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Donald S. Vogel
Many Colored Flowers
1980

Name: Many Colored Flowers
Brand: Donald S. Vogel
Price: 5602.69 AUD
Availability: InStock
Rating: 5 (14 reviews)

$3,600

£2,689.03

€3,117.50

CA$4,998.51

A$5,602.69

CHF 2,917.15

MX$68,411.20

NOK 37,037.26

SEK 35,107.99

DKK 23,259.92

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About the Item

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrigued by the possibilities of creating images. The excitement and pleasure derived from the act of creation continued to be the force that compelled him to paint throughout his life. Born in Milwaukee, Wisconsin, Donald S. Vogel began his formal art training at the Witte Memorial Museum in San Antonio when he was seventeen. His training, under the watchful eye of Eleanor Onderdonk, was briefly interrupted by a move to Washington, DC , where he took drawing classes at The Corcoran School of Art . He returned to San Antonio to finish high school and continued studying under Onderdonk. After graduation, he moved to Chicago in 1936 to enroll in The School of the Art Institute of Chicago. In the Impressionist and Post-Impressionist rooms of the Institute, a new world opened up to him, one that would forever influence the direction of his work. He saw art that dealt with the effects of atmosphere and light. The subjects and techniques used by these painters conveyed a sense of happiness, exuberance, and pleasure, which offered a stark contrast to the world outside stifled by the Great Depression. While studying at the Art Institute, Vogel roomed at the Artist Community House where many students lived. This environment served as a counterpoint to the academic training he received at the Institute. It afforded the students the freedom to discuss issues in contemporary art, and freely experiment with unconventional ideas and techniques. Most importantly, this fertile environment intensified Vogel's commitment to paint. Feeling the pinch of the Depression, Vogel left the Art Institute in 1940, and was accepted on the WPA Easel Project. This allowed him the luxury of drawing and painting from dawn to dusk. The freedom to paint at all hours focused his interest on the seemingly endless variations of light and atmosphere. With unlimited use of a model, he produced thousands of figure drawings until, eventually freed from the necessity of working from life, he began to paint purely from his imagination. In 1942, Vogel moved to Dallas. The previous year, while he was still living in Chicago, the Dallas Museum of Fine Arts had given Vogel a one-person show; in 1943, shortly after his arrival in Dallas, the DMFA gave him another. While working first as a set designer and then as technical director at the Dallas Little Theater, Vogel spent his free time at the easel. During the 1940's he gained recognition in the art community by promoting the work of fellow artists and winning coveted purchase awards and prizes in the Texas General and Allied Arts Exhibitions for his own paintings. In 1951, Vogel and his wife Peggy, along with Dallas arts patron Betty McLean, opened the Betty McLean Gallery. It was the first gallery in Texas to deal in modern art on an international level. In 1954, the Vogels moved the gallery to a five-acre site north of Dallas and renamed it Valley House Gallery. A new home and studio were built on the site, and were later surrounded by a sculpture garden. The new setting at Valley House deeply inspired Vogel, serving as a source for ideas, and providing a place of serenity and contemplation. Vogel's work is characterized by his love of color, and his fascination with the changing qualities of light. A favorite subject, often revisited during the latter part of his career, is the greenhouse. He first experimented with this subject in 1976, and began using it in earnest in 1978. Having worked in a hothouse during his youth, he found it a natural subject for exploring the effects of atmosphere, light, and color. Like Monet's pond at Giverny, Vogel's greenhouses have become his signature: an imaginary place of endless fascination. Vogel produced many catalogues for gallery artists but he had never written for himself. In 1989, he penned two autobiographical short stories and published them under the title Charcoal and Cadmium Red. He found writing to be as challenging a process as painting. During his eighth decade, he wrote and painted with equal intensity. Donald Vogel's paintings reflect his zeal for finding joy and beauty in life, and his interest in sharing pleasure and a sense of well-being with his viewers. Endorsing this philosophy, many of his patrons have chosen to live with more than one of his paintings. This recognition of his efforts has strengthened his resolve and fueled his optimistic approach to life. Vogel entreats us to "rejoice and celebrate each new day, knowing it is a gift in itself, and produce something of worth to be shared. That is the life that has served this artist's pilgrimage." Donald S. Vogel's work is included in the following collections: Art Institute of Chicago, Chicago, Illinois Beaumont Museum of Fine Art, Beaumont, Texas Charles Goddard Center, Ardmore, Oklahoma Dallas Museum of Art, Dallas, Texas Fine Arts Museum of the South, Mobile, Alabama Ft. Worth Art Association, Ft. Worth, Texas Old Jail Foundation, Albany, Texas Panhandle-Plains Historical Museum, Canyon, Texas Philadelphia Museum of Art, Philadelphia, Pennsylvania Philbrook Art Center, Tulsa, Oklahoma The Pennsylvania Trust, Radnor, Pennsylvania Tyler Museum of Art, Tyler, Texas Witte Museum, San Antonio, Texas

Creator:

Donald S. Vogel (1917-2004, American)

Creation Year:

1980

Dimensions:

Height: 13.5 in (34.29 cm)Width: 10.63 in (27.01 cm)

Medium:

Oil,Panel

Movement & Style:

American Impressionist

Period:

20th Century

Condition:

Gallery Location:

Materials

Oil, Panel

Donald S. Vogel
New Planting, 1997

$7,200

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Category

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American Impressionist Floral Oil Painting Vibrant Flowers in Vase

By William Schultz

Located in Surfside, FL

William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth, Ivan Olinsky (a student of John Singer Sargent) and Robert Brackman. Winner of many awards for oil and pastel works. Was a noted portrait artist. He was a founding Director of the American Impressionist Society and an award winning member of the Pastel Society Of America. He studied under notable National Academicians Robert Brachman, Ivan Olinsky and Jerry Farnsworth. Schultz opened his own art studio and school in Lenox, Massachusetts and taught impressionist painting to hundreds of students, some of whom are now nationally recognized themselves. After 25 years at that location Schultz and his wife moved to Vero Beach, Florida where he continued to teach, as well as provide lectures and exhibitions around the country. Illustrated articles about Schultz and his work have appeared in "American Artist", "Southwest Profiles", "Artists Of Florida" and other periodicals. For a short time he studied alongside Norman Rockwell at a studio in Stockbridge, Massachusetts where Rockwell had established the base for his illustration work. Schultz was the proud possessor of an autographed sketch of himself that Norman Rockwell had created and was signed by Rockwell. Schultz's art has been exhibited in museums and galleries in Boston, New York City, Sante Fe, and numerous Florida locations...

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