Horse Animal Paintings

“In June (Im Juni)” Julius Paul Junghanns (German, 1876-1958) Oil on canvas Signed and dated “1913,” titled on reverse 18 ½ x 23 1/4 (27 1/4 x 31...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Horses with carriage. Oil on panel. 16.1 x 24.2 cm

Cowboys trying to run out of the storm on this cold rainy day of cattle herding on the ranch. A cowboy in a wagon being pulled by four brown and black horses is herding the longhorns...

This piece, "Wild Thing", is a 48x48 equine oil painting on canvas by artist Trip Park featuring a contemporary portrait of a brown horse standing against a ...

"Concentration", is an 8x10 equine landscape oil painting on canvas by artist James Jahrsdoerfer featuring a dark brown horse and rider dressed in blue dressage clothing. They are tr...

Kate Knott: Unicorn This original oil painting of an old and wise Unicorn is traditional yet quirky. It is an oil on primed paper and is framed behind glass. Size: H:45 cm x W:50 cm

Karen Bonnie "Evening's Last Glow" Oil on Canvas Canvas Size: 24 x 36" Frame Size: 44.25 x 32.25" A naturalistic paintings of six horses crossing a flo...

Artist/ School: French School, 20th century Title: The Sword Fight Medium: oil painting on canvas, unframed canvas: 28.5 x 39.25 inches Provenance: pri...

This equestrian piece, "#3", is a 16x20 oil painted portrait of a dark brown horse dressed in a saddle and blinkers. About the artist: The artwork of Janet Crawford depicts the equestrian lifestyle. Working from her studio in the Berkshires, Janet focuses on classic portraiture of horses, dogs and people. Her original artwork captures the candid moments of the horse world. A trademark of the artist's work is the portrayal of the true nature of the horse. Education: Bachelor of Fine Arts, Cum Laude Concentration: Painting Rhode Island College, 1991 Press: 2000 - Featured artist in Equine Image article, Aug/Sept issue, 2000. Selected Awards: 2012 - National Distinguished Service Award, American Hackney Horse Society 1995 - Horse World Magazine Morgan Artist of the Year 1993 - Harness Tracks of America Art Competition, 2nd Place 1991 - AMHA Art Contest 1st Prize, Morgan Art 1990 - Special Talent Award, Rhode Island College Special Projects: Present - Designer and Painter, Berkshire Carousel Project Present - Program Cover and Horse Show Poster Artist for the Fleet Jumper Classic, Sept. 2000. Present - Poster Artist for the Hampton Classic, Aug. 27-Sept. 3rd. Present - Program Cover Artist since 1996 for UPHA Spring Premiere Present - Illustrator, Horse World Magazine 2012 - Artist for the American Hackney Horse Society Logo 2011 - Cover Artist for the Pfizer Million Dollar Grand Prix Horse Show Program 1999 - Cover Artist, The Chronicle of the Horse 1999 - Cover Artist, Horse America (Horsemen's Yankee Pedlar) 1999 - Exhibition "The Horse in Art" Hartford Fine Art & Frame 1997 - Opening of the Equestrian Collection Gallery 1996 - New England Morgan Horse...

Girl with horse. 2004. Oil on canvas, 65x75 cm

This equine racing painting "Irad Ortiz" by artist Anne Wolff is a 24x18 original oil painting on canvas. Featured is the back view of famous jockey Irad Ortiz on horseback. He is ...

John Charles Maggs British, (1819-1896) Bristol, Bath & London Coach Outside The Crown Inn, Bath Oil on canvas, signed & dated 1882 Image size: 17.5 inches x 29.5 inches Size includ...

This equine racing painting "Quiet Time" by artist Anne Wolff is a 24x30 original oil painting on canvas. This painting depicts the morning workouts at the...

This equestrian piece, "Saddle", is a 20x16 outdoor still life oil painting on canvas featuring a brown horse's saddle resting on a white fence. About the artist: The artwork of Janet Crawford depicts the equestrian lifestyle. Working from her studio in the Berkshires, Janet focuses on classic portraiture of horses, dogs and people. Her original artwork captures the candid moments of the horse world. A trademark of the artist's work is the portrayal of the true nature of the horse. Education: Bachelor of Fine Arts, Cum Laude Concentration: Painting Rhode Island College, 1991 Press: 2000 - Featured artist in Equine Image article, Aug/Sept issue, 2000. Selected Awards: 2012 - National Distinguished Service Award, American Hackney Horse Society 1995 - Horse World Magazine Morgan Artist of the Year 1993 - Harness Tracks of America Art Competition, 2nd Place 1991 - AMHA Art Contest 1st Prize, Morgan Art 1990 - Special Talent Award, Rhode Island College Special Projects: Present - Designer and Painter, Berkshire Carousel Project Present - Program Cover and Horse Show Poster Artist for the Fleet Jumper Classic, Sept. 2000. Present - Poster Artist for the Hampton Classic, Aug. 27-Sept. 3rd. Present - Program Cover Artist since 1996 for UPHA Spring Premiere Present - Illustrator, Horse World Magazine 2012 - Artist for the American Hackney Horse Society Logo 2011 - Cover Artist for the Pfizer Million Dollar Grand Prix Horse Show Program 1999 - Cover Artist, The Chronicle of the Horse 1999 - Cover Artist, Horse America (Horsemen's Yankee Pedlar) 1999 - Exhibition "The Horse in Art" Hartford Fine Art & Frame 1997 - Opening of the Equestrian Collection Gallery 1996 - New England Morgan Horse...

