Horizontal Paintings

An incredible photo-realist drypoint etching of a Native American man by Gilbert Adam Shoenbrod (American, 1903-1996), 1937. Titled "The Hunter", this hyper detailed portrait depicts...

Artist: Armando Ahuatzi, Mexican Title: Calabazas Year: 1995 Medium: Oil on Canvas, signed and dated l.r. Size: 18.5 x 27 inches Frame Size: 29 x 37.5 inches

Photo-realist oil painting of a classic brick building exterior in New York City 28 x 50 inches, oil on canvas painting Wire backing for easy hanging Unframed with white painted sides This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging. About the artist: Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA. Born Utica, New York, 1944 Education 1962 – 1964 Pratt Institute, Brooklyn, NY 1964 – 1966 Syracuse University, Syracuse, NY B.F.A. 1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A. Solo Exhibitions 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...

DAVID KESSLER (American born 1950 - ) Greyed Magic #2 (Water and Light Series) Acrylic on canvas Hand signed and titled with artist's studio stamp on verso 60 inches x 84 inches David T. Kessler was born in Park Ridge, New Jersey in 1950. He attended Arizona State University, where he received the award for Outstanding Graduate in Studio Art in 1972. In 1973, David was one of 12 painters accepted into the graduate program at The San Francisco Art Institute, where he received his M.F.A. in 1975. He is well known for his holographic airbrush paintings on aluminum. His paintings have been exhibited internationally since 1977, with shows in Tokyo, Strasbourg, Chicago, Los Angeles, Miami, Scottsdale, and New York. Kessler's paintings are in the permanent collections of The Strasbourg Contemporary Museum of Art, The Brooklyn Museum, The Minnesota Museum of Art, The Museum of the Rhode Island School of Design, The Santa Barbara Museum, The Barrington Art Center, and others. Within Arizona, his work is in the collections of The Phoenix Art Museum, The Scottsdale Center for the Arts, The Tucson Museum of Art, Arizona State University Art Museum, and Northern Arizona University Art Museum. Photorealism is a genre of art that encompasses painting, drawing and other graphic media. An American art movement that began in the late 1960s and early 1970s. Photorealism evolved from Pop Art as a counter to Abstract Expressionism as well as Minimalist art movements. Though Photorealists share some aspects of American realists, such as Edward Hopper, they tried to set themselves as much apart from traditional realists as they did Abstract Expressionists. Photorealists were much more influenced by the work of Pop artists and were reacting against Abstract Expressionism. The word Photorealism was coined by Louis K. Meisel in 1969 and appeared in print for the first time in 1970 in a Whitney Museum catalogue for the show "Twenty-two Realists." It is also sometimes labeled as Super-Realism, New Realism, Sharp Focus Realism...

Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite, and colored pencil. Since graduating from the Cleveland...

Farm in the Woods at Sunset in the English Countryside with Winter Trees and Warm Brown Colours, by 20th Century British Artist Christopher Osborne. Art measures 12 x 8 inches Fra...

When I go out I stop at places where I can see scenes that I like for some reason. I am usually struck by the effect of the light in that place at that moment, or by the composition ...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

