Horse Animal Paintings

This piece, "Silent Run", is a 40x40 equine oil painting on canvas by artist Marie Channer. Featured is a group of horses running in the snowy hours of early morning. Snow drifts lif...

This realistic equine piece, "Stables with Blue Buckets", by artist Dahl Taylor is a 24x40 oil painting on canvas featuring two race horses standing near t...

Artist: Daniela Nikolova Medium: Pastel and pencil on paper Size: 13.7" x 19.6"

"Stable Walk", is a 22x30 oil painting on canvas by artist Dahl Taylor featuring a two brown horses being led back to the stable after morning workouts at Saratoga Race Course. Brigh...

This colorful piece, "Frozen in Time", is a 18x24 oil painting on canvas featuring two riders atop their horses in a green field during a fox hunt. A group of hounds eagerly run alo...

"Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vic...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

This horse racing piece, "A Narrow Lead", is a 14x18 equine oil painting on canvas featuring five jockeys wearing colorful silks atop their horses during a ste...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

This vibrant landscape, "Spring", is a 9x12 equine oil painting on canvas featuring a grey horse and a brown horse walking in a lush green grassy pasture in the warm sunlight. Trees...

This equestrian piece, "Shimmering Sunlight", is a 24x20 oil painting on canvas featuring two riders atop their horses riding through the quiet woods in the warm afternoon sunlight. The fall foliage and warm colors make up the trees in the landscape. About the artist: The artwork of Janet Crawford depicts the equestrian lifestyle. Working from her studio in the Berkshires, Janet focuses on classic portraiture of horses, dogs and people. Her original artwork captures the candid moments of the horse world. A trademark of the artist's work is the portrayal of the true nature of the horse. Education: Bachelor of Fine Arts, Cum Laude Concentration: Painting Rhode Island College, 1991 Press: 2000 - Featured artist in Equine Image article, Aug/Sept issue, 2000. Selected Awards: 2012 - National Distinguished Service Award, American Hackney Horse Society 1995 - Horse World Magazine Morgan Artist of the Year 1993 - Harness Tracks of America Art Competition, 2nd Place 1991 - AMHA Art Contest 1st Prize, Morgan Art 1990 - Special Talent Award, Rhode Island College Special Projects: Present - Designer and Painter, Berkshire Carousel Project Present - Program Cover and Horse Show Poster Artist for the Fleet Jumper Classic, Sept. 2000. Present - Poster Artist for the Hampton Classic, Aug. 27-Sept. 3rd. Present - Program Cover Artist since 1996 for UPHA Spring Premiere Present - Illustrator, Horse World Magazine 2012 - Artist for the American Hackney Horse Society Logo 2011 - Cover Artist for the Pfizer Million Dollar Grand Prix Horse Show Program 1999 - Cover Artist, The Chronicle of the Horse 1999 - Cover Artist, Horse America (Horsemen's Yankee Pedlar) 1999 - Exhibition "The Horse in Art" Hartford Fine Art & Frame 1997 - Opening of the Equestrian Collection Gallery 1996 - New England Morgan Horse...

Original oil painting on linen by artist Bruce K. Lawes. 27.5 X 47.5 Framed.

Signed lower right and inscribed verso. Ex Geary gallery Darien CT. Oil on canvas. As a member of the Society of Equestrian Artists (SEA) and the American Academy of Equine Art, Roy is an artist of international repute. Roy began work as a professional artist at the age of 14 while studying in the evenings at Manchester College of Art. In the early 1960s he moved to London and worked as a freelance artist and illustrator. He has had many exhibitions including the Royal Academy, but the turning point of his career was in 1972 when he visited a racecourse and fell in love with the ‘sport of kings’. Within three years his talents for equestrian painting were recognized and acclaimed and he became a full-time equestrian artist. Her Majesty the Queen has a painting of Roy’s in her own collection. Other commissions from The Hong Kong Jockey Club, the Coaching Club of Great Britain and the United Racecourse Group quickly followed. His solo exhibitions include The Melbourne Cup...

This piece, "Walking in the Stable", by artist Dahl Taylor is a 22x30 equine oil painting on canvas featuring the interior of the stables behind the famou...

“New Forest Ponies” by Doris Zinkeisen 1898-1991. Highly fashionable painter of equestrian scenes fine horsewoman herself. Studied at the Royal Academy. Oil...

Artist: Daniela Nikolova Medium: Pastel and pencil on canvas Size: 15.7" x 11.8"

This is an original unique oil painting, signed by the artist.

This equine racing painting "Quiet Time" by artist Anne Wolff is a 24x30 original oil painting on canvas. This painting depicts the morning workouts at the...

This equine racing portrait "California Chrome" by artist Anne Wolff is a 24x24 original oil painting on canvas. Depicted is a profile view of the famous thoroughbred race horse California Chrome in a green and purple silk mask...

This realistic equine piece, "After the Bath", by artist Dahl Taylor is a 24x34 oil painting on canvas featuring a brown horse after bath time, coat glistening in the warm sunlight. ...