This equine racing triptych, "Down to the Wire" by artist Anne Wolff is a 24x36 original oil painting on canvas. Depicted on three separate 24x12 canvases are frontal views of thoro...

This gorgeous and sentimental piece, "Till Tomorrow", is a 30x20 equine oil painting on canvas by artist Marie Channer. Featured is a horse and female owner and companion standing i...

This equine racing painting "Turning for Home" by artist Anne Wolff is a 30x40 original oil painting on canvas. This painting depicts a head on horse race with jockeys in colorful s...

This early morning piece, "Mid Morning Sun" is a 24x36 features three huntsmen atop their brown and grey horses in a green field during a fox hunt. A group of hounds eagerly run alon...

Cecilia "Peach" Taylor (Mrs Reginald B. Taylor) Folk Art watercolor painting of horses titled "White Horse Farm) painted in 1948 A classic example of self t...

"The Unknown," (2022) by wildlife artist Alexis Kandra is an oil painting gilded with metal foil on wood panel, measuring 36" X 36". Her newest piece, the painting features an earthy landscape appointed with beautiful wildlife -- a rooster, a bull frog, a pidgeon / dove, white horses, red robin...

Artist: Daniela Nikolova Medium: Pastel and pencil on canvas Size: 15.7" x 11.8"

Artist: Daniela Nikolova Medium: Pastel and pencil on canvas Size: 9.6" x 13.7"

"Ghost" is a photoreal portrait of a white horse in his dark barn in the South of France. The equine painting stuns the viewer with the drama o...

José Luis Florit Rodero (Madrid, 1909-Paris, 2000). Draftsman and painter. Trained in Olot and Figueras, he was guided in his early years by Juan Núñe...

George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...

This piece, "Grace of a Champion", is a 24x24 equine oil painting on canvas by artist Adrian Rigby featuring a portrait of legendary Triple Crown winner, ...

Artist: Daniela Nikolova Medium: Pastel and pencil on paper Size: 13.7" x 19.6"

Luis Cordiviola: 1892-1967. Well listed painter from Argentina. He has had auction results over $10,000. This wonderful example of his work is an oil o...

This painting is made on the wooden block showing a horse that symbolizing the memory that can go to anyone with deep thoughts and love. It can be placed either on wall or any other place including shelf. In the modern world, the artist is a peculiar explorer of the time that he lives In. The “main character” of this world is a man whose gaze is turned inward. This view projects its existential reality, where the figurative language of painting is a method of transmitting abstract images of the experiences of the main characters and the time in which they exist on an equal footing with the viewer. Pictures of Daria Kotlyarova have no plot, at first glance, they have no action, but there is a moment. The moment before the second “before” ... and the viewer stops and freezes in tension, this is almost a psychological “cinema reception” that refers us to David Hockney’s paintings...

Artist: Daniela Nikolova Medium: Encaustic and oil on canvas Size: 9.4" x 11.8"

This colorful piece, "Frozen in Time", is a 18x24 oil painting on canvas featuring two riders atop their horses in a green field during a fox hunt. A group of hounds eagerly run alo...

This piece, "Splash Dance", is a 30x20 equine oil painting on canvas by artist Marie Channer. Featured is the silhouette of a horse and woman rider...

Artist: Daniela Nikolova Medium: Tar on Canvas Size: 7.1" x 5.1"

Black Dog, vintage 1961 original modernist painting of a dog in black, gray and white by Colorado Springs Broadmoor Academy artist, Charles Bunnell (1897-1968. Painted in oil on canvas paper, signed and dated by the artist lower right. Presented in a contemporary custom wood frame with all archival materials, outer dimensions measure 24 ½ x 28 ¼ x 1 ¾ inches. Image size is 20 x 16 inches. Provenance: Estate of Charles Ragland Bunnell Expedited and international shipping is available - please contact us for a quote. About the Artist: Charles Bunnell developed a love for art as a child in Kansas City, Missouri. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...

Artist: Daniela Nikolova Medium: Oil, sand, and gold leaf on canvas Size: 19.6" x 13.7"

Realistic pastel toned western landscape by Texas artist, Tom Moss. Painting features a brown horse by a Southwestern-style house. Signed by the artist in the bottom right. Framed in a beautiful natural wooden frame. Dimensions Without Frame: H 12.25 in. x W 16.25 in. Artist Biography: About Tom MossTom has been dedicated to creating bronze sculpture for the past 40 years. Most of his work is western: cowboys, horses, cattle, and Native Americans, but he has done many figurative and portrait commissions as well. His bronzes are collected throughout the United States, Canada, and Mexico as well as Europe and the Far East. He is in the collections of two Texas governors, Briscoe and Connelly, along with movie actors, an astronaut, and many other celebrities and corporations. Tom has been featured in numerous periodicals such as Southwest Art, Art of the West, Western Horseman, Equine Images, and many newspaper articles. Tom has spent most of his life in Texas, other than a three-and-a-half-year stint in Taos, New Mexico. Due to his support of the Texas Rangers...