James Tormey (American, 1938-2017) "Candyland (Mixed Bowl)" on table with white tablecloth cover. Oil Painting on Canvas. Hand signed lower right. Measures approx. - 32" high x 37" wide, total with frame - 37 1/2" high x 42 1/2" wide. James J Tormey, NYC artist, He was born in Brooklyn in 1938. As a young man he moved to Manhattan where he lived and worked for more than 60 years. James Tormey studied at the Pratt Institute, in Brooklyn, and at Columbia University and worked in advertising for several years while he painted part time. In the 1960s he supported himself as a photographer, covering openings and events for the Museum of Modern Art, in New York City. For many years he was represented by the Madison Avenue Gallery, in New York City, where he had numerous one-man shows. He has also exhibited in Japan and Germany. The artist makes his home in Manhattan and is represented by the Uptown Gallery, also in New York City. James Tormey paints still lifes of traditional subject matter: fruit, vegetables, or eggs appear in bowls or on surfaces illuminated by powerful directional light. Tormey builds stronger and more precise meaning into his work by exploring how the backgrounds and settings for his still lifes can convey particular ideas. In his recent work, for instance, he painted a series of images in which fruit—a traditional still-life subject—is placed in architectural settings or frames that we usually associate with religious imagery. In Icon, for instance, the artist painted a red cabbage and placed it inside a Renaissance-style frame that he built and decorated himself. Instead of being presented with a saint or a Madonna within such a context, we are given a fully realized, but quite ordinary, vegetable. Tormey’s painting technique involves great care from the beginning. He works in his apartment in Manhattan’s Upper West Side in a meticulously clean space equipped with a very solid easel and a large glass palette on a painting table. For reference he uses photographs he has taken of still-life setups in conjunction with pictures of architectural or other settings he has collected over the years. “I start with a careful graphite drawing right on the canvas,” he explains. These days he uses lightweight cotton duck, although much of his earlier work was done on smoother surfaces. Once the graphite line is established, the artist makes a thin monochrome version of the image with a dull green. “I don’t add anything to the paint other than turpentine,” he explains. “I don’t use oil or glazing mediums because I don’t like shine. The turpentine dulls the paint, which suits what I’m doing.” Once the green layer has dried, the artist applies a second thin layer in a warm brown using burnt sienna or burnt umber. “In all these stages I’m working from dark to light,” he says, “so that I’m always getting a rendered, three-dimensional image.” Tormey works on two or three paintings at a time to allow for sufficient drying time between layers. “I also like the way one painting seems to talk to another,” he says. “It makes for a richer process.” Once he starts working in full color on the image, he continues slowly, applying many thin layers and gradually achieving subtle tonal and color shifts until his forms burst with three-dimensional life. “I work with a very dry brush,” explains the artist. Many of Tormey’s paintings contain dark backgrounds, some of which are pure black—something that can present its own technical problems. “I don’t want those backgrounds to feel present,” he says. “I want them to simply drop out.” Because he doesn’t want any shine on his work he doesn’t use varnish. It’s not surprising that Tormey’s work, with its heavy contrasts and smooth tonal transitions, is strongly influenced by photography. Tormey worked as a photographer for some years, and when he began doing still lifes he often photographed them against black backgrounds. His work was also published as fine art cards, posters, and fine art Giclee prints. He pioneered the "larger-than-life" still-life with his work combining traditional subject matter with a contemporary interpretation that produces startling images of heroic proportions. Light reflected and transmitted lends the natural objects, which are the subjects, a quality which may evoke in the viewer clarity of vision and a delight in the forms of the natural world around them. His work conveys a powerful positive philosophy and he once said "I believe the only way we can come to terms with the world is if we look at it as it really is." He believed that artists should take responsibility for the meaning their works carry and stated that "there are definite ideas behind my paintings". He studied at Pratt Institute and Columbia University and worked in advertising and as a photographer before turning to full-time painting. His paintings were exhibited in dozens of galleries around the country, in Germany and Japan and are now seen in numerous public and private collections. While he was not officially part of the Photorealism art...

This is acrylic on four shaped ragboard panels in artist-made frames.

Bill Komodore - Optical Art Series - Large Geometric Abstract Oil Painting An electrifying example of Bill Komodore’s masterful engagement with Op Art, this geometric abstraction pu...

Vintage American modernist still life oil painting. Oil on canvas. Signed verso.

