oil on canvas, 130 x 155 cm
Expert opinion Prof. Alberto Crispo
The manner of outlining the people and animals with precise, soft drafting in delicate, warm tones and comparison with other canvases of similar subject matter link the present one to the hand of Giuseppe Tassone (Rome 1653 - Naples 1737). He lived in his hometown until 1669 and devoted himself to painting from a very young age, although no traces remain of his early activity. He traveled for five years, returning to Rome in 1674, while from 1678 he moved to Naples, a city that would welcome him until his death in 1737.
Bernardo de Dominicis, a friend and biographer, writes about him, celebrating him as a talented painter whose paintings, mainly landscapes and animals, were highly esteemed by contemporary Neapolitan collectors; of his paintings he writes:" then if they come to our city in the houses of various people, so noble, than civilized, and held in esteem by all. His success is also evidenced by the presence of many of his paintings in the collections of Neapolitan nobles such as Geronimo Ferdinando Alcaron de Mendoza, Marquis of the Sicilian Valley, The Duchess of Terranova and Monteleone Gioanna d'Aragona Pignatelli, the Duchess of Canzano Isabella Coppola, and many others. He was highly esteemed by Paolo De Matteis (Piano Vetrale, Feb. 9, 1662[1] - Naples, July 26, 1728), among the most important painters in Naples at the time; he, as shown in the 1728 inventory drawn up upon his death, owned many of his paintings.
Luca Giordano (Naples, 1634-Naples, 1705) himself (Naples, 1634-Naples, 1705), one of the leading masters of seventeenth-century Neapolitan painting, praised his dexterity in dealing with pastoral subjects, so much so that he compared and sometimes preferred him to his pupil Nicola Rossi, who also specialized in paintings of animals.
Compared to these praises, the contemporary oblivion of this artist, of whom very few works are musealized and few still found on the antiquities market, is surprising. To date, the only traces from which to delineate his artistic figure are the two canvases preserved in the Pinacoteca del castello Sforzesco in Milan: the .. executed in 1696 and the second in 1702. Tassone's painting looks with an eye to the past, drawing inspiration from authors such as Salvator Rosa, Rosa da Tivoli, and Domenico Brandi, but it already has a fully eighteenth-century valence; it actually succeeds in renewing this pictorial genre by alienating the new trends of barocchetto and Arcadian poetics. In his creations we do not find the contrasting tones typically found in the seventeenth century, which can still be found in the canvases of Rosa and Brandi, but light colors that render a modern, soothing atmosphere of calm rural life, in perfect harmony with the mythical and primeval world envisioned in those same years by the Arcadian poets.
The painting under consideration depicting a caravan of shepherds with their herds can be related to the two canvases already mentioned from the Sforza Castle, which have similar vegetation in the background, outlined with delicate and subtle brushstrokes. The same expert treatment of characters and animals and the use of a warm, lively palette also return in three canvases passed on the Italian antiquities market.
- Creator:Giuseppe Tassone (1653 - 1737, Italian)
- Creation Year:18th 18th Century
- Dimensions:Height: 51.19 in (130 cm)Width: 61.03 in (155 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Milan, IT
- Reference Number:1stDibs: LU2639213028322
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