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Pedro Lazcano"AFTERNOON ON THE BAY" SEASCAPE SAILBOAT SCENE PAUL SCHUMANN DIED 1946
$27,600
£20,881.30
€24,100.25
CA$38,549.52
A$42,859.70
CHF 22,434.47
MX$525,660.06
NOK 285,647.53
SEK 269,685.12
DKK 179,843.98
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About the Item
Paul Schumann
1876-1946
Galveston Artist
Image Size: 16 x 20
Frame Size: 21.5 x 25.5
Medium: Oil on Board
"Afternoon on the Bay"
Paul Schumann was born near Leipzig Saxony, in the German Empire. He and his family immigrated to the United States about 1879. After a brief stay in Indianola, the family moved to Galveston in 1881. He received instruction from Julius Stockfleth. According to a newspaper article, Schumann spent time in New York and the East, studying and painting--confirmed by a number of surviving sketches of New York scenes. His Galveston studio was destroyed by the hurricane in 1900. Schumann rebuilt his studio on that site, teaching privately, and became a very productive painter, at times, accomplishing three paintings a day, surrounded by his collection of ship models and statuary. He also was a plein-air artist, best known for marine and harbor scenes in Galveston. He also produced a number of plein-air works in Louisiana, the Texas Hill Country, New Mexico, Arizona, California and the East Coast. The medium he used was oil, crayon, pencil, and pen and ink--using the palette knife extensively in oil. Paul Schumann died in Galveston.
Critics have praised Schumann for the atmospheric intensity and vigor of his seascapes. One critic wrote that "in American art Mr. Schumann probably has no peer at capturing in oil dancing waters or a sailing ship on a glassy sea."The San Antonio Express admired his "clearness of colors, the warm tones of the afternoon reflected sunlight and lovely transparency in the wet beach sand, all aglow from the reflections of the June skies and their billowy sunlit clouds." A French critic termed his work "bold, direct and free" and called Schumann himself "a poet of exquisite sensibility." An American critic concluded that Schumann was "doing for the Texas Gulf shores what Winslow Homer did for the Coast of Maine," arguing that if he had been painting "along the New England Coast instead of the Gulf of Mexico, his marines would have been known over all the world."
- Creator:Pedro Lazcano (1909 - 1970, American)
- Dimensions:Height: 16 in (40.64 cm)Width: 19 in (48.26 cm)Depth: 3 in (7.62 cm)
- More Editions & Sizes:Image Size: 16 x 20 Frame Size: 21.5 x 25.5Price: $27,600
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:Please visit my 1stdibs storefront for other Vintage, Mid Century & contemporary Texas paintings, sculpture, pottery and more.
- Gallery Location:San Antonio, TX
- Reference Number:1stDibs: LU769315018142
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By Pedro Lazcano
Located in San Antonio, TX
Pedro Lazcano
(1909-1970)
San Antonio Artist
Image Size: 18 x 24
Frame Size: 25 x 31
Medium: Oil on Canvas
Dated 1967
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I was always curious abo...
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Located in San Antonio, TX
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1876-1946
Galveston Artist
Image Size: 9 x 12
Frame Size: 12.5 x 15.5
Medium: Oil on Board
Circa 1930s
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1876-1946
Galveston Artist
Image Size: 8 x 12.75
Frame Size: 13 x 17.5
Medium: Oil
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Biography
Paul Schumann 1876-1946
Paul R. Schumann
Paul Richard Schumann (December 13, 1876 – April 29, 1946) was a Texas impressionist seascape painter who has been called the Gulf Coast counterpart of Winslow Homer.
Education and personal life
Paul R. Schumann was born in Reichersdorf in the German state of Saxony in 1876, one of four children of Albert F. Schumann and Mina Clara Zincke. Only he and his brother Albert Otto survived infancy. The family emigrated to the United States in 1879 and settled in Galveston, Texas, where he lived until his death. Schumann evinced an early interest in art and received encouragement from the superintendent of the Galveston Public Schools. He studied painting with local painter Julius Stockfleth...
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"ATARDECER" ACAPULCO MEXICO OIL ON CANVAS DATED 1954 FRAMED 37 X 47
By Jose Vives-Atsara
Located in San Antonio, TX
Jose Vives-Atsara
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San Antonio Artist
Image Size: 30 x 40
Frame Size: 37 x 47
Medium: Oil on Canvas
Dated 1954
"Atardecer" Acapulco, Mexico
Biography
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His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends.
Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr.
Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14.
The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships.
Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico.
The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens
Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts.
His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic.
"Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum.
Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life.
Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself.
Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'.
Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...
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By Jose Vives-Atsara
Located in San Antonio, TX
Jose Vives-Atsara
(1919-2004)
San Antonio Artist
Image Size: 24 x 30
Frame Size: 33 x 38.75
Medium: Oil on Panel Applied by Palette Knife
"Still Coast"
Biography
Jose Vives-Atsara (1919-2004)
His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends.
Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr.
Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14.
The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships.
Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico.
The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens
Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts.
His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic.
"Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum.
Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life.
Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself.
Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'.
Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...
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Galveston Artist
Size: 9 x 12
Frame: 13.75 x 16.75
Medium: Oil
"Crashing Waves"
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