Bai (Carl Karni-Bain)

Women on Horseback, Acrylic on Canvas by African American Artist Bai

2022

The painting on paper is in the artist's works on Indian Chiefs. This one is of a black indigenous Indian chief (The Black Indian Chief, 2024) by contemporary African American artist...

Avalon Bay, 2022 by Bai (Carl Karni-Bain) is a 12.5” x 10.5” contemporary acrylic and ballpoint pen painting on board. It is signed on recto (front) by the artist. Titled on verso (back of painting). Ships matted/framed: 19.5” x 17.5.” The painting celebrates Avalon on the rocky coast of Santa Catalina Island, in the California Channel Islands, and the southernmost city in Los Angeles County. Avalon, associated with mystical practices and magical figures such as King Arthur's sorceress sister, remains a resort town. In the artist's words: "Colour becomes symbols I use to reflect emotional stages that humans experience – reds for the violent past, blues, greens for the peace to come, and yellow and oranges for the bright future ahead. The latter is not guaranteed in my paintings. However, I think it is attainable in life." ~Carl Karni-Bain (BAI), Harlem, New York City ***** Artist's Bio: For three decades BAI (Carl Karni-Bain) 1959- has exhibited regularly in the San Francisco Bay Area, North Carolina, and New York City. As an artist in over two dozen international art fairs since 2003, BAI has garnered an audience worldwide. In 2013 Thelma Golden, Director of The Studio Museum...

"My Lady" is a testament to the artist's admiration for the beauty that women possess in their unique forms. Oyindamola skillfully captures the essence of femininity through the lady's enchanting smile, which radiates joy and confidence. This portrayal challenges society's narrow definitions of beauty, reminding us that every woman, regardless of societal standards, possesses an innate beauty that should be recognized and celebrated. Through "My Lady," Oyindamola emphasizes the crucial need to respect and appreciate all women. The artwork stands as a visual proclamation, demanding that society view women not as objects to be scrutinized or judged but as individuals deserving of dignity and admiration. By depicting the lady with a smile on her face, the artist reminds us that every woman deserves to be seen and treated with respect, acknowledging her inherent worth beyond physical appearances. In "My Lady," Oyindamola captures a sense of empowerment and self-love that every woman should embrace. The lady's radiant smile symbolizes her self-assuredness and acceptance of her own beauty. By presenting this image, the artist encourages women to recognize their own worth and appreciate their individuality. The artwork serves as a reminder that self-love is the foundation for demanding respect and appreciation from others. "My Lady" challenges the stereotypes and societal norms that often diminish the value and potential of women. Oyindamola's artwork sparks a dialogue about gender equality, urging viewers to reflect on the importance of dismantling the barriers that prevent women from fully expressing themselves and realizing their dreams. By portraying the lady as a strong and confident figure, the artist invites us to redefine our perceptions of women and advocate for their empowerment. Through "My Lady," Oyindamola underscores the importance of unity and inclusivity in championing the rights and recognition of all women. The artwork emphasizes that beauty comes in diverse forms and that every woman, regardless of race, age, or background, should be valued and respected. The lady's smile and the necklace she wears become symbols of unity, reminding us of the strength and beauty that arise from embracing diversity. Oyewumi...

Luigi Pietro is a unique drawing by contemporary artist Cécile Bisciglia. The drawing is made with ballpoint pen on canvas, dimensions are 200 × 200 c...