Artist: Gustavo Schmidt Title: Tres Bolsas de Papel en Diagonal Year: 2014 Medium: Oil on Canvas with Varnish, signed l.r. Size: 36 x 48 inches

Horizon Original Op Art Painting 1978 Artist signed and dated. Marko Spalatin (American, Born 1945). An original Modern Abstract Op-Art oil painting on canvas. Titled "Horizon". Featuring colors of white, yellow, orange, green, purple, and blue. Signed and dated 1978 with title on verso. Mounted on wood stretcher. Provenance: 11/10/2007 Ivey-Selkirk Auction, LOT 775. PERMANENT COLLECTIONS Musée d'Art Moderne — Paris, France Museum of Modern Art — New York, New York Tate Gallery — London, England Bibliothèque National — Paris, France Victoria & Albert Museum — London, England Library of Congress — Washington, D.C. Museum of Contemporary Art — Chicago, Illinois Metropolitan Museum — Manila, Philippines Philadelphia Museum of Art — Philadelphia, Pennsylvania The Butler Institute of American Art — Youngstown, Ohio Museum of Modern Art — Belgrade, Yugoslavia Milwaukee Art Museum...

Her oil on canvas images are photorealistic and gorgeous.

This acrylic painting was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to ho...

This gorgeous brown longhorn appears as though it's stepping out of the darkness to meet you. Santibáñez Servat has created the perfect visual representation of an animal typical to...

Daffodil Fields English Landscape Painting by Contemporary Photorealist Artist, Nicholas Smith. Art measures 8.5 x 3.5 inches Frame measures 11.5 x 6....

A photorealistic depictions of red chili peppers, emphasizing the aesthetic vibrance of their color and sheen. 38.5" x 51.5" Acrylic on Canvas

"Boston Cream Donuts Still Life" is an original oil painting measuring 16"x20" on 1.5" deep cradled hardwood panel. The piece has clean wooden edges ...

Scott Fraser's "Mollie's Spoons" is an oil painting created in 2020 that depicts varying fine silver spoons scattered across a warm grey surface. About ...

Adrienne Stein's (US based) "Ladew Topiaries" (2024) is an original, handmade oil painting. About the artist: Adrienne Stein (b. 1986) is an award winning artist living and working...

A bold Abstract painting by Chilean-born artist Gustavo Schmidt. The red colors seem to jump off the blue background in this oil painting. Wrapped Package and Irises Gustavo Schmid...

Gregory Block's "Botanicals No. 1" is an original, handmade oil painting that depicts a still life of yellow and white blooms with a blue and clear bottle. About the artist: Greg...

Her oil on canvas images are photorealistic and gorgeous.

colorful ribbons Oil on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can...

OPAC, the Organization of Photorealist Artists and Collectors, presents Cesar Santander Space Traffic Original Oil Painting 18" x 24" original painting on board. This is a unique,...

Peaches in a bag

Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...

Reflections on Forest Pond in the English Countryside with Warm Yellows & Browns, by 20th Century British Artist, Christopher Osborne. Art measures 12 x 10 inches Frame measures 18 ...

Glenn Ness is recognized for his photorealistic oil paintings of vacant backyards, landscapes, urban streets, and interiors. Ness’s compositions are flooded with his signature warm l...

This large Super realism painting by New York artist Cesar Santander Is one of his masterpieces. It is titled "Rush Hour," and measures 38 x50". Painted in 2001, it is signed, titled, and dated on the verso and is acrylic on canvas and wood panel. Making this listing very Special, we have also included in this offering, all of the tin toys that inspired this painting and they are in a clear box with mirrors on the 2 sides, the back and the bottom of the lucite box and can be displayed along side the painting just how the toys are featured in the painting. You can see an image of that mirrored box in this listing. Santander first sets up the layout of these vintage tin toys...

American Photorealist Ian Hornak’s stunning depiction of a tropical landscape is framed by back-lit palm trees and clouds illuminated with the setting sun. The painting is signed, ti...

In this creation I chose a muted grey for the sky as I wanted the focus to be on the sunflowers and the background to compliment, not take over. This was purely from my imagination u...

