Joy Taylor

Best Pullet (Abstracted Animal Painting of Black Farm Chicken Against Blue)

1991

56 x 58 x 2 inches oil on canvas, white wood frame Through expressionistic gestures and a sophisticated handling of paint, David Konigsberg's works take on a life of their own, so that even inanimate objects seem filled with energy and intent. This painting captures a delightful scene of a lazy cat taking a nap in the abundant late afternoon light on a porch. David Konigsberg is a conceptual realist who works across media and painting genres to portray transitional spaces, metaphoric moments and alternative histories. A long-time member of the Gowanus and Red Hook artist communities in Brooklyn, he is now based in Hudson and employs the area's landscapes as the setting and sometimes subject of his work. The artist’s work has been exhibited throughout out the United States and has been featured in The New York Times, Chronogram and Brooklyn Journal and numerous art and culture blogs. David Konigsberg lives and works in Hudson, New York. RESUME Selected Exhibitions: · Nigh Season (2014) · Troposphere (2012) · Largo Arenula (2008) Allen Sheppard Gallery...

Landscape painting in the style of Pointillist painter, Georges Seurat, of figures lounging on a Provincetown, Cape Cod beach "Summer Afternoon, Provin...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

WPA style figurative painting of a man with suit and tie "Man in Suit," painted by Mark Beard aka 'Edith Thayer Cromwell' Oil on canvas, 39.5 x ...

Realistic figurative oil painting on canvas of men working at a construction site Neutral palette with pops of mulberry and sky blue Men at Work II, painted by Allan Skriloff, ca. 1980's 42 x 54 x 3 inches with a custom steel frame Excellent condition, ready to hang as is Skriloff shines a glorified light on the muscles of men in hard hats that sweat and contort aboard an oil rig, elevating blue worker brawniness to an other-worldly status. This figurative painting highlights the beauty found in the every day. Scenes one might overlook are given careful attention by the artist's trained eye. Tanned skin and muscles glistening with sweat radiate in the summer sun while shadows on the construction site and men's faces contrast in the background. The piece is complemented with a custom thin steel floater frame, is in excellent condition, and ready to hang as is. About "Men at Work:" While on a trip to Australia, I was in Alice Spring. Where I took an excursion to Palm Valley. My tour guide mentioned there was gas fields in a remote section of the Outback. I said I'd love to go there and he replied, "no worries, Mate - we'll get you there.” He happened to be a pilot and we flew in his prop plane...

Realistic figurative oil painting on canvas of a lone man working on an industrial construction site with a rust red backdrop Palette is composed of grey gunmetal, deep rust red, black, mulberry, and golden yellow Men at Work #5, painted by Allan Skriloff, ca. 1980's 42 x 54 x 2.5 inches with a custom steel frame Excellent condition, ready to hang as is Skriloff shines a glorified light on the muscles of men in hard hats that sweat and contort aboard an oil rig, elevating blue worker brawniness to an other-worldly status. This figurative painting highlights the beauty found in the every day. Scenes one might overlook are given careful attention by the artist's trained eye. A lone worker is captured behind a foreground of metal bars against a backdrop of rest red. Shadow's cast by the man's hard hat allude to his anonymity. The piece is complemented with a custom thin steel floater frame, is in excellent condition, and ready to hang as is. About "Men at Work:" While on a trip to Australia, I was in Alice Spring. Where I took an excursion to Palm Valley. My tour guide mentioned there was gas fields in a remote section of the Outback. I said I'd love to go there and he replied, "no worries, Mate - we'll get you there.” He happened to be a pilot and we flew in his prop plane...

The English Countryside by Anthony Woodward, British contemporary oil painting on canvas: 40 x 50 inches framed: 47 x 57 inches condition: very good provenance: private collection, UK

Cat and Mouse by Orovida Pissarro (1893-1968) Oil on canvas 61 x 51 cm (24 x 20 ⅛ inches) Signed and dated lower centre Orovida 1948, altered by the artist in 1966 Provenance Royal ...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...