Items Similar to French Modernist, Beautiful Summer Butterfly
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 17
Henri-André MartinFrench Modernist, Beautiful Summer Butterfly1996
1996
About the Item
An incredibly striking image of a white butterfly set against a background of yellow petals. Painted with great energy and with a most appealing texture to the paint surface. This looks stunning against a white wall.
Henri-André Martin (1918-2004)
A Cabbage White butterfly
Signed and dated 1996
Oil on canvas
19¾ x 19¾ inches excluding frame
23¼ x 23¼ inches including frame
Provenance: The artist's studio sale
Born in Lyon in 1918, Henri-André Martin spent his youth in Saint-Étienne. Following his father into the medical profession, he spent his first years studying medicine in Lyon, but also enrolled in the École de Beaux Arts during this time. Upon returning from captivity in 1942, Martin soon became director of the otolaryngology clinic at Édouard-Herriot hospital. Painting, however, remained his true calling in life - it was, to him, an invaluable form of self-expression. Reserved and extremely modest, and frequently regarded as somewhat aloof, art was a means of articulating his anxieties and apprehensions, as well as giving a voice to his inner child. Martin had a brush in hand at all times, wherever he went, and painted countless gouaches of varying sizes. His beach paintings in particular have been compared to those of Boudin. Until the 1970s, Martin had a tendency to paint ‘on the ground’, yet in all of his paintings, there is a distinct sense of distance and removal from the subject-matter. In the years that followed, we see a development in this simplification and abstraction of the subject-matter, as seen, for example, in his images of almond trees standing alone against the stark winter sky of Provence. The palette begins to darken, his work acquires a feeling of gravity, as his paintings of Hamburg Port evidently reflect. His collection entitled ‘Trunks’, six lithographic plates, draws on visual and written material in the book, L’Olivier. His interest in the symbolism of the olive tree subsequently grew, and he turned to literature, painting and historical traditions to develop and nuance his understanding of its allegorical value. This fascination with the olive tree, and more broadly, with the nature of symbolism, came to profoundly inform his later work. What he learnt to represent was not merely the physical reality of his subjects, but their implicit interconnection with abstract ideas. As René Déroudille writes, the lithographic plates are ‘especially devoted to and embrace renewal’, revealing an artist who is in ‘full mutation’. In the 1980s, Martin’s work took a more explicit turn towards abstraction. It was during this time that he produced a series of large nudes, which he entered into the major exhibition at L’Atrium in Lyon, in 1992. In the years that followed, Martin focused on animating the shapes and forms born of his imagination, eventually accomplishing this and changing his focus once again, turning to more attractive, even decorative subjects, like Japanese flowers and butterflies. Decidedly separate from the Lyon school, Martin was unpretentious in his work and found peace in his solitude, so Déroudille writes (1992).
- Creator:Henri-André Martin (1918 - 2004)
- Creation Year:1996
- Dimensions:Height: 19.75 in (50.17 cm)Width: 19.75 in (50.17 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good, ready to hang condition.
