Bai (Carl Karni-Bain)

Women on Horseback, Acrylic on Canvas by African American Artist Bai

2022

A muted color acrylic and oil pastel of an androgenous subject with Modigliani eyes, Ornette by African American artist Bai is an enigmatic portrait made on 15” x 11” etching paper. ...

Yellow Hair, 2021 by a.muse is a collage work on paper. The subject of the small collage painting is a sun-kissed nude with yellow hair at home ...

"My Lady" is a testament to the artist's admiration for the beauty that women possess in their unique forms. Oyindamola skillfully captures the essence of femininity through the lady's enchanting smile, which radiates joy and confidence. This portrayal challenges society's narrow definitions of beauty, reminding us that every woman, regardless of societal standards, possesses an innate beauty that should be recognized and celebrated. Through "My Lady," Oyindamola emphasizes the crucial need to respect and appreciate all women. The artwork stands as a visual proclamation, demanding that society view women not as objects to be scrutinized or judged but as individuals deserving of dignity and admiration. By depicting the lady with a smile on her face, the artist reminds us that every woman deserves to be seen and treated with respect, acknowledging her inherent worth beyond physical appearances. In "My Lady," Oyindamola captures a sense of empowerment and self-love that every woman should embrace. The lady's radiant smile symbolizes her self-assuredness and acceptance of her own beauty. By presenting this image, the artist encourages women to recognize their own worth and appreciate their individuality. The artwork serves as a reminder that self-love is the foundation for demanding respect and appreciation from others. "My Lady" challenges the stereotypes and societal norms that often diminish the value and potential of women. Oyindamola's artwork sparks a dialogue about gender equality, urging viewers to reflect on the importance of dismantling the barriers that prevent women from fully expressing themselves and realizing their dreams. By portraying the lady as a strong and confident figure, the artist invites us to redefine our perceptions of women and advocate for their empowerment. Through "My Lady," Oyindamola underscores the importance of unity and inclusivity in championing the rights and recognition of all women. The artwork emphasizes that beauty comes in diverse forms and that every woman, regardless of race, age, or background, should be valued and respected. The lady's smile and the necklace she wears become symbols of unity, reminding us of the strength and beauty that arise from embracing diversity. Oyewumi...

'Love Garden Party (Picnic #1)' is an original mixed-medium work of art composed of high quality acrylic paint, opaque, metallic and neon inks, hand-cut collage, sealed with satin varnish on 36"h x 23.875"w on cold press paper stock. The painting is framed (41.5"h x 29.5”w) with conservation quality, high UV-filtering museum glazing. Signed by the artist. Part of Skip Hill's 'Love Garden Party' series, this work depicts four women gathered around a festive table filled with food and drink with a myriad of disparate objects including masks, Asian porcelain, and flowers. Skip Hill was born in 1961 in Padre Island, Texas but grew up primarily in Oklahoma City. After attending Oklahoma City University to study Advertising and Marketing, he worked as a graphic designer before relocating in 1987 to Southern California. A two-week trip to Thailand in 1989 turned into a year traveling throughout Southeast Asia while writing for a business magazine based in Bangkok. In 1990 Skip Hill relocated to the Netherlands, immersing himself in the culture and learning the Dutch language. His frequent visits the Van Gogh Museum, the Stedelijk Museum and The Rijksmuseum in Amsterdam as well as the Boijman Van Beuningen Museum in Rotterdam, sparked Hill’s interest in creating art inspired by aesthetic concerns over the strictly commercial art he produced during his advertising career. It was during this time abroad that he traveled through Germany, Czechoslovakia and Morocco. After returning to Oklahoma in 1993, Skip Hill studied formally at The University of Oklahoma with conceptual artist Hachivi Edgar Heap of Birds, and influential abstract painter George Bogart...