Bill Stone

WALK IN THE SUN, Painting, Oil on Canvas

2008

Heavy with Rain - 2023 - Oil on Cradled Board –18 H x 24 W x 1.5Inches and ready to hang The barn in the rain exudes an array of emotions and an enchanting allure through the st...

Heading into the crowd we see what lies ahead and where the crowd in front of us has been. It's a memory, a blur for them for us there is time to take notice, see things clearly, not...

There is so much to see in the city. The beauty of the art and the people are everywhere if you look and take the time to notice what's around you. The painting is on wood with hange...

She is sitting in a corner cafe and catching up on the day. She is a mystery. Whether we pass someone on the street or see them daily, we see them through the layers they have built ...

6014 Impressionist figurative seascape a woman sitting by the sea seeing her reflection Image size 9.5x11.5" Signed Framed

AGAVE, an oil painting on canvas by Anna Ortiz, measures 12" high x 16" wide. Agave is recent work and characteristic of the artist's practice – the palette is restrained, the colors...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...