- Gallery Location:Harkstead, GB
- Reference Number:1stDibs: LU1481213708062
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2002
1stDibs seller since 2021
98 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Harkstead, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- French Modernist, Beautiful Summer ButterflyBy Henri-André MartinLocated in Harkstead, GBAn incredibly striking image of a black and yellow butterfly. Painted with great energy and style. This looks stunning against a white wall. Henri-André Martin (1918-2004) A Swallowtail butterfly Signed Oil on canvas 23½ x 23½ inches excluding frame 26½ x 26½ inches including frame Provenance: The artist's studio sale Born in Lyon in 1918, Henri-André Martin spent his youth in Saint-Étienne. Following his father into the medical profession, he spent his first years studying medicine in Lyon, but also enrolled in the École de Beaux Arts during this time. Upon returning from captivity in 1942, Martin soon became director of the otolaryngology clinic at Édouard-Herriot hospital. Painting, however, remained his true calling in life - it was, to him, an invaluable form of self-expression. Reserved and extremely modest, and frequently regarded as somewhat aloof, art was a means of articulating his anxieties and apprehensions, as well as giving a voice to his inner child. Martin had a brush in hand at all times, wherever he went, and painted countless gouaches of varying sizes. His beach paintings in particular have been compared to those of Boudin. Until the 1970s, Martin had a tendency to paint ‘on the ground’, yet in all of his paintings, there is a distinct sense of distance and removal from the subject-matter. In the years that followed, we see a development in this simplification and abstraction of the subject-matter, as seen, for example, in his images of almond trees standing alone against the stark winter sky of Provence. The palette begins to darken, his work acquires a feeling of gravity, as his paintings of Hamburg Port evidently reflect. His collection entitled ‘Trunks’, six lithographic plates, draws on visual and written material in the book, L’Olivier. His interest in the symbolism of the olive tree subsequently grew, and he turned to literature, painting and historical traditions to develop and nuance his understanding of its allegorical value. This fascination with the olive tree, and more broadly, with the nature of symbolism, came to profoundly inform his later work. What he learnt to represent was not merely the physical reality of his subjects, but their implicit interconnection with abstract ideas. As René Déroudille writes, the lithographic plates are ‘especially devoted to and embrace renewal’, revealing an artist who is in ‘full mutation’. In the 1980s, Martin’s work took a more explicit turn towards abstraction. It was during this time that he produced a series of large nudes, which he entered into the major exhibition at L’Atrium in Lyon, in 1992. In the years that followed, Martin focused on animating the shapes and forms born of his imagination, eventually accomplishing this and changing his focus once again, turning to more attractive, even decorative subjects, like Japanese...Category
20th Century Modern Animal Paintings
MaterialsCanvas, Oil
- French Modernist, Beautiful Summer Swallowtail ButterflyBy Henri-André MartinLocated in Harkstead, GBAn incredibly striking image of a Swallowtail butterfly. Painted with great energy and style. This would look stunning against a white wall. Henri-André Martin (1918-2004) A Swallowtail butterfly Signed Oil on canvas 23½ x 23½ inches excluding frame 26½ x 26½ inches including frame Provenance: The artist's studio sale Born in Lyon in 1918, Henri-André Martin spent his youth in Saint-Étienne. Following his father into the medical profession, he spent his first years studying medicine in Lyon, but also enrolled in the École de Beaux Arts during this time. Upon returning from captivity in 1942, Martin soon became director of the otolaryngology clinic at Édouard-Herriot hospital. Painting, however, remained his true calling in life - it was, to him, an invaluable form of self-expression. Reserved and extremely modest, and frequently regarded as somewhat aloof, art was a means of articulating his anxieties and apprehensions, as well as giving a voice to his inner child. Martin had a brush in hand at all times, wherever he went, and painted countless gouaches of varying sizes. His beach paintings in particular have been compared to those of Boudin. Until the 1970s, Martin had a tendency to paint ‘on the ground’, yet in all of his paintings, there is a distinct sense of distance and removal from the subject-matter. In the years that followed, we see a development in this simplification and abstraction of the subject-matter, as seen, for example, in his images of almond trees standing alone against the stark winter sky of Provence. The palette begins to darken, his work acquires a feeling of gravity, as his paintings of Hamburg Port evidently reflect. His collection entitled ‘Trunks’, six lithographic plates, draws on visual and written material in the book, L’Olivier. His interest in the symbolism of the olive tree subsequently grew, and he turned to literature, painting and historical traditions to develop and nuance his understanding of its allegorical value. This fascination with the olive tree, and