Etienne Pascal

Farm Land In Autumn Light, Painting, Oil on Wood Panel

2019

original domestic animal, cow oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: ...

The sun pays homage to the purple haze of crocus flowers as they give a sense of life and added beauty to the hillside. The feeling is respect. The painting is executed in Clear I...

“Combining the warmth of coral with the delicacy of pink, this soothing hue is chic to decorate any home. Rustling the wildlife in the awakening of spring gently ushers in the tone...

“In California, the purple orchid tree is an amazing organism that displays its splendor with pride. This scene is from central California and the colors are astonishing. I hope I ...

XXL Rugged Coastline Oil Painting 80 x 80 cm Size 80 x 80 cms Impasto / Textured Professional Gallery Wrapped Canvas Edges Painted Black Ready to Hang Varnished for protecti...

Powis Castle is a medieval fortress in Powys, Wales under the care of the National Trust and well known for its gardens. This impressionist oil painting on canvasboard (canvas attach...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...