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John Frederick Herring Sr.
'Attilla' A Chestnut Horse in a Stable. Oil on canvas

1842

About the Item

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china. Herring’s first patron and the man who also commissioned him to paint his famous series of St. Ledger winners was William Sheardown, proprietor of ‘The Doncaster Gazette’ A number of Herring’s works were sold at the dispersal of Sheardown’s estate in August 1888. His daughter married the painter William Harrison Weir. He had a large family of eight children which included the artists John Frederick Junior, Charles and Benjamin. He became a member of the Royal Society of Artists (1841 – 1852) He also painted many charming small-scale studies of rabbits, ducks, goats, birds and other animals. He held the appointment of Animal Painter to the Duchess of Kent. He sometimes collaborated with Thomas Faed, a picture by both artists is in the City of York. A studio sale was held at Christie’s on 3rd February 1866 Exhibited at: Royal Academy x 22 British Institute x 44 Royal Society of Artists, Birmingham x 82 And at nineteen various other exhibitions.
  • Creator:
    John Frederick Herring Sr. (1795 - 1865, British)
  • Creation Year:
    1842
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 44 in (111.76 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The painting is in a gold leaf wooden frame. It was relined about 50 years ago.
  • Gallery Location:
    St. Albans, GB
  • Reference Number:
    1stDibs: LU2469212106432

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