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César Pattein
A Fairy - Early 20th Century Oil, Figure in Riverscape Landscape - Cesar Pattein

1920

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Dieppe-Le Pont Tournant - Impressionist Landscape Oil Painting by Paul Madeline
By Paul Madeline
Located in Marlow, Buckinghamshire
Signed and dated oil on canvas landscape by French post impressionist painter Paul Madeline. This beautiful work depicts the Tournant bridge over the River Arques at the seaport in D...
Category

Early 1900s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Duclair - La Seine - Post Impressionist Oil, River Landscape by Robert Pinchon
By Robert Antoine Pinchon
Located in Marlow, Buckinghamshire
Fauvist signed oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the R...
Category

1920s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Les Grands Boulevards - Post Impressionist City Landscape Oil by Lucien Adrion
By Lucien Adrion
Located in Marlow, Buckinghamshire
Signed figures in landscape oil on canvas circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts people going about their daily lives on the streets of Paris, France on a sunny spring day with trams travelling along the boulevards. Signature: Signed lower right Dimensions: Framed: 33"x39" Unframed: 26"x32" Provenance: Galerie Vildrac - Paris (labels verso) Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure and landmark paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of eighteen, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...
Category

1920s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Venice - Post Impressionist Venetian Landscape Oil Painting by Leon Detroy
By Leon Detroy
Located in Marlow, Buckinghamshire
Signed landscape oil on canvas circa 1910 by French post impressionist painter Leon Detroy. This work is painted in a divisionist style and depicts a view of gondolas on the canal in...
Category

Early 20th Century Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Loading Flax on the Barges - Post Impressionist Landscape Oil by Modest Huys
Located in Marlow, Buckinghamshire
Signed divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece depicts workers on the bank of a river loading flax onto barges. Signature: Signed lower right Dimensions: Framed: 23"x27" Unframed: 15"x19" Provenance: Private collection - Belgium Modest Huys (25 October 1874, in Zulte – 30 January 1932, in Zulte) was a Flemish impressionist and luminist painter, who is regarded as one of the greatest Belgian painters of the 20th century. From a young age, Modest Huys worked in his father's painting and decorating business and later studied at the "Gentse Nijverheidschool" (Ghent Industrial School). In 1891 or 1892, he came into contact with Emile Claus, who encouraged his artistic inclinations. In 1900, he enrolled at the Royal Academy of Fine Arts where his teachers were Eugène Joors and Frans Van Leemputten but he never completed his studies. It was about this time that he became lifelong friends with the author Stijn Streuvels. In 1902, he debuted at the Sint-Lucasgilde in Kortrijk and began to exhibit more widely. He spent time in Meetjesland, painting landscapes. From 1905, he participated in the exhibitions of Vie et Lumière...
Category

Early 1900s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Au bords de l'etang - Post Impressionist Figures in Landscape Oil - Max Agostini
By Max Michel Agostini
Located in Marlow, Buckinghamshire
Signed post impressionist figures in landscape circa 1980 by French painter Max Michel Agostini. The work park-goers beside a river on a sunny day. A lady carrying a parasol as she w...
Category

1980s Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

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A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...
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Pluie a Venice (Venice in the Rain)
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Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...
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