De Hirsh Margules

Untitled Maine Beach Scene

1946

This original 1940s American Modernist gouache painting, "Artists Sketching (California)," captures a dynamic scene of three artists at work against a majestic mountain backdrop. With expressive brushwork and a rich color palette, the piece embodies Frederick E. Shane’s signature blend of realism and modernist abstraction. Signed, titled, and dated by the artist in the lower margin, this remarkable artwork reflects the era’s Regionalist influence and the artist’s keen eye for capturing creative moments in the natural landscape. The painting is professionally housed in a custom archival frame, ensuring long-term preservation. Frame dimensions: 25.5 x 37.5 x 1.5 inches. Image size: 20.25 x 29.75 inches. Provenance: Estate of the Artist, Frederick Shane About the Artist: Frederick E. Shane (1906-1992) A celebrated Missouri Regionalist painter and printmaker, Frederick E. Shane was known for his compelling genre scenes, landscapes, seascapes, and portraits in a variety of media, including oil, watercolor, gouache, tempera, and lithography. While fundamentally a realist, Shane often incorporated elements of abstraction, expressionism, and surrealism, adding depth and emotion to his compositions. During the summers of 1925-26, Shane studied under Randall Davey at the Broadmoor Academy in Colorado Springs, an institution founded in 1919 by philanthropists Spencer and Julie Penrose. Shane remained closely connected to the Colorado Springs Fine Arts Center, the Academy’s successor, throughout the 1940s and early 1950s, participating in Artists West of the Mississippi exhibitions and forming lasting friendships with key figures like Boardman Robinson and Adolph Dehn...

ADOLF ARTHUR DEHN (American, 1895-1969) San Francisco Bay Area street scene, with Trolley, Streetcar, Cable Car with bay and Alcatraz Island in background. Hand signed LRC. Sight 19" x 15", overall 23" x 19". Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles. Adolph Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images. Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest. In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...