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Béla Kádár, 1877-1955Mother and Child by Béla Kádár - Work on papercirca 1935
circa 1935
About the Item
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Mother and Child by BÉLA KÁDÁR (1877-1955)
Gouache on paper
86 x 56.8 cm (33 7/8 x 22 3/8 inches)
Signed lower right Kádár Béla
This work is accompanied by a certificate of authenticity signed by Gábor Einspach on behalf of The First Hungarian Painting Expert's Office.
Provenance
Private collection, Israel
The Hungarian artist Béla Kádár was born in Budapest in 1877 to a working-class Jewish family. Following his father’s death, he was forced to start working from an early age after only six years to primary schooling and was apprenticed as an iron-turner. In 1902, Kádár attended the Academy of Fine Arts in Budapest. After leaving the Academy, he worked at a mural painting company. Only when he visited Berlin and Paris and being exposed to the avant-garde art of the time, did Kádár direct his attention to painting once again. In 1910, the artist won the Kohner prize, and the same year he was awarded his first solo exhibition at the Hungarian National Gallery. By 1918, Kádár moved to Western Europe. Today he is one of the most famous members of the early twentieth-century Hungarian avant-garde.
Over the course of his time living in Berlin, Kádár’s style changed. His expressionistic, graphic works were gradually replaced by paintings that were more romantic and delicate in nature. Incorporating and often synthesising stylistic elements of Cubism, Futurism, Constructivism, Neo-Primitivism and German Expressionism, Kádár’s decorative and metaphysical subject matter was often based upon traditional Hungarian folklore, and his subject-matter became increasingly narrative. His paintings in this period often feature surrealistic dream-like imagery, reminiscent of compositions by Marc Chagall. Despite his variety of subjects, ranging from abstracted figures and landscapes to interiors and objects, his paintings are typically rendered in a bright, jewel-toned palette and feature a fractured approach to rendering space.
In 1923 in Berlin, Kádár was invited by Herwath Walden to exhibit at the highly influential Galerie Der Sturm, the prestigious centre of Berlin’s modern art scene. Walden was the publisher of the influential journal der Sturm, which featured the works of Franz-Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka, and was therefore a prominent figure in the German avant-garde. During the group exhibition at Walden’s gallery alongside the Der Sturm artists, Kádár met the American collector Katherine Dreier, who included his work in the 1926 and 1928 Société Anonyme exhibitions at the Brooklyn Museum in New York organised by Dreier and the artists Man Ray and Marcel Duchamp. The Société Anonyme was instrumental in transporting the work of the European avant-garde across the Atlantic to New York.
Kadar spent a year in the Budapest ghetto (1944-45) where he managed to render almost 50 drawings about the pain and suffering he endured. However, he survived the war as one of Hungary's greatest modern artists. Today Kádár’s works are found in the collection of the Hungarian National Gallery in Budapest and have been featured in exhibitions internationally.
- Creator:Béla Kádár, 1877-1955 (1877-1955, Hungarian)
- Creation Year:circa 1935
- Dimensions:Height: 33.47 in (85 cm)Width: 22.37 in (56.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261210385172
Béla Kádár, 1877-1955
Béla Kádár (1877–1956) was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting. Kádár was born into a working-class Jewish family. After only six years of schooling he was apprenticed as an iron-turner. He began painting murals in Budapest. He visited Paris and Berlin in 1910 and by 1918 had moved to western Europe. He had his first important exhibition in October 1923 at Herwarth Walden's Galerie Der Sturm, in Berlin, showing work in an expressionist style. During the exhibition he met Katherine Dreier, who put on two exhibitions of his work at the Brooklyn Museum of Art in New York City, the second of which, in September 1928, Kádár attended.
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