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Carlton Scott Sturgill
Disneyland

2021

$2,200
£1,643.05
€1,906.52
CA$3,047.02
A$3,415.68
CHF 1,781.20
MX$41,867.90
NOK 22,570.79
SEK 21,458.76
DKK 14,225.11
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About the Item

medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. Although he now lives outside of the Queen City, his work continues to be shaped by his Midwestern roots. His work has been exhibited in numerous galleries and museums in North America and Europe, including the Cornell Museum of Art in Delray Beach, Florida, Temple Bar Gallery in Dublin, Ireland and the Newhouse Center for Contemporary Art in New York City. Sturgill currently lives and works in New Orleans, Louisiana. Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. statement Inspired by the bedroom communities of Mid-America, my work examines the conflict between our behavior in our most intimate moments and our desire to appear as ambassadors of a white-picket-fence America. Using materials sourced from the suburban landscape, such as paint chip samples from Home Depot and clothing from the all-American company Ralph Lauren, along with imagery and text appropriated from the Casual Encounters section of Craigslist, my work explores the dichotomy between public persona and private behavior. My paintings, sculptures, and mosaics use the vernacular of the American heartland to scratch the surface of suburban pretense, exploring the compulsion to veil ourselves behind the façade of a commoditized version of the American Dream.

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medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...
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Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
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