Serse creates drawings by erasure. He covers a sheet of paper with a dense layer of graphite, then ''draws'' on its surface with an eraser. Using photos as his point of departure, Serse renders mountains, bodies of water and trees from the shades of gray that emerge as he plies his eraser. The resulting image is mounted on aluminum. This image has a powerful presence because of the composition and the clarity of its realism. Serse was born in 1952 in San Polo di Piave. He lives and works in Trieste. The artist has produced over the years an extraordinary series of images that have been included in the book “Drawing”, edited by Phaidon Press. These also owed him the participation in significant national and international exhibitions such as: Parkview Museum in Beijing and Singapore (2018 - 2019); Palazzo del Governatore, Parma, Italy (2018); Centre Pompidou, Musée National d’Art Moderne, Paris, France (2013); Museum of Modern and Contemporary Art, Rimini, Italy (2012); Musée des Beaux-Arts et d’archéologie, Besançon, France (2010); Palazzo Reale, Milan, Italy (2007); De Garage Cultuurcentrum, Mechelen, Belgium (2006); III Biennial of Valencia, Spain (2005); S.M.A.K., Gent, Belgium (2004); Rufino Tamayo Museum, Mexico City, Mexico (2002); Center for Contemporary Art Luigi Pecci, Prato, Italy (2002); Kunstverein Augsburg , Augsburg, Germany (2000); Musée de Beaux Arts, Gent, Belgium (1999); Bevilacqua La Masa Foundation, Venice, Italy (1997). Amongst the institutions that hosted his most recent solo shows include: Museum of Modern and Contemporary Art of Saint-Etienne Métropole, Saint-Etienne, France (2014); Galleria Continua, San Gimignano, Italy (2015), Tan Guobin Museum, Changsha, China (2017) and Museo Nacional de Bellas Artes, Havana, Cuba (2017 - 2018). Source: Galleria Continua SELECTED SOLO EXHIBITIONS 2019 Water Veils, Modern Studio, Shanghai, CN 2017 Serse, Tan Guobin Museum, Changsha, CN Aquí todo está abierto. Nada es cercano, nada es lejano, Museo Nacional De Bellas Artes, CU 2016 Serse, as far the eyes can see, Galleria Continua, Beijing, CN 2015 L’Esperienza del paesaggio, Galleria Continua, San Gimignano, IT Paysage Analogue dessins 1994-2014, Musée d’Art Moderne et Contemporain de SaintÈtienne Métropole, Saint-Ètienne, FR 2014 Serse, Galleria Continua Beijing, CN 2013 Disegnare per ordini e numeri, Galleria Giuseppe Pero, Milano, IT 2012 Puro disegno. Disegni 1997-2012, Galleria Plurima, Udine, IT Matité, Studio Carlotta Pesce, Bologna, IT Serse - “Koh-i-noor”, FAR – Museo d'Arte Moderna e Contemporanea, Rimini, IT 2010 Geometriche dissolvenze, Ex Pescheria- Salone degli Incanti, Trieste, IT Disegni in Scala, Galleria Continua / Le Moulin, Boissy-le-Châtel, FR Gemme, architetture, riflessi, Galleria Contemporaneo, Venice, IT 2009 Serse, Galleria Civica Segantini, Arco, IT 2008 Fotographite, Galleria Massimo Minini, Brescia, IT Stoiceia (Elements), Casa Natale di Leonardo, Vinci / Cecchi wine cellars, Castellina in Chianti, IT 2007 Diamonds, Tim Van Laere gallery, Antwerp, BE 2006 La natura del disegno, De Garage Cultuurcentrum, Mechelen, BE Il cielo sopra il Cremlino, Galleria Lipanjepuntin, Rome, IT Astratto naturale, Gallerie Plurima, Udine, IT 2005 Umanak, il luogo dove il cuore fa silenzio, Galleria Continua, San Gimignano, IT 2004 Paesaggio adottivo, Villa Manin – Centro d’Arte Contemporanea Spazio FVG, Codroipo, IT Bella figura, Galerie Guy Bärtschi, Genève, CH Astratto naturale, Het Domein Museum, Sittard, NL 2003 Naturam ipsam imitandam esse, non artificem, Van Laere