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Bijan Choudhury
Untitled, Ink on Paper, Black, White Color by Modern Indian Artist "In Stock"

2002

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Cross Hatch, Pen & Ink on Paper by Artist Jogen Chowdhury "In Stock
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury Cross Hatch, Pen & Ink on Paper 11 x 10 Inches 28 x 25.4 cm 2016 (Price on request ) Style : He has immense contribution in inspiring young artists of India. J...
Category

2010s Modern Figurative Paintings

Materials

Paper, Mixed Media, Ink, Pen

Untitled, Figurative, Ink & Pastel on Paper by Artist Jogen Chowdhury "In Stock
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury Untitled, Figurative, Ink & Pastel on Paper 5 x 6.5 inches , 2003 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...
Category

Early 2000s Modern Mixed Media

Materials

Paper, Pastel, Mixed Media, Ink

Untitled, Figurative, Ink, Brush, Dry Pastel on Paper Jogen Chowdhury "In Stock"
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...
Category

2010s Modern Figurative Paintings

Materials

Paper, Pastel, Ink, Mixed Media

Untitled, Laxmi, Figurative, Pen & Ink on Paper by Jogen Chowdhury "In Stock"
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury Untitled Pen & Ink on Paper 7 x 5 inches 2024 ( Unframed & Delivered ) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Always a po...
Category

2010s Modern Figurative Paintings

Materials

Paper, Mixed Media, Ink, Pen

Untitled, Figurative, Pen, Ink & Marker on Paper by Jogen Chowdhury "In Stock"
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury Untitled Pen, Ink & Marker on Paper 7 x 5 inches 2024 ( Unframed & Delivered ) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Alw...
Category

2010s Modern Figurative Paintings

Materials

Paper, Ink, Mixed Media, Pen, Permanent Marker

Illusion Watch, Pen & Ink on Paper, Black by Modern Indian Artist “In Stock”
By Shuvaprasanna Bhattacharya
Located in Kolkata, West Bengal
Shuvaprasanna Bhattacharya - Untitled - (unframed size) Pen & Ink on Paper , 11 x 8 inches , 2009 (Delivered) One of the most popular series of the Master Artist, The Golden Flute is the artists more romantic renedition of Art. The iconic figures of Krishna, Radha, and Ganesha that found lyrical expression in the Icons series are modern representations and sophisticated idealizations of the same images in the popular media. Krishna is a cosmic musician, and the tune he creates by playing his transcendental flute is embodied with cosmic energy. When Krishna is depicted as being between the age of 5 and 8, it is always with his flute. Therefore, during this period, he is aptly called Murlidhara (murali means “flute,” and dhara means “hold”), signifying the one who holds the flute. He is never without it, whether he is with his mother, on the grazing grounds with his herd of cows, among his cowherd companions or roaming around on the Jamuna banks. Gopis lose their selves in this tune. For them, music becomes the voice of love, which is too passionate and secretive. Style : The city of Kolkata has always figured prominently in his work. His themes come from his personal interactions with its urban milieu - its sickness and sordidness, its violence and vulnerability and all that compounds its existential agony. Shuvaprasanna has depicted varying moods of the city and its people, its places, and all its facets that make the city distinctive. He doesn't merely portray reality as 'matter of fact' and his presentation of reality often has dream-like elements in it. In terms of technique, Shuvaprasanna boasts a precise, finely executed style that yields an unmistakable visual intensity. He works comfortably in an assortment of media, including oil on canvas, charcoal, and mixed media. About the Artist and his work : Born : In Calcutta, 1947. Education : Graduated from Indian College of Art (R.B. University, Calcutta) in 1969. Exhibitions : Shuvaprasanna has had several gallery and museum exhibitions, including at the Tao Art Gallery and at the Chawla Art Gallery, Square One Mall. Several works by the artist have been sold at auction, including 'ABODE' sold at Waddington's 'Fine Prints & Photography Auction' in 2014. There have been many articles about Shuvaprasanna, including 'An exclusive edifice' written by Kunal Ray for The Hindu in 2014. Selected Solo Exhibitions : 2011 - Shuvaprasanna: Recent Works, CIMA, Centre of International Modern Art, India, Kolkata 2010 - Summer Show 2010, CIMA, Centre of International Modern Art, India, Kolkata 2007 - ‘Madhura: The Golden Flute’, organized by Indian Contemporary at Visual Arts Centre, Hong Kong 2006 - ‘The Divine Flute’, Aicon Gallery, USA 2002 - ‘Icons and Illusions’, Gallery ArtsIndia, New York 1998 - ‘An Appreciation of Ted Hughes’, Exhibition of Crow Paintings...
Category

2010s Modern Figurative Paintings

Materials

Paper, Mixed Media, Ink, Pen

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