David Azuz

Garcon in Cafe

circa 1979

Artist: David Azuz, Israeli/French (1942 - 2014) Title: At the Market Year: circa 1980 Medium: Oil on Paper, signed upper right Size: 25 x 19 in. (63.5 x 48.26 cm)

An original oil on canvas painting by African American artist, Charles Alston. Completed sometime in the 1930s, "Restaurant Scene" focuses on a crowded ...

Claude Fauchere, In the Style of , French (1936 - 2019) - Cafe, Medium: Oil on Canvas, Size: 23.5 x 19.75 in. (59.69 x 50.17 cm), Frame Size: 28 x 24 inches

Bar Scene David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.75 x 25.5 inches Size: 26 x 32.5 in. (66.04 x 82.55...

This artwork titled "Cafe Life" 1982 is a offset lithograph with a color crayon and oil pastel drawing on wove paper by American artist Michael Bowen, 1937-2009. It is hand signed and inscribed "Image" in color crayon. The image size is 27. 75 x 18 inches, the drawing is 9.25 x 7.25 inches, sheet size is 30.75 x 21.75 inches. It is in excellent condition, has never been fram...

South of El Paso, where time stands still, cantinas and religious relics litter cobblestone streets. The sound of folk music draws you into a dimly lit room. Within the small room is an even smaller room with a hidden door tall enough for a child. Beyond the door, Maximo listens to all your wishes. Illuminated by mezcal and candles, the room opens into another world and you realize this is the wild west. Andrew LeMay Cox Cafe No'Se ink on cheese cloth 25h x 29w in 63.50h x 73.66w cm ALC007 Andrew LeMay Cox Ink Painting Statement Within these works the exploration of visual storytelling and construction propose challenging questions to the traditions of academic painting. Two components that influence these painting practices are process and narrative. The function of materiality within these works attempts to question traditional methods of paint on canvas. They are constructed using ink that is baked at high temperatures and is assembled by painting on skins. The skins hang loosely from the stretcher and add sculptural properties to 2-dimensional surfaces. The other component is to create an aesthetic narrative that allows the viewer to escape their reality and get lost in themes outside civilizations normality’s. These characters occupy a utopian landscape outside the realms of race, religion, or politics. They ignore social or economic concerns. They are ageless and serendipitous. They sing, dance and make love without cause, limitation or destination. CV Education 2007-2011 School of the Art Institute of Chicago, Bachelor of Fine Arts Exhibitions 2017 Let Your Thoughts Flies Away, Group Show, Chicago, IL 2016 Pop-Lore, Jan Brandt Gallery, Bloomington, IL 2016 Love Spells, Linda Warren Projects, Chicago, IL 2014 Unfiltered, Filtered Warehouse, Chicago, IL 2013 Revolving Artist’s showcase, Gold Star, Chicago, IL 2013 Group Show The Squeeze, Chicago, IL 2012 Group Show, Space Camp Headquarters/Grey Ghost...

Signed on bottom right front Born in 1960 in Casablanca, Morocco Lives & works in Bourg-en-Bresse, France Bold strokes, rich textures and a brave use of color are hallmarks of this young Frenchman, Abraham Dayan...

Texas artist John Cook paints with a passion, compelled to capture Impressionist images on canvas or watercolor paper. ''I see beauty in God' s creation, and I strive to capture a gl...