Artist: Daniela Nikolova Medium: Tar and oil on canvas Size: 39.3" x 31.5"

Artist: Daniela Nikolova Medium: Oil on Canvas Size: 27.5" x 39.3" About the Artist: Daniela Nikolova was born in September of 1976 in Sofia, Bulgar...

Artist: Daniela Nikolova Medium: Oil and sand on canvas Size: 47.2" x 39.3"

Henry Calvert was an animal painter, particularly of the sporting variety and best known for his depictions of horses, hunting scenes and equestrian hunting portraits...

This piece, "Chester", is a 22x32 equine oil painting on canvas by artist Marie Channer. Featured is a portrait of a dark brown horse in the warm light of stable, illuminating the bo...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of his idiosyncratic working method can be compared to Roman and Medieval murals, the so-called fresco in which people paint directly in wet lime. At the time, fresco technique was a decorative art form in Europe. However, it is not the decorative element that inspires and interests Jan, but the weathered appearance of the surviving fresco paintings. That is what he wanted to see in his own work. In 2000 he started experimenting with cement on linen. This technique is so special, because cement is a building material and does not stick to canvas. After many attempts, Grotenbreg has found a solution to this problem with modern binders. An impressive series of animal studies followed. Jan Grotenbreg only paints animals he has an affinity with. Animals such as the horse, the cow and the bull, as well as lesser-known animals such as the protected bird of prey, the black-capped vulture, the Egyptian Nile bird Ibis and the endangered house sparrow, have been laid down on linen by Grotenbreg in a layer of gray cement with acrylic paint in black-brown color nuances. The texture and composition of the applied cement is a very important part of his work. That's what makes it intriguing. The way in which the cement is applied determines the decisiveness of the work even more than the image. The animals, especially the sparrows, sometimes only cover a very small part of the canvas. It is clear that the emphasis is on technology. The charm of Jan Grotenbreg's work lies in the imitation of that weathering. But the animals portrayed also play a role in this and are not exempt from rendered weariness. They give a beautiful antique impression...

This piece, "Great Run", is a 20x16 equine oil painting on canvas by artist Marie Channer featuring a portrait of a horse after a workout run. You can see the horses' breath through...

This vibrant and realistic equine piece, "Morning Workout", by artist Dahl Taylor is a 30x24 oil painting on canvas featuring a jockey out on the dirt trac...

Antique Horse Painting “Standing Horse in the Stable” Georg Wolf (Alsace/Germany 1882-1962) Oil on canvas 39 1/2 x 21 1/2 (46 1/4 x 38 1/4 frame) inches Est...

Robin Hextrum's "Pearl Galloping" is an original, handmade oil painting that depicts a white horse in a full run as the background spirals with black and blue Rococo...

Robin Hextrum's "Chestnut" is an original, handmade oil painting that depicts a brown quarter horse in profile with blue and grey Rococo patterns in the background.

This is an original unique oil painting, signed by the artist.

This piece, "Foggy Morn", is a 30x40 equine oil painting on canvas by artist Marie Channer. Featured is a pasture in the early morning hours. Horses graze in the cool summer air, sil...

Wild Horses by Mark Tobey (1890-1976) Oil on panel 10 ¾ x 16 ½ inches unframed (27.305 x 41.91 cm) 14 x 19 ½ inches framed (35.56 x 49.53 cm) Signed on bot...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

Tracy Wall's "Lunar Eclipse" is an original, handmade mixed-media painting that depicts a horse, with a brown coat and white mane, walking in profile wi...

Scottish artist, David McEwen's oil painting of a Border Terrier dog and horse, "The Runaways" is a masterfully painted narration of Phillip, a dog, and...

John Duvall British, (1815-1892) Directing the Shoot Oil on canvas, signed Image size: 17.75 inches x 13.75 inches Size including frame: 25.5 inches x 21....

Heywood Hardy British, (1842-1933) The Arrival of the Coach Oil on canvas, signed Image size: 19 inches x 29 inches Size including frame: 25.75 inches x 35.75 inches A superb paint...

Early 20th-century portrait in oils of shire or Clydesdale horses in a landscape. Edwin began his artistic career by studying at the Royal Academy of Art where he went on to win a Silver medal for his work at the age of 24. From this point on, his work continued to get recognized and many of his pieces were entered into exhibitions. In total, Edwin Frederick Holt...

“The ploughed horses break” Oil on canvas signed Michael Therkildsen, dated 1887. Monogrammed bottom right M TH and dated 1887. Danish school Exhibited at the universal exhibition ...