Paint Animal Paintings

Gorgeous watercolor/gouache painting of a family of ducks swimming in a lake at dawn by Bill Reynolds (American, 1918-2008), 1970. The foreground is...

Wild Mane by William Joseph Verdult (Dutch, 1939-2016) signed oil painting on canvas, framed framed: 19 x 23 inches canvas: 16 x 20 inches condition: very good provenance: private co...

Symbolism abounds in this remarkable painting by artist Rick Beerhorst. Here, the artist has given us not only the hummingbird covering the young girl's face while supposedly reading, but a multitude of objects at the table set out in front of her. The hummingbird, which can serve as a reminder to live in the moment and appreciate spiritual freedom, has been coupled with other objects such as a pear, a Madonna and Child portrait and an empty wine bottle...

Artist: Johnson Title: Secretariat Year: 1975 Medium: Oil on Canvas, signed Size: 66.5 x 50 in. (168.91 x 127 cm) Frame Size: 71.5 x 55.5 inches

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

Kate Ruiz is an American Artist living in Nicaragua. Leaving Los Angeles for central America in 2015 with her family, she now lives on a small farm they have carved out of the land. ...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

The Cock Fight French School, circa 1960's period oil on board, framed framed: 25 x 48.75 inches board: 24 x 48 inches provenance: private collection condition: very good and sound c...

A painting by Eric Holswade. "Truth or Consequences" is a contemporary painting, oil on canvas by artist Eric Holswade. The artwork is signed in the lower left, "Eric Jon Holswade".

Acrylic on canvas. Original art by Daria Kusto. Shipped rolled in a tube

Bright Toh's creative vision is driven by a deep-rooted appreciation for his African heritage and a desire to pay homage to the intrinsic ties between the people of Africa and their natural surroundings. "Higher Life" stands as a testament to the exquisite synergy that exists between man and wildlife, shedding light on the harmonious relationship they share within their common ecosystem. The central figure in the artwork, a man adorned with the head of a bird, serves as a powerful representation of the mystical connection between humans and nature. The bird, with its freedom to soar through the skies, symbolizes the aspirations of the African people to rise above challenges and embrace a higher state of being. This metamorphosis of man into a bird-like form underscores the spiritual journey of self-discovery and cultural understanding that lies at the heart of African traditions. Toh's meticulous attention to detail and masterful use of colors breathe life into the canvas. The vibrant hues mimic the rich landscapes of Africa, from the lush greenery of the savannahs to the striking plumage of its avian inhabitants. Through a harmonious blend of traditional and contemporary artistic techniques, Toh weaves together a tapestry that celebrates the convergence of African heritage and its intertwined relationship with wildlife. The concept of totems holds immense significance in various African cultures, where ancestral reverence is deeply ingrained. In "Higher Life," the man's bird head serves as a totemic representation of his connection to his ancestors, carrying with it the wisdom and experiences of those who came before him. The totem acts as a guiding force, leading the man on a journey of self-discovery and connection to his roots. As viewers immerse themselves in "Higher Life," they are invited to contemplate the timeless relationship between man and nature. Toh's artwork urges us to recognize the importance of preserving our shared environment and the imperative role of cultural heritage in shaping our identities. In a world marked by rapid urbanization and detachment from nature, "Higher Life" serves as a poignant reminder of the intrinsic bond between humanity and the animal kingdom. Bright Toh's artistic prowess in "Higher Life" transcends cultural boundaries, beckoning audiences from all corners of the globe to appreciate the profound unity between humans and wildlife. It is a testament to the enduring legacy of African traditions and an encouragement to embrace our roots as an essential part of who we are. In conclusion, "Higher Life" is not just a stunning work of art; it is an exploration of our place in the world and the intricate ties that bind us with our environment and cultural heritage. Through the captivating portrayal of a man with a bird...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

“Goat” (2012) by Zura is a dynamic acrylic painting on wooden panels, measuring 35 × 42 inches (88.9 × 106.7 cm). This early work exemplifies Zura's signature fusion of human and ani...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

We are delighted to present an exquisite painting by the Swedish artist Ferdinand Hernlund, depicting a serene sunset over a lush, flower-dotted meadow. This captivating work is a qu...

"Drizzle & Supernova" is a fun, happy and contemporary painting by Eric Robitaille, depicting a bird flying with abstracted flora in the background. Created using a bright and bold c...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in black folder/ thick paper, unframed drawing: 12 x 17.75 ...

A captivating miniature painting by renowned artist Dina Brodsky, known for her masterful technique in gouache and watercolor. This exquisite work, painted on authentic animal parchm...

MADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé, Moise Kisling, Marie Laurencin, Henri Lebasque, Fernand Leger and Henri Matisse. The gallery now exhibits painters and sculptors in the tradition of the École de Paris and artists such as Jean Carzou, Shelomo Selinger or Pollès. Her style is a recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson...