Contemporay Art, Antwerp, BE 2002 Serse, Guy Bartschi Gallery, Genève, CH 2001 Serse, Casa Musumeci Greco, Rome, IT 2000 Serse, Van Laere Gallery, Antwerp, BE Serse, Galleria Continua, San Gimignano, IT Serse, Galleria Modulo, Centro Difusor de Arte, Lisbone, Portugal FIAC, Special project, Paris, FR 1999 Serse, Galleria Massimo Minini, Brescia, IT Serse, Barbara Mathes Gallery, New York, USA Rinascimento-Nascimento: Serse -Van Eyck, Musée de Beaux Arts, Gent, BE Serse, Galleria Lörhl, Mönchengladbach, DE 1998 Serse, Galleria Albert Baronian, Bruxelles, BE Acqua, Gian Ferrari Arte Contemporanea, Milan, IT Serse, Galleria Biagiotti, Florence, IT Serse, Kunst Mitte Berlin, Berlin, DE 1997 Serse, Galleria Continua, San Gimignano, IT G.Paolini, Serse. Storie della pittura, Galleria Milleventi, Turin, IT 1996 Serse, Galleria Lörhl, Mönchengladbach, DE Paesaggio Adottivo, Galleria Massimo Minini, Brescia, IT 1994 Notti Bianche, Galleria Continua, San Gimignano, IT 1993 Aria di Parigi, Galleria Romberg, Latina, IT SELECTED GROUP EXHIBITIONS 2019 Intriguing Uncertainties, curated by Lorand Hegyi, Parkview Museum, Beijing, CN 2018 Intriguing Uncertainties, curated by Lorand Hegyi, Parkview Museum, Singapore, SG Il Terzo Giorno, curated by Didi Bozzini, Palazzo del Governatore, Parma, IT 2017 L'immagine situata, curated by Denis Viva, Casa Furlan, Pordenone, IT 2016 Caveau, Siena, IT Perditiva, Aria Art Gallery, Florence, IT 2015 Follia Continua!, Le CENTQUATRE - Paris, FR Flow_1, Basilica Palladiana, Vicenza, IT Master Drawings New York, Barbara Mathes Gallery, New York, USA 2014 Krobylos un groviglio di segni. Da Parmigianino a Kentridge, FAR Fabbrica Arte Rimini moderna e contemporanea, Rimini, IT Biennale del Disegno, Rimini, IT Galleria continua, Beijing, CN 2013 Museo illuminato. Arte contemporanea e percorsi museali. Corrispondenze d'arte 2, Museo Revoltella, Trieste, IT Donation Florence Et Daniel Guerlain, Centre Pompidou, Musée National d´Art Moderne, Paris, FR 2012 Future, Landscape. A changing exhibition, Forte Marghera, Venezia, IT 2011 Made in Filandia, La Filanda, Pieve a Presciano, IT Ma dici a me?, SPAC FVG, Friuli Venezia Giulia, IT De l’arbre à la forêt, Galerie Alice Mogabgab, Beyrouth, Liban Fratelli d’Italia, Associazione Culturale Maniera, Rome, IT 2010 Collection Florence & Daniel Guerlain, dessins contemporains, Musée des beaux-arts et d’archèologie de Besancon, Besancon, FR STILL IMAGE, contemporary italian paintings, Galleria Continua, Beijing, CN 2009 Isola Mondo, Torre Massimiliana, Isola Sant’Erasmo, Venice, IT 2008 Plurima 35°, Galleria Plurima, Udine, IT 2007 Ouverture, Galleria Continua / Le Moulin, Boissy-le-Châtel, FR Arte Italiana: 1968 – 2007 Pittura, Palazzo Reale, Milan, IT Wundergarten - Il giardino delle meraviglie, innesti tra arte e botanica, Orto Botanico di Palermo, IT One Colour, Galleria Continua, Beijing, CN 2005 Water (Without you I'm not), 3rd Biennial of Valencia, Valencia, ES Altri fantasmi, galleria in Arco, Torino, IT Manmano, Galleria Continua, Beijing, CN 2004 Questi fantasmi, 1000 Eventi, Milan, IT Demi-Tour, SMAK, Gent, BE 2003 Metropolis, Stamperia dell’Arancio, Grottammare, IT Models & Mavericks, Museum Het Domein, Sittard, NL 2002 Intimate Immensity, Museo Rufino Tamayo, Mexico City, MX The Image Regained, Museo Cantonale d’Arte Contemporanea, Lugano, CH Continuità, Centro per l’Arte Contemporanea Luigi Pecci, Prato, IT 2001 Volume 1, Van Laere Gallery, Antwerp, BE 2000 Paesaggi fluttuanti, Santuario Oropa, Biella, IT Paesaggi italiani...

