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Charles LutzDenied Andy Warhol Flowers (RED ORANGE BLUE) Painting by Charles Lutz2008
2008
About the Item
Denied Warhol Flowers, (RED ORANGE BLUE) Silkscreen on canvas Painting by Charles Lutz
Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board.
24 x 24" inches
2008
Lutz's 2007 ''Warhol Denied'' series gained him international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz.
Based on Flowers painted by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando.
"A lot of Andy's work revolves around that subject. The Marilyn paintings are about life and death and the Flowers are with their black, menacing background. Not the watercolor Flowers - there is nothing menacing about those flowers at all. I'm talking about the first Flowers from 1964 - they are a bit menacing. We kids - Andy used to call everyone a 'kid' until they were eighty-five years old - all knew about that. Lou Reed, Silver George Milloway, Ondine, and me - we all knew the dark side of those Flowers. Don't forget, at that time, there was flower power and flower children. We were the roots, the dark roots of that whole movement. None of us were hippies or flower children. Instead, we used to goof on it. We were into black leather and vinyl and whips and S&M and shooting up and speed. There was nothing flower power about that. So when Warhol and that whole scene made Flowers, it reflected the urban, dark, death side of that whole movement. And as decorative art, it's pretty dense. There is a lot of depth in there... You have this shadowy dark grass, which is not pretty, and then you have these big, wonderful, brightly colored flowers. It was always that juxtaposition that appears in his art again and again that I particularly love." (R. Cutrone, quoted in J. O'Connor and B. Liu, Unseen Warhol, New York, 1996, p. 61)
Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project being "Officially DENIED" "Warhol" paintings authored by Lutz.
Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers.
- Creator:Charles Lutz (1982, American)
- Creation Year:2008
- Dimensions:Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU122729899802
Charles Lutz
Charles Lutz received his BFA in painting and art history from Pratt Institute and studied human dissection and anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values.
Lutz's 2007 “Warhol Denied” series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Andy Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project being "Officially DENIED" "Warhol" paintings authored by Lutz.
Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former director of the Andy Warhol Museum, Eric Shiner, to create a site-specific installation representing the United States. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1,500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 feet tall. All 1,500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers.
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