Oil Painting by George Wright "The Cottage Door" 1860- 1942 Leading painter of equestrian scenes, he exhibited at the Royal Academy and many of his works were reproduced in books and...

St. Giorgio e il Drago Oil Painting on Canvas Saint Georges and Dragon In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tus...

Today, in an age of easy mechanical reproduction, there is still something of the magical in the representation of an animal by hand. A part of the power of Joseph Piccillo's work li...

“The ploughed horses break” Oil on canvas signed Michael Therkildsen, dated 1887. Monogrammed bottom right M TH and dated 1887. Danish school Exhibited at the universal exhibition ...

"Horse Sketch 2" is an oil painting by Amy Florence, a study of an Alfred Munnings painting, an artist she takes inspiration from. A horse is standing against a pale green ground, c...

"Concentration", is an 8x10 equine landscape oil painting on canvas by artist James Jahrsdoerfer featuring a dark brown horse and rider dressed in b...

Oil on cardboard mounted on canvas, signed lower right Image size: 9 x 7 1/4 inches (23 x 18.5 cm) Original gilt frame This painting shows a horse standing in profile in front of, w...

Karen Bonnie "Evening's Last Glow" Oil on Canvas Canvas Size: 24 x 36" Frame Size: 44.25 x 32.25" A naturalistic paintings of six horses crossing a flo...

Oil painting by John Dearman 1852, farm with cows and horse. Signed and dated lower left. Unframed. Age-related condition. Painting has been professiona...

Oil Painting by John Sturgess "The Blue Ribbon Army" A Fine painter of equestrian scenes horse portraits and everday scenes of horses at work. Exhibited at the Royal society of Briti...

Oil on Board painting for American Weekly Magazine November 15, 1953. The decisive moment of a Cowboy and Horse is captured. As a determined team, t...

Three horses having a nocturnal meeting. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sig...

Artist: Daniela Nikolova Medium: Tar on Canvas Size: 7.1" x 5.1"

Artist: Daniela Nikolova Medium: Oil and sand on canvas Size: 47.2" x 39.3"

Yuan & Fu show different forms in writing of Chinese but all variants refer full blessings. In Lau Wai Leng’s paintings, we see different types of vegetables, fruits, animals and toy...

This equine racing portrait "American Pharoah Racing" by artist Anne Wolff is a 40x30 original oil painting on canvas. Depicted is the famous triple crown winning thoroughbred race ...

Having endured adversity of fleeing war and conflict, Dhamin's artwork is profoundly influenced by his personal journey. He infuses his works with movement, energy and an emotional ...

Artist: Daniela Nikolova Medium: Encaustic and oil on canvas Size: 9.4" x 11.8"

Two hunters, one leaning against the cross and dogs on the left "halt in the forest" Oil on canvas, restored and cleaned in good condition. Very nice painting for hunting scene art...

KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...

This vintage original modernist watercolor painting by Alfred Wands (1904-1998) depicts a captivating scene of horses attached to a carriage with buildings in the background. The com...

“The Gun-Runners” by Edwin Cole, published in The Youth’s Companion, May 6, 1926, pg. 343. Western illustration Literature: Schoonover, Smith & Dean 1450 Artwork Dimensions: 17.5...

Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia an...

L' Abbatimento della Bandiera Oil Painting on Canvas Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sist...

Oil Painting by William Nassau "Taking a Jump" 1926 - 2001 William Nassau was an ex - army officer, who was a regular at the Hickstead Showground and Lingfield Park. Oil on canvas. S...

Oil Painting by Cornelius Jansen Walter Winter "A Favourite Hunter" 1817- 1891. Born in Bungay the son of a stained glass painter. Pupil of Edwin Cooper of Beccles. Painted Norfolk A...

Fisherman unloading their catch at Scheveningen Beach Reckelbus Louis Bruges 1864 – 1958 Belgian Painter Bruges School Signature: Signed bottom right Dimensions: Image size 38 x 25...

Original oil painting on canvas by artist V.... Vaughan. Framed.

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

Artwork framed Diana Torje is a prizewinning Romanian artist born in 1983 & based in Paris whose works have been exhibited in solo and group shows throughout France & worldwide. ...

Artwork framed Diana Torje is a prizewinning Romanian artist born in 1983 & based in Paris whose works have been exhibited in solo and group shows throughout France & worldwide. ...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the creator of Lucky Luke...

Oil Painting by Henry Charles Woollett "Winter" 1826 - 1890 Henry was born in Brighton then lived in Cheltenham and Liverpool. He painted rustic landscape with animals found in the ...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...

"White Horse at Dusk, Tuscany" is a contemporary impressionist pastoral oil painting painted en plein air. Two horses stand under a run-in shed and graze from a haystack. Florence ca...

Study of An Appaloosa Horse, 19th Century by H Milnes (19th Century British) 19th Century portrait of An Appaloosa Horse in a yard, oil on board by H Milnes. Rare early portrait of...