A large original painting of the LeMans 24-hour winning car from 1971. The is a Porsche 917K Salzburg, created on 92x73cm stretched canvas using acrylic paint, partially airbrushed. ...

"The Triumph" is an exquisitely detailed contemporary still life by Karina Rodríguez, rendered in oil on panel in 2024 that depicts a colorful top. This artwork is framed in a simple...

"Into the Deep" is an exquisitely detailed contemporary still life by Karina Rodríguez, rendered in oil on panel in 2024. This artwork is framed in a simple, black frame and is ready...

'Promise of Spring' by Ben Waddams is a Contemporary Realist Wildlife oil painting of an English Blue Tit bird on a branch. With such incredible detail you almost expect the bird to ...

Adorable dinghies awaiting their chance at some action, bobbiing up and down, stirring up the waters below. Verging on popart, this contemporary, original oil painting is a joy to b...

Original Oil Painting on cotton canvas by Carlos Bruscianelli, Venezuelan realist painter based in USA. :: Painting :: Photorealism :: This piece comes with an official certificate o...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...

Artist: Lourdes Leon, Mexican Title: Paper and Rope Year: 2002 Medium: Oil on Canvas, signed and dated l.r. Size: 28.5 x 29 inches Frame Size: 35.5 x 36.5 inches

Photorealistic painting of a 1970 Stingray, a classic muscle car. Includes both a red and a blue version of this well known vehicle. Kelley is able to capture even the smallest details of the cars, all the way down to the writing on the tires. Signed, titled, and dated on the back. Currently not framed, but options are available. Artist Biography: Cheryl Kelley...

This painting is presented on canvas covered 3mm thick MDF. This painting of a 1960 Ford Thunderbird has been created using acrylic paints and measures 40x50cm ( approx 16" x 20" ) :...

"Emeralds" is a photorealist contemporary seascape of waves crashing on the Northeastern U.S. coast Frame Dimensions 15.75 x 23.75in Edward Minoff Graduated with honors from NYU's...

Peter Christian Peterson (Danish, b. 1973), "Cellphone Accident Surprise 1", Acrylic and Enamel on Plastic, 1999, signed, titled, dated, and American-European Fine Art label to the v...

Original Mixed Media ocean painting Unique ocean painting with white sand beach and frothy splashing waves, inspired by The Turks And Caicos Islands Different shades of blue, ...

Hello, This is my latest work in the Americana/1960s genre. I love the saturated colour and imagery of the Hitchcock films - There will be a lot more in this series.. The work is...

In this painting I wanted to explore depth and the way it distorts and conceals the human figure. The dark indigo shades convey a sense of sinking, downward movement, whilst the ligh...

Fine 22K gold gilt frame.

Bill Komodore - Optical Art Series - Large Geometric Abstract Oil Painting An electrifying example of Bill Komodore’s masterful engagement with Op Art, this geometric abstraction pu...

