Paint Animal Paintings

Artist: Slonem, Hunt Title: Player Date: 2024 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Verso Edition: Unique Proven...

This stunning large ink painting of a Dalmatian dog, is a contemporary minimal portrait in black ink on Fabriano 300gsm paper. Ian Mason's portrai...

Acrylic paint on paper. This is part of an album. The price refers to the single drawing.

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse "Cleary". Painting is stretched on aluminum stretcher and dates to the 1990s. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley Cleary-Cooper, is an artist in Helena, Mont. She was a 1964 graduate of Washington University in her home town and, for the rest of her life, was proud of having been a member of the Pi Phi...

Patrick Oates' work explores the intersection of landscape, identity, and family history. His experimental paintings delve into queer identity, trauma, and the unknown, weaving a com...

Hunt Slonem - Ultra II Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Oil on board Signed within painting (on bucket): AFT Provenance Private collection Why We Love It Tait’s animal paintings were hailed for their masterful realism. Moreover, he capt...

WILLIAM HUGGINS (1820-1884) Cockerel and Hens Signed and dated l.r.: W Huggins 1880 Oil on board Framed 31 by 46 cm., 12 ¼ by 18 in. (frame size 44.5 by 59.5 cm., 17 ½ by 23 ½ in...

Artist: Michael Knigin, American (1942 - 2011) Title: Guilded Native Year: 1988 Medium: Acrylic on Canvas, signed and dated in pencil Size: 84 x 45 inches

"Wild Horses", 36x36 is an oil painting on canvas by the artist Brooke Major. Depicted in white is two wild horses mid run. The artist uses layers and layers of white oil paint to me...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Hans Schmidt Hamburg 1859 – 1950 Weimar German Painter 'Deer in a Landscape' Signature: Signed bottom left, placed Weimar and dated 1941 Medium: Oil on canvas Dimensions: Image siz...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Claude Cardon British, (1864-1937) Farm Friends Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 19.25 inches x 26.25 inches A tranquil scene of ca...

In HERMIT, a lone chimpanzee clings to a jagged iceberg, its dark fur stark against the vast expanse of ice and water. Its expression is pensive, almost melancholic, as if caught bet...

Beth de Loiselle's , "Schnauzer", is a beautifully detailed realistic dog painting of a loving Schnauzer. Beth de Loiselle's dog/animal paintings always amaze with her fine detail. As an animal portraitist Beth’s keen observations of this Schnauzer capture that particular expression, compassion and familiarity to its breed. Beth was taught the classical old masters style at the esteemed Schuler School of Fine Art. Now viewed as an expert she is an instructor of old master techniques at the school. Beth de Loiselle is a member of The National Oil and Acrylic Painter’s Society, Oil Painters of America, Audubon Artists and the International Guild of Realism. Signed upper left hand with full name. The painting is framed in a simple gold frame...

Horse portrait is an original modern artwork realized in the mid-20th century by Hans Cortes. A mixed colored oil painting on canvas. Hand signed by the artist on the lower margin....

Benjamin Herring Snr (British, 1830-1871) Saddled bay hunter 1863 Oil on canvas With old Christie's stencil verso Property of a gentleman From the collection of Peter Roe Dimension...

Fabulous antique original Tibetan school painting. Painting is either oil and or gouache. It measures 32 inches wide by 17 inches high. The frame is 33 1/2“ x 18 1/2“.

Early 20th century English portrait oil of a Falcon hunting bird in a landscape. George Anderson Short was an English painter of Animal, Hunting...

This snowy scene, "Winter Hunt" is a 9x12 landscape oil painting on canvas depicting a fox hunt on a winter day. Huntsmen wearing red coats atop their horses among a snow cover fiel...

As we navigating our daily lives, we must face thoughts, anxieties, joys and emotions from all three of these tenses, and often at the same time. Seemingly opposite emotions -- lust...

This painting by artist Ray Simonini titled "Cinnamon" is a 10x8 farm animal oil painting on canvas featuring a portrait of a cinnamon colored...

Metra Mitchell holds a BFA in Painting and minor in Art History from Western Kentucky University and an MFA in Painting from Fontbonne University. She has taught studio and art histo...

Confrontation Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 28 x 21,50 cm, frame size 36 x 30 cm Biography: Van Den Eycken Charles (alias Charles Duchene) was born in Brussels in 1859. He was an animal painter, mainly dogs and cats and interiors. He was the son of Charles Van Den Eycken...

Meredith Walker’s "Ochre Rabbit" is a whimsical and serene example of contemporary folk art, blending narrative illustration, primitive symbolism, and the tactile charm of hand-paint...

Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...

Serenade By Gerard Tunney [2021] Gerard Tunney Serenade Original Surrealist Painting Acrylic Paint on Canvas Canvas Size: H 30cm x W 40cm x D 2cm Serenade is an original animal painting by Gerard Tunney. A dog busks on the street, 'singing for its supper'. The painting uses allegory to describe the problems that a stray experiences in its struggle to survive. in front is the collection plate and a small...

Artwork sold with frame (135 x 166.5 cm) José Fabri-Canti was a French painter born in Nice to Russian émigré parents. He began exhibiting in Corsica in the 1930s before moving to P...

Portrait of Flint English Cocker Spaniel, circa 1930 by Francis Mabel Hollams (1877-1963) Large circa 1930 portrait of Flint, an English Cocker Spaniel, oil on panel by Francis Mab...

Artist: Slonem, Hunt Title: Flight Date: 2024 Medium: Oil on wood Unframed Dimensions: 11" x 9" Framed Dimensions: 13" x 11" Signature: Signed by Artist on Verso Edition: Uni...

This contemporary still-life depicts a two juicy sardines with a slice of lemon on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready t...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

Lucy Kemp Welch 1869-1958 was an English artist and teacher who specialised in the painting of horses. From the 1890''s until the 1920's she was the most famous painter of horses in...

America Martin "The Cow, The Dove and The Moon" Oil & Acrylic on Canvas 102 x 56 in. ______________ Exploring the identity of both her namesake and country, LA-based America Martin ...

This beautiful British Impressionist oil painting is by noted animal artist Arthur Spooner. Painted circa 1935 it is a superb painting of two working horses standing in the shade of ...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works a...

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

oil on panel

JERRY BERNECHE Untitled (Cats & Dogs No. 1) Colored pencil, gouache, and pastel on paper 30 x 22 inches

Oil on canvas Canvas size: 24 x 18 inches Framed size: 35.5 x 30.5 inches Signed lower right

Betsy Podlach (American, born 1964) "A Touch of Intimacy" 2023 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. A Touch of Intimacy" is an evocative pai...

Mid century acrylic painting on canvas of two parrots in a tree with rain drops executed with bold tropical colors and a sense of movement. One can almost hear this painting. Signed ...

This colorful piece, "Frozen in Time", is a 18x24 oil painting on canvas featuring two riders atop their horses in a green field during a fox hunt. A group of hounds eagerly run alo...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...

Artist: Slonem, Hunt Title: Snow Show Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editio...

"Shy," a tender and evocative work by Rudolf Kosow, portrays an encounter that is wrapped in quietude and gentle introspection. A sizable, soulful-eyed dog fills the canvas, its gaze...

Ashlee received her BFA with a Minor in Art History from University of Missouri-Columbia in 2012 and has been exhibiting and selling her artwork for the past twelve years. When she’s not making art, Ashlee loves to get lost in her garden with her four year old son where they battle pirates on lost islands, fly with dragons around kingdoms in the sky, and search lush jungles for purple tigers.

The raven is often thought of as a connection between the spiritual and physical world. In this painting, a wise young girl holds a raven in her hands up to her eye as if searching for some great meaning. A clock and a burning candle in the foreground suggests a symbolic connection between the two. The peaceful mountain landscape...

Oil on canvas Canvas size: 12 x 18 inches Framed size: 15.75 x 21.75 inches Signed lower right

Garth Bayley Garth Bayley. Out of the Gates -Horses Racing Original pen, watercolour and ink painting on watercolour paper Pen and ink on paper Image size: H24 cm x W32 cm x D 0.1cm ...

Oil Painting by George Wright "The Cottage Door" 1860- 1942 Leading painter of equestrian scenes, he exhibited at the Royal Academy and many of his works were reproduced in books and...

Sudnika Zita, Green ones. Oil on canvas, 76x101.5 The painting depicts a vibrant and lively scene of several colorful frogs in a lush, green environment. The background is filled wi...

Horses with carriage. Oil on panel. 16.1 x 24.2 cm

John Henry Dolph, best known as painter of domestic animals, especially cats, was born in 1835 in Fort Ann, New York. In 1841 Dolph's family moved to Ohio and in 1849 Dolph began an ...

Sir Alexander Von BENSA Panel Size: 18 x 25" Outside Frame Size: 26 x 34" Oil on panel in very good condition and has benefited from a light clean only. Original frame Austrian Sc...

Alfred William Strutt British, (1856-1924) Good Sport Oil on canvas, signed, old hand written exhibition label verso with the artist’s address Image size: 31.5 inches x 54.5 inches S...