Signed "Alston" painting: Black African American figures in a Harlem dance hall

mid 20th-c

This is a two-panel oil on canvas abstract painting with two figures of mythological lovers. It is signed on the front. Includes hanging hardware, so there is no need for additional framing. Both panels ship in a single box 46" x 34". Every purchase comes with a free, hardcover copy of the beautiful illustrated new book, "Joseph McAleer: Sixty Years." **Please contact me with zip code for precise shipping quote and timeline. I will work to get you the best shipping price available. "Joe McAleer's paintings engage us as participants in a complex perceptual game. Comprised of contrasting patterns of color, texture, and form, which fill the canvas from edge to edge, his restless abstractions elude a fleeting encounter. Rather, they absorb our attention with rhythmic structures and visual anomalies designed to stimulate and perplex our senses. McAleer's kaleidoscopic abstractions have their basis in the humble Modernist's grid,......" - Joe Houston, Author "Optic Nerve, Perceptual Art of the 1960s"; Curator, Hallmark Art Collection. McAleer is an artist and lifelong educator based in NJ. He earned his undergraduate and graduate degrees from Rowan University, and has exhibited his work up and down the east coast, including major solo exhibitions at Bridgette Mayer Gallery and Locks Gallery...

"Jazz" is a heavily textured contemporary abstract expressionism drip painting in the style of Jackson Pollock with predominant colors of pink, violet, & blue. It has all hanging hardware attached and is ready to hang. It is signed and dated on the back. Dennis Alter...

Dennis Alter's layered and textured oil on canvas paintings are rich with painterly activity. Gestural brushwork, heavy impasto, and layers upon layers of...

Please contact me for best shipping rates and speediest delivery. Ellen Powell Tiberino, matriarch of the Tiberino artist dynasty that includes her artist-husband Joseph and three artist-children (Raphael, Gabriel, and Ellen), often looked to Black women and girls as subjects, in the contexts of motherhood, pregnancy, and childhood, as well as subjects drawn from her neighborhood communities. Her work is expressionistic and passionate with dramatic gestures and dark colorism in her figures, but it is also intimate and highly personal. At this point in her career, Tiberino had been struggling with cancer, and as a result, her palette became brighter and more colorful than her former dark palette. "Three Sisters" includes Ellen Powell Tiberino’s self-portrait in the front of the composition, nursing an infant. Tiberino’s two sisters, Joyce and Anne, sit behind her. Tiberino likely paints from memory or imagination here, since her four children were well beyond nursing age when she created this painting. "Three Sisters" is likely among the last large-scale canvases Tiberino completed, opting to work on a smaller scale and while seated as her illness progressed. Tiberino ultimately lost her battle in 1992. "Three Sisters" comes from a private Main Line, PA collection, acquired directly from the artist immediately upon its completion. Framed in original wood strip frame. It is in excellent condition. Tiberino graduated from the Pennsylvania Academy of the Fine Arts in 1959, where she was awarded a prestigious Cresson scholarship to study in Europe. After returning to the US, she lived and worked in New York until she married fellow artist (Joseph) and returned to her hometown of Philadelphia where she continued to create oil paintings, oil pastels drawings, sculptures, murals, and mosaics. In Philadelphia, she was part of social and professional circles that included Moe Brooker, Barbara Bullock, Walter Edmonds, Charles Pridgen, Leroy Johnson, John Simpson, James Dupree...

ILONA SAPKA studied at the School of Applied Arts, "Schola Posnaniensis" in Poznan. She received her diploma from the Faculty of Painting in the studio of stained glass led by prof. ...

Signed lower left and dated: 15/IX, 1895, Y. Bershadsky - Yuliy (Ioil-Ruvin) Rafailovich Bershadsky (1869 - 1956), Russian - USSR painter and teacher, professor, honored artist of th...

The painting captures a wonderfully amusing family moment set in the 16th century. In the center of the painting we see the father, exhausted by worries and dozing in his chair in fr...

SALVADOR SÁNCHEZ BARBUDO Spanish, 1857 - 1917 THE CARDINAL'S VISIT signed, located and dated "Barbudo / ROMA 1902" (lower right) oil on canvas 22 x 33-2/3 inches (55.5 x 85.5 cm.) framed: 36-1/2 x 48-1/4 inches (92.5 x 122.5 cm.) PROVENANCE Private Collection, Munich LITERATURE Visita con el cardenal combines the two most salient characteristics of Sánchez-Barbudo's work: the search for novelty of theme and narrative content, and the use of minutely detailed brushwork and luminosity. Sánchez-Barbudo specialised in elaborate 'costume pictures', delighting the viewer with impressive details finely rendered with dazzling technical virtuosity. Here, Sánchez-Barbudo depicts a well-to-do bourgeois family receiving a cardinal in their home. The interior, sumptuously furnished in the rococo style, along with the rich costumes and fabrics, are beautifully observed. Yet beyond the high technique lavished upon the composition, the treatment is comic and full of character and suffused with a gently satirising anti-clericalism. The cardinal, far from getting the attention he expects, is, literally, sidelined, his expression and body language showing his pique. There is no doubt that contemporary collectors and spectators took pleasure in the sight of noble self-respecting figureheads of the church being brought back down to earth. The comedy was appealing, and the message suited the prevailing political mood of an increasingly secular middle-class buying public. Salvador Sánchez Barbudo was born on March 14, 1857 in Jerez de la Frontera (Cádiz). He was one of the most important Spanish artists of the "casacón" genre, who followed the Fortuny tradition in Rome. During his childhood he was under the protection of the Marquis del Castillo and in 1875 he moved to Seville where he attended the School of Fine Arts, becoming a disciple of José Villegas...