Artist: Harry McCormick, American (1942 - ) Title: Annecy Year: circa 1990 Medium: Oil on Canvas, signed l.r. Size: 50 in. x 60 in. (127 cm x 152.4 cm) Frame Size: 57 x 67 inches

Val Edwin Lewton (May 23, 1937 – April 24, 2015) was a painter and museum exhibition designer. As an artist, he created Realist acrylic paintings and watercolors of urban and suburban scenes, predominantly in the Washington, D.C., area, where he lived and exhibited. Val Lewton was born May 23, 1937, in Santa Monica, California. His father, also named Val Lewton, produced a string of successful and influential B movies for RKO Pictures, including Cat People (1942) and I Walked with a Zombie (1943). His mother, Ruth Knapp, was a painter and teacher of autistic children. He graduated in 1959 from Whitman College in Walla Walla, Washington, and earned a master's degree in fine arts from Claremont University in 1962. After moving to Washington, D.C., he served on the staff of the Smithsonian American Art Museum for 32 years, simultaneously maintaining a career as a painter in his own right. Lewton died in 2015s oon afterwards, exhibitions of his paintings were planned for the Katzen Arts Center (June 17 – August 13, 2017) and Addison/Ripley Fine Art (June 3 – July 8, 2017). Chiefly known for his landscapes, Lewton generally depicted cities and suburbs with a detached, impersonal sensibility. Writing about his watercolors in Arts magazine in 1980, Harry Rand observed, “Either by implication or statement, personalities are absent from Lewton’s work; there is hardly a sense of the lives that move through those spaces he describes.” The critic compared the artist to Fairfield Porter, Edward Hopper, and Charles Sheeler. Lewton painted from a young age. On a family trip to the Museum of Modern Art in New York City, he discovered the work of Henri Matisse, an encounter that permanently influenced his artistic vision. In the early 1960s, Lewton lived in southern California and taught art classes at the University of California Riverside. During this period, he was inspired by the paintings of Roger Kuntz...

The swimmers identity is warped and masked by submersion in water. This work is painted on a deep-edge, gallery-wrapped canvas. The painting continues around the edge of the canva...

Ken Orton's "Tonic" is a 36x54 original oil painting on canvas. This painting depicts a still life setting featuring multiple antique bottles. The bottles range in size, color and shape, some of which are filled with red, yellow, green, or blue liquid. The artist chooses to paint larger than life still lives, cropping in closely for more impact. Every detail from the reflections on the table, to the illusion of the raised letters on the bottles, is painted masterfully. About the artist: Ken Orton has dedicated his life to painting. His childhood was spent drawing the urban, industrial surroundings of Birmingham, England. At the Birmingham and then Manchester Colleges of Art he studied Art Education and after six years teaching in England accepted an offer to head the arts program at the Joan Miro Centro de Arte of the Baleares International School in Mallorca, Spain. For the next twenty years he would introduce the concepts of pictorial composition, color theory and draftsmanship to his students. Many of these students would go on to achieve great success in the many branches of the arts, architecture and music and remain close friends with their teacher to this day. An integral part of Orton’s perspective training for his students was the study of the ellipse. He often used glass cylinders to demonstrate how the perceived ellipses generated by variations in the circle's relationship to the eye-line could be used as a powerful tool in creating the appearance of a third dimension on a two dimensional surface. Later, after he had moved to America in 1999, he discovered a treasure trove of antique mason jars...

Artist: Varvarov Anatoly Viktorovich Title: Melon Sise: 47x55 inches, (120x140 cm) Medium: Oil on Canvas Hand painted, original, one of a kind, Looking at this oil painting, you ca...

Artist: Varvarov Anatoly Viktorovich Title: Higher than Clouds, Sise: 39.5x47.5 inches, (100x120 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. What's higher than the clouds? This happy...

Artist: Varvarov Anatoly Viktorovich Title: A Meeting, Sise: 31.5x33.5 inches, (80x85 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. This oil painting, entitled "A...