Gabrielle Rainer Istvanffy was a Hungarian painter of animal paintings. Her chosen subjects were mostly dogs and cats and mostly white and off-white breeds. This piece is a very pretty and cute painting...

Lesley Anne Spowart (American, born 1957) "Running for the Barn" 2022 Acrylic Paint, Mixed Media, Board The artist signed the bottom left and back of the painting. "Running for the ...

Maud Earl (1863-1943) A collie standing in a landscape, a country house beyond signed and dated 'Maud Earl/ 1899.' (lower right) Oil on canvas Canvas Size 30 x 40 in Framed Size 40 x...

It's just another foggy morn in coastal Florida. Sleeping in, then walking along the waterfront with a smoothie while taking in the sublime landscape. They've changed the Players Championship so many times it's hard to remember which month it will be played this year but it's hard not to smile when thinking of how many balls of even the pros don't land it on the island green. Maybe tennis or pickle ball...

The New Arrival Colin Impey (20th Century), British signed oil on canvas, unframed dated 2018 canvas: 16 x 20.5 the painting is in overall very good and ...

Paul English "Chicken with Chicks" Original Oil Painting Contemporary oil painting by listed English artist Paul English (contemporary) Original oil on ...

Hunt Slonem is a celebrated American artist known for his neo-expressionist paintings of bunnies, birds, and butterflies—motifs that reflect his deep connection to nature, spirituali...

Modernist dog portrait. Finely painted. Measuring 24 by 30 inches.

Valarie Wolf's painting "Night Travel" is an excellent example of her charming narrative horse paintings. The way she portrays the misty breath of the carriage horse on a charming c...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

When you release your thoughts, you can fully embrace the beauty of the world as it is—the graceful movement of fish, the gentle sway of leaves on the trees. Your heart syncs with th...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in black folder/ thick paper, unframed drawing: 11.75 x 18 inches overall size: 19.75 x 13 in...

This is an unframed original painting on paper. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the myst...

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a b...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

Dana Hawk (NY, US based) "Dante Ali-Chip-ieri" is an original, handmade oil painting that portrays a chipmunk with a laurel wreath and clutching a book. The piece is un-framed yet re...

Artist/ School: signed and dated 1950 Title: The Dancing Horse Medium: oil on linen board, unframed size: 18 x 14.5 inches Provenance: private collection, France Condition: The...

George Wright (1860–1944) was a British painter renowned for his equestrian art, particularly hunting and coaching scenes. Born in Leeds, England, he was the eldest of seven children...

"Sea Harmony" - Acrylic Texture Painting with Dolphins decorated with natural stones and shells Let the sea resound in your interior with this gorgeous texture painting inspired by ...

A painting by Alexander Calder. "Mickey Mouse" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oran...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...

19th century German romantic painting of a deer family in a snowy forest by Wilhelm Kühnert A majestic stag stands sentinel at the edge of a sun-drenched clearing, his gaze locked w...

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Bird...

Wonderful English mid century portrait of a Saluki dog. Kate Gray was a British animal portrait painter during the last half of the 20th century. She also painted flower subjects. ...

As we navigating our daily lives, we must face thoughts, anxieties, joys and emotions from all three of these tenses, and often at the same time. Seemingly opposite emotions -- lust...

A colossal Dalmatian rests its head on a stark white surface, its weary gaze conveying quiet resignation. In front of it, a lone figure stands, gripping a “STOP POLICE” sign...

Delton Demarest's "Duke the Crow" (2024) is an original oil painting on canvas painted on location en plein air, measuring 10 x 8 x 0.50 inches. This artwork depicts Duke, a crow cha...

"Little Bear" is a captivating mid-century oil painting by American artist Harold Vincent Skene (1883–1978). This traditional Western landscape, painted in...

Signed By The Artist on the Bottom Left

L'Ora tra Cane e Lupo Hour between Dog and Wolf Oil Painting Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan fami...

Hunt Slonem "Veil" Red Diamond Dust Glitter Bunny A rabbit gestured in red on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Painting is fr...

Delton Demarest's "Fritz the Cat Fix," completed in 2024, is an oil on panel artwork measuring 5 x 5 x 0.12 inches, painted en plein air. This origina...

Patrick Maxcy's "Humble Abode" is an original, handmade acrylic painting that depicts a sea turtle perched on coral carrying an elaborate tiny house on his back with a cloudy sky. T...

The original painting by Adrienne Sherman in oil on panel with a lacquer-like luster. depicting the once endangered American Bald Eagle, is happil...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fanta...

Artist: Slonem, Hunt Title: Night Owl Date: 2024 Medium: Oil on Wood Unframed Dimensions: 20.5" x 12.5" Framed Dimensions: 25.5" x 17.5" Signature: Signed Verso Edition: Uniqu...