Charles Pachter

Blue Barn, Green Field

1984

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting and patriotic images have independently earned their place in the natio...

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting and patriotic images have independently earned their place in museums across the country. Pachter’s artworks, and unique version of Pop Art, have confirmed his position in the canon of 20th century Canadian art. Pachter’s most cherished images take archetypes of Canadiana -- the barn, Queen Elizabeth, and the moose, -- and depict them with a distinct style, a fresh palette (and often through a humorous lens). “Mini Blue Barn...

Tony Scherman (1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the most...

Tony Scherman (1950 - 2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work, typically executed in encaustic, a mix of wax an...

General Idea was formed in 1967 in Toronto and over the next nearly 30 years, the trio made a remarkable contribution to post-modern art. With their subversive approach and intere...

General Idea was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The trio was both prolific and multi-disciplinary long before it became de rigueur. They worked across a wide range of media including photography, sculpture, painting, mail art, video, installations, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element for General Idea, who utilized longevity as an avenue to delve deeper into, build upon, and evolve with the complex and nuanced subject matter they took on. “Monet Cane” is an extraordinary example of General Idea’s use of iconography, appropriation, (and mischief) from this era. Beginning in the early 1980s, General Idea began using the poodle as an emblem for the trio, quickly elevating it to one of the most dominant motifs in their practice. Both single poodles, and trios (which would be a sort of group self-portrait) appeared frequently in a variety of artwork during their last decade of production. The 80's was a decade that saw appropriation flourish in the visual arts. General Idea made a significant contribution to this trend. While many of their contemporaries used mass-market images or objects (think Barbara Kruger, Jeff Koons, and Richard Prince) General Idea did not restrict themselves to accessible imagery but also claimed canonical images and blue-chip references. General Idea created two major series of paintings featuring the trio of poodles; in pastels (which were often bleached in a commercial washing machine) and in neon colors. This painting is exceptionally rare as it is one of four paintings made with this distinct flecked surface. This unique texture is a significant (and beautiful) anomaly at odds with their predominantly flat and graphic aesthetic. The surface of the canvas is enveloped in tiny, weighted flecks of paint that have been layered to create an incredible texture. This application of paint, which appears to be chenille-like, recalls both the atmospheric pastel palette and impressionistic effects made famous by Claude Monet. "Monet Cane" can not only be contextualized with other poodle paintings...

This painting by Salvador Aulestia (Barcelona 1915 - Milano 1994) embraces the "figurative post-cubism" style. In fact Salvador Aulestia was artistically grown during the maximum su...

This is a rare painting by Salvador Aulestia (Barcelona 1915 - Milano 1994) from his series dedicated to the "linearism" with a strong color presence. Colors range from Yellow, Azure...

Uliviero Ulivieri - Born in Florence, Italy in 1934, this perennially youthful artist has a sweet and slightly shy aspect. He has absorbed from his c...

There is no definitive answer to the message my work seeks to communicate.
I begin my work with mixed feelings between ‘feeling-self’ and ‘conscious-self’.
We cannot logically explai...

Acrylic on panel, 82cm x 62cm (118cm x 98cm framed). Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from...

Acrylic on panel, 56cm x 61cm, (67cm x 77cm framed) Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from ...