Shelley Reed

Peek (After Stubbs)

2021

This painting is oil on 7 canvas panels, each 7 feet high and is 30 feet wide TOTAL and is monochromatic black, after Desportes, Brascassat, Weenix, Hondecoeter, Oudry, Landseer, Snyders, van Huysum, Bellini, and van Es. The title references Psalm 23...

This Reed piece is of a horse painted on 6 separate sheets of oil paper. It is painted in the influence of the European artist Stubbs. This painting is oil on paper, and is monochrom...

This piece is composed of 12 framed pieces, which creates the total size of 90 x 88 inches. Reed's primary focus has been the rich vein of Northern European art from the mid-17th t...

"Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vic...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Shelli Langdale's "Languishing" is an original, handmade oil painting that depicts a white horse fading into an abstracted quilt pattern. Artist Bio: Shelli Langdale is an oil painter living and painting in Chattanooga, TN. U.S.A. She has a Bachelor of Science in Computer Science from the University of Alabama...

ELIZABETH WAGGETT Caught Between II, 2023 Signed by artist 22 karat gold, oxidised silver, charcoal, graphite, and ink on cotton paper 30 x 60 inches, framed This piece is unique. T...