more broadly, with the nature of symbolism, came to profoundly inform his later work. What he learnt to represent was not merely the physical reality of his subjects, but their implicit interconnection with abstract ideas. As René Déroudille writes, the lithographic plates are ‘especially devoted to and embrace renewal’, revealing an artist who is in ‘full mutation’. In the 1980s, Martin’s work took a more explicit turn towards abstraction. It was during this time that he produced a series of large nudes, which he entered into the major exhibition at L’Atrium in Lyon, in 1992. In the years that followed, Martin focused on animating the shapes and forms born of his imagination, eventually accomplishing this and changing his focus once again, turning to more attractive, even decorative subjects, like Japanese...Category
20th Century Modern Animal Paintings
MaterialsCanvas, Oil
- French Modernist, Beautiful Summer Red Admiral ButterflyBy Henri-André MartinLocated in Harkstead, GBAn incredibly striking image of a Red Admiral butterfly set against a background of petals. Painted with great energy and with a most appealing texture to the paint surface. Looks re...Category
20th Century Modern Animal Paintings
MaterialsCanvas, Oil
- French Modernist, Beautiful Summer ButterflyBy Henri-André MartinLocated in Harkstead, GBAn incredibly striking image of a white butterfly set against a background of yellow petals. Painted with great energy and with a most appealing texture to the paint surface. This lo...Category
20th Century Modern Animal Paintings
MaterialsOil, Canvas
- British impressionist Springtime with blossom in the English countrysideLocated in Harkstead, GBA really appealing view of the English countryside in the springtime with rolling hills, cattle grazing in lush pasture and a windmill off in the distance. George Graham (1881-1949)...Category
Mid-20th Century Impressionist Animal Paintings
MaterialsBoard, Canvas, Oil
- Algernon Talmage, Impressionist scene, cattle grazing in a river landscapeBy Algernon TalmageLocated in Harkstead, GBAn idyllic scene on an impressive scale of cattle grazing in Constable country. Algernon Mayow Talmage (1871-1939) Cattle grazing on the banks of the river Stour Signed Oil on canv...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- The Happy Farmer oil painting by Gregorio PrestopinoBy Gregorio PrestopinoLocated in Hudson, NYProvenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as th...Category
1930s Modern Landscape Paintings
MaterialsOil, Canvas
- Pardner, 1943 Vintage African American Art, Black Artist, Painting, Pet PortraitLocated in Grand Rapids, MIJohn Farrar (American, 1928-1972) Signed: John Farrar (Lower, Left) “ Pardner ”, 1943 Titled Above Signature (Lower, Left) Oil on Canvas 26 ⅛” x 32 ⅛” Housed in a 2 ½” period ornamented Newcomb-Macklin frame in toned gold leaf, in good original condition. Outside Size: 30 1/2" x 36 5/8" A recent discovery of a painting that appears to be Farrar’s family dog. This was done when he was just fifteen years old. As a teenager in the 1940s, Farrar received much local acclaim in the Washington D.C. art Scene. Words like “Child Prodigy”, “Brilliant” and “Gifted” were used to describe him in the local newspaper. He had a great bout of early success which included developing patrons among Washington DC’s art elite but this was short lived as he was afflicted with schizophrenia and alcoholism as an adult causing him to spend much of his life in mental institutions. In 1942, Farrar won the Washington Times-Herald's outdoor art fair. This painting was executed the following year when he was 15 (1943). That same year he won the top prize at Atlanta University’s third annual “ Exhibition of Paintings, Sculpture and Prints by Negro Artists ” with a piece titled “ Queenie ”. Approximately one hundred and fifty works of art were included in the show, representing the best works of more than seventy-five contemporary African American artists. This show included works by Romare Bearden, who was awarded Honorable Mention for his painting “ The Two Genrerations ”. Also included among the exhibitors - Charles H. Alston, Allen Rohen Crite, Aaron Douglas, Fredrick Flemister, Sargant Johnson, Horace Pippin, Jacob Lawrence, Marjorie Wheeler Brown, Hughie Lee Smith, Lois Mailou Jones...Category
Mid-20th Century American Modern Animal Paintings
MaterialsCanvas, Oil
- mr. c and gladys, bright colorful man and dogBy Stephen BassoLocated in Brooklyn, NY*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...Category
2010s American Modern Animal Paintings
MaterialsCanvas, Oil
- Antique American School Modernist Marine Animal Portrait Abstract Oil PaintingLocated in Buffalo, NYAntique American school modernist painting. Very well done and an usual subject! Oil on board. Framed. No signature found.Category
1920s Modern Abstract Paintings
MaterialsCanvas, Oil
- Antique American School Modernist Seascape Framed Hamptons Oil PaintingLocated in Buffalo, NYOil on canvas. Framed. Image size, 18H x 24L. No signature found. Very nicely painted.Category
1940s Modern Landscape Paintings
MaterialsOil, Canvas
- Antique American School Modernist Racetrack Horse Portrait Landscape PaintingLocated in Buffalo, NYNicely painted modernist horserace scene. Finely framed. Oil on board. Framed. Image size, 12H x 16L. Signed.Category
1930s Modern Animal Paintings
MaterialsOil, Canvas