Patrick Cleary

British contemporary oil painting of sheep in the English Lake District

Circle of George Morland (British, 1762 – 1804) A grey horse at an encampment Oil on board Indistinctly with signature (lower left) 12.1/8 x 10in. (31 x 40.8 cm.)

Marcel Louis Baugniet (Belgian, 1896 – 1995) Sigale de Mer (Cicada of the sea) Oil on board with scraffito Signed ‘M L BAUGNIET / 47’ (upper right) 17.3/4 x 13.1/2 in. (45 x 34.3 cm.) Marcel-Louis Baugniet was born in Liege on the 18th March 1896. Painter, theorist, furniture designer, creator of posters, costumes and stage sets, he was one of the main defenders of the notion of Pure Plastic Arts. Baugniet studied painting at the Royal Academy of Beaux-Arts in Brussels where he mixed with Paul Delvaux, René Magritte, Victor Servrancks and Pierre-Louis Flouquet. He spent some time in Paris and decided that he would become an iconoclastic and avant garde artist. He discovered abstract art with Kandinsky, Kupka, Mondrian and Delaunay and with wonder and stupeur he also learnt of the constructivist movement, which was born in Russia with Malevitch and Lissitsky. In 1922, Baugniet then 26 years old returned to Brussels and married the Russian danser Akarova for whom he designed costumes and stage sets. M-L Baugniet painted, designed and engraved some superb series of dansers and sportspersons (the « Kaloprosopies »), works entrenched with impeccable lines of constructed art. He painted with contemplation geometric compositions which mixed a grace of colours with the rigour of shapes. Baugniet wrote articles on esthetics and applicated arts in the magasine 7 Arts and edited, with the Dutch architect Van Tonderen, the manifesto of the movement that they called « Le beau, C’est l'utile » (beauty is useful) Towards the end of the 20s, he separated from Akarova and in 1927 he opened his own Home Decor shop. With regret Baugniet laid down his paint brushes and threw himself into interior design and the creation of tubular furniture, everyday objects and carpets. He remarried the Russian Olga Reich. He created a circle of ideas that included artists, writers, politicians and intellectuals of all kinds. Throughout his career, Baugniet participated in numerous international exhibitions of decorative art. In 1977 abstraction, constructivism and Marcel-Louis Baugniet were rediscovered. Decorated and lauded, Baugniet began to paint once more and co-founded the magasine Mesures with Jo Delahaut...

Max Andrews (British, b. 1969) Moonlit horses Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/5 x 12.1/5 in. (32 x 31.8 cm.)

Charles Wittmann (French, 1876 – 1953) Cows grazing in Franche-Comte Oil on board Signed ‘CH. WITTMANN’ (lower right) 21.1/4 x 36.3/8 in. (54 x 92.5 c...

John Leigh-Pemberton (British, fl. 1933 – 1959) Timber horses, Tazmania Signed ‘John Leigh-Pemberton 1934’ (lower right) Oil on canvas 25 x 30 in. (63.5 x 76.2 cm.) Leigh-Pemberton is mainly known for his illustrations for the shell guides...

Derek HIRST (British,1930-2006) La Mouche No.2 (1952) Oil on canvas 17.1/2 x 24.1/4 in. (44.5 x 61.6 cm.) Provenance: Flowers East Gallery, Richmond Derek Hirst (b. in Doncast...

fine landscape oil painting of a farmyard scene by Georgina Lara (act.1840-1880) British. Oil on canvas,housed in a gilt frame. Signed, and inscribed on a label verso, The overall si...

A 19th century portrait of a dark bay horse standing in an extensive English landscape by David Dalby of York (fl.1797-1836). Oil on canvas in a giltwood p...

This fine mid-19th-century oil painting by British artist Edmund Bristow (1787-1876) depicts a farmhouse with a saddled white mare taking water while a cockerel looks on. An older ma...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

ARTIST: Frederick Charles Herrick (1887-1970) English TITLE: "Stylised Horses In A Landscape" SIGNED: verso MEDIUM: oil on SIZE: 73cm x 57cm inc frame CONDITION: very good DETAIL...

The Close of Day Scottish Highland Loch at sunset with cattle watering British School, early 20th century signed initials lower left corner oil on board, unframed board: 7 x 10 inche...