Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Chris Charlebois
The Long Way

$4,900List Price

More From This Seller

View All
"Mt. Evans and Bierstadt, Colorado" (2016) By David Shingler, Oil Landscape
Located in Denver, CO
David Shingler’s "Mt. Evans and Bierstadt, Colorado" (2016) is an original oil painting on wood panel, measuring 16 x 20 inches (40.64 x 50.80 cm). Known for his dynamic landscapes r...
Category

2010s American Impressionist Figurative Paintings

Materials

Oil, Wood Panel

"Wild Sea, Isle of Madeira" (2024) By Sparky LeBold, Original Oil Painting
Located in Denver, CO
"Wild Sea, Isle of Madeira" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts rocky shore with dark storm clouds above. ARTIST STATEMENT Sp...
Category

2010s American Impressionist Landscape Paintings

Materials

Canvas, Oil

"St. Elmo's Fire" (2024) By Sparky LeBold, Original Landscape Oil Painting
Located in Denver, CO
"St. Elmo's Fire" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a landscape with a bright orange sunset shining in the sky and reflecting...
Category

2010s American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Porto Moniz" (2024) By Sparky LeBold, Original Landscape Oil Painting
Located in Denver, CO
"Wild Sea, Isle of Madeira" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts rocky shore with dark storm clouds above. ARTIST STATEMENT Sp...
Category

2010s American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Money to Loan" Oil Painting
By Jim Beckner
Located in Denver, CO
Jim Beckner's (US based) "Money to Loan" is an oil painting that depicts a unique red Money for loan sign on a busy city block Artist statement: Jim Beckner’s art vibrates with the...
Category

2010s American Impressionist Figurative Paintings

Materials

Oil

"Gleaning Millet, " Oil Painting
Located in Denver, CO
Clyde Steadman's "Gleaming Millet" is an original, handmade oil painting that depicts a field were workers are harvesting grain.
Category

2010s American Impressionist Landscape Paintings

Materials

Oil

You May Also Like

"Lovers in the Rain" Small Impressionist Oil Painting of Figures by Eiffel Tower
By Cindy Shaoul
Located in New York, NY
This painting depicts an impressionistic Plein Air scene of a couple under an umbrella by the Eiffel Tower in the rain. The thick brush strokes and fun marks creates an atmosphere re...
Category

2010s American Impressionist Landscape Paintings

Materials

Oil, Wood Panel

"42nd St. Library -NYC-" Impressionist Oil Painting in the Style of Guy Wiggins
By Cindy Shaoul
Located in New York, NY
As described in the Financial Times: "With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil painti...
Category

2010s American Impressionist Landscape Paintings

Materials

Oil, Board

"Empire State Building View" Impressionist New York City Scene Oil Painting
By Cindy Shaoul
Located in New York, NY
This painting depicts an impressionistic scene of New York City of the Empire State Building from Madison Square Park and 5th Avenue in the summer on a busy day with cars on the stre...
Category

2010s American Impressionist Landscape Paintings

Materials

Oil, Canvas

"Gloucester Boats" Frederick Mulhaupt, Impressionist Gloucester Scene
Located in New York, NY
Frederick John Mulhaupt Gloucester Boats Signed lower left Oil on board 12 x 16 inches Born in Rock Port, Missouri, in 1871, Mulhaupt studied...
Category

Early 20th Century American Impressionist Figurative Paintings

Materials

Oil, Board

"View of Arizona Desert near Wickenberg" Will Foote, Impressionist Western Scene
Located in New York, NY
Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...
Category

1920s American Impressionist Figurative Paintings

Materials

Oil, Board

"The Train Trestle" Frank Dumond, American Impressionist Landscape Painting
By Frank Vincent Dumond
Located in New York, NY
Frank Vincent DuMond The Train Trestle Signed lower left Oil on canvas 24 x 30 inches rank Vincent DuMond was one of the most influential teacher-painters in 20th-century America. He was an illustrator and American Impressionist painter of portraits and landscapes, and a prominent teacher who instructed thousands of art students throughout a career spanning over fifty years. Frank Vincent DuMond was born on August 20, 1865 in Rochester, New York, to Elisabeth and Alonzo DuMond, partner/owner of an ornamental iron works manufacturer. They also had a younger son, Frederick Melville DuMond (1867 - 1927). Frank DuMond was interested in drawing from a young age, and was involved in the local art scene in the early 1880s. He got a job creating illustrations for a sign painting business. After graduating from a Rochester public school, DuMond moved to New York City in 1884. From 1884 to 1888, he attended the Art Students League of New York, studying under Carroll Beckwith and William Sartain. DuMond financed his art education by taking a job creating illustrations for New York's Daily Graphic newspaper. As a result of his fine work there, he was offered a job at Harper's Weekly. He also later did work for such magazines as Century, McClure's, and Scribner's. He moved to Paris to continue his studies, as did his brother Frederick. From 1888 or 1889 to 1891, Frank DuMond attended the Académie Julian, where his instructors included Benjamin Constant, Jules Joseph Lefebvre, and Gustav Boulanger. He attained recognition in 1890 when a painting of his, Holy Family, exhibited at the Salon, was awarded a prestigious medal. His early work was in the Art Nouveau style, then in Paris he was influenced by the Barbizon school, later becoming an Impressionist. In 1895 he married Helen Savier of Portland, Oregon, another artist. They spent five years painting in France, where he also held summer classes for the Art Students League, painting landscapes outdoors from dawn until sunset. In 1900 he was elected into the National Academy of Design, and became a full Academician in 1906. DuMond exhibited at the Cotton States Exposition in Atlanta, the World's Columbian Exposition in Chicago, the Pan-American Exposition in Buffalo, and the Saint Louis Exposition. He served as director of fine arts at the Lewis and Clark Centennial Exposition in Portland in 1905, and he helped organize the first exhibition at the Portland Art Museum that year. For the 1915 Panama-Pacific Exposition, he prepared two huge murals, 12 feet high by 47 feet long, which now hang in the San Francisco Public Library. The editor of Harper's, who was also president of the Art Students League, convinced him to take a job teaching at the League. He still performed illustration work for a while in addition to teaching, including the artwork for Mark Twain's Personal Recollections of Joan of Arc. In a teaching career spanning more than fifty years, DuMond taught thousands of artists at the Art Students League. His students included Norman Rockwell, Georgia O'Keeffe, John Marin, Frank J. Reilly, Charles Webster Hawthorne, Frank Herbert Mason, Ogden Pleissner, Kenneth Hayes Miller, Louis Bouché, Eugene Speicher, Helen Winslow...
Category

Early 20th Century American Impressionist Landscape Paintings

Materials

Oil, Canvas

Recently Viewed

View All