John Dolph

"Two Kittens and a Frog" John Dolph (New York/Ohio 1835-1903)

European painter (late 19th century) - Landscape with cows and flock of sheep. 101 x 76 cm. Old oil painting on canvas, unframed (not signed). Condition report: Lined canvas. Good...

Naturalistic realist painting by modern Dutch artist Poen de Wijs. The work features a woman playing the flute in front of a woman with her hair pulled up set against an abstract bac...

European painter (late 19th century) - Landscape with grazing cows. 101 x 76 cm. Old oil painting on canvas, without frame. - Work signed lower right. Condition report: Lined can...

W. Richard (British, late 19th century) - Landscape with a Herd of Highlanders by a Lake. 51 x 76 cm. Old oil painting on canvas, unframed. - Signed lower right: "W. Richard p." ...

German realist painter (19th century) - Two children playing with a trained dog. 56.5 x 46.5 cm without frame, 69 x 59 cm with frame. Antique oil painting on canvas, in a gilded wo...

Working Horses is an original oil painting on canvas realized by Alessandro Lupo in 1913. Hand signed and dated lower right. Good conditions, slightly stretched canvas, slight mark...

Rare 1980 Hunt Slonem painting. The artist has painted - literally - thousands and thousands of bunnies (and almost as many birds and butterflies), but you won't easily find the li...

Nature is a central theme in Alejandra's work, and with this surreal landscape, we can notice her profound curiosity about the cycles that occur in the natural world that turn out to...

Modern naturalistic portrait painting by well-known Houston-based artist Herb Mears. The work features a detailed rendering of a jockey wearing a yellow and blue outfit standing next to his wife and a young lion. Signed by the artist in the front lower right corner. Retains the original DuBose Gallery label on the reverse. Currently hung in a complementary frame. Dimensions Without Frame: H 48 in. x W 54 in. Artist Biography: Born in New York City in 1923, Herb Mears was interested in art from a young age. He studied under Fernand Leger in Paris and went on to paint and study in various studios in France and Italy before his arrival in Houston in 1951. With colleague David Adickes, whom he had met in Paris, Mears decided to open an art school. Their Studio of Contemporary Arts finally settled in an old building on Main Street with Mears and Adickes hoping to give classes to potential students. However money was tight and Mears found himself as a draftsman for Houston Lighting and Power Company, a job he excelled at and enjoyed. Later, Mears was involved in the Contemporary Arts Association, frequently making trips to ensure security in addition to enjoying the art scene the Association provided. From the CAA to the Art League of Houston and the Museum of Fine Arts, Mears began to gain recognition. An abstract, or non-objective piece as he called it, won a prize at a competition held by the Museum of Fine Arts, earning him a teaching position at the Museum School. Mears also taught at the Contemporary Arts Museum, University of Houston...

This charming naivist painting by Swedish artist Olof (Olle) Casimir Ågren (1874–1962) depicts a horse standing gracefully beside a tree. Executed with bold, textured brushstrokes an...