Eileen Cooper

Believe, 2019 - Eileen Cooper (Figurative Painting)

Body and Soul, 2019 - Eileen Cooper (Figurative Painting) Signed on reverse Oil on canvas 48 x 36 inches Through these images, Cooper revisits and ex...

Personal Space, 2019 - Eileen Cooper (Figurative Painting) Signed on reverse Oil on canvas 48 x 36 inches Through these images, Cooper revisits and e...

Paper Doll, 2012 - Eileen Cooper (Figurative Painting) Signed Oil on canvas 48 x 36 1/4 inches Through these images, Cooper revisits and expands on ...

Run Rabbit Run, 2013 - Eileen Cooper (Figurative Painting) Signed Oil on canvas 48 x 36 1/4 inches Through these images, Cooper revisits and expands on themes that she has explored...

Every Mother's Son 2019 - Eileen Cooper (Figurative Painting) Signed on reverse Oil on canvas 60 x 42 inches Through these images, Cooper revisits and expands on themes that she has...

The Food of Love, 2019 - Eileen Cooper (Figurative Painting) Signed on reverse Oil on canvas 60 x 42 inches Through these images, Cooper revisits and expands on themes that she has ...

Oil on board entitled "The Maharaja's Palace - India" The original frame is 25.75 inches wide x 22.75 inches tall. The work itself is 14 3/4 inches high and 18 1/8 wide. Colin Ca...

Artist/ School: Henry Cooper, British late 19th century Title: Loch Scene in the Scottish Highlands at Sunset Medium: signed oil painting on canvas ,...

Oil Painting by Thomas Sidney Cooper R.A "The Milkmaid" 1803 - 1902 Pupil of the Royal Academy Schools, where he was to become the longest exhi...

Kingdom of Cadmium is a 45 x 34-inch abstract oil painting. Red is the dominant color. It is part of a series of artworks for which the artist’s fascination with geological and water...

Signed lower left, 'Gikow' for Ruth Levine Gikow (Russian-American, 1915-1982); with original New York, Kennedy Gallery gallery label bearing artist information and dated 1974. Photo of the artist courtesy of Wikipedia. Framed dimensions: 21.25 x 1.5 x 31.25 inches. Born in the Russian Ukraine, Ruth Gikow's family emigrated to the United States in 1920, settling on the Lower East Side of New York. She won early recognition for her artwork at Washington Irving High School, which then had one of the strongest art departments in New York City. At 17, Gikow entered Cooper Union...

"The Waves Coopers Beach 09.21.2020" is an oil painting of an Hamptons beach, Cooper's beach, Southhampton NY. The work is set in a hand made gold frame, crafted in Pisa Italy, as pi...

"Coopers Beach I, 08.01.2020" is an oil painting of a Hamptons beach, Cooper's beach, Southhampton NY. This work exhibits a wide range of deep blues, contrasted nicely by the highlig...

Gian Berto Vanni's "Counterpoint" is a large 49 x 62-inch abstract oil painting on canvas. The painting has a simple gallery display frame in natural wood with a black reveal. The pr...

"Selbstportrait Und Der Sonne" This work is part of a series of alligator paintings Brock made in 2007. All are painted in a somewhat similar and brash style, and are based on an incredibly vivid dream of an albino alligator with sunglasses. There were about ten in the series. Most were traded away to other artists, though one larger one was purchased from a gallery exhibition with the now defunct Buia Gallery in 2008. Kadar Brock (born May 28, 1980) is a casualist artist. He graduated in 2002 with a BFA from Cooper Union School of Art in New York City. He lives and works in Brooklyn, New York. Brock’s work has been reviewed in The New York Times, The Village Voice, Artforum, Bomb Magazine, The Brooklyn Rail, Interview Magazine, White Hot Magazine and Dazed and Confused, W Magazine, Bloomberg News, and Cultured Magazine. Brock first creates relatively conventional large abstract paintings, which one commentator describes as "happy". These are then "negated and disenchanted" by a long process including adding layers, scraping, puncturing, and slicing. The results of this process are what Brock exhibits. He also incorporates fragments of such canvasses into the surfaces of other works. W Magazine wrote that Brock was "... best known for his unorthodox approach to abstract painting, in which he creates frenetic, gestural images and then renders them unrecognizable with the help of a razor blade and a power sander." Marina Cashdan wrote: "His studio is an ecosystem—and an efficient one—in which the artist’s methodical and ritualistic process makes for a consistent upcycling of materials across the space: when he spray-paints, he uses a canvas as the drop cloth; that canvas becomes the start of a painting; and that painting has two fates: one sliding door is going under the razor and the industrial sander, before being coated with layers of pigments and primed, sanded, and primed, a process repeated until the desired effect is reached; the other fate is to be martyred into chips or dust." Stephan Cox, in Hunted Projects: In Dialogue wrote: "What’s fascinating is that Brock’s works are the product of an artist who aims to demystify the gesture in painting through creating rituals that in effect eradicate the didactic artist-viewer scenario. Brock doesn’t aim to create works that are easily read as being a by-product of an artist’s expression; Brock has created a set of rituals, a rolling of dice, where he, in effect has his actions directed for him. This could be through the number of brush strokes to apply or the number of cuts to make, in all, his intuitive approach to painting is not present or discernible to the viewer." In Kadar Brock’s large-scale abstract paintings, a discordant combination of techniques, styles, and colors comes together in clashing tension. By turns described as a post-graffiti and “casualist” artist, Brock riffs on the history of abstraction, employing old tropes and marshalling simple patterns and crude geometric forms into his works, while also inviting an element of chance to determine his markings. He has explored the loose, gestural, and expressive idea of abstraction in the works of German painters like Albert Oehlen and Gerhard Richter, and He has been known to roll a Dungeons & Dragons dice to dictate marks in his paintings according to the die’s symbols and numbers. In repetitive compositions, Brock allows accidents in their production (such as heavy downward paint drips) to differentiate. In 2013, Brock had his breakout solo show in New York, at The Hole, entitled “dredge.” The entire main gallery space was filled with new paintings. The show very quickly sold out. He has exhibited at galleries internationally, with solo shows at Vigo Gallery...

Signed on old label, verso, 'Anthony Cooper' (Lithuanian-American, 1907-1992), titled, 'Spring Bouquet' and painted circa 1955. Antanas Skupas, also...

portrait of a woman

Oil on linen painting by Zhang Li of a Chinese girl looking out of the window. Zhang Li is a member of the Chinese Association of Artists. He has won many national awards in China...

Oil on canvas painting by Peregrine Heathcote of a woman standing in front of car.

Dick “Night Train” Lane and Alex Ramond’s ballerina from Rip Kirby The intention of this work is to generate conversations about values and identity by...

Figures having a nice stroll on the beach.

b. 1965 Paul G. Oxborough studied at Minneapolis College of Art and Design and Atelier Lesueur, a 4 year program that adheres to the French academic tradition. He has exhibited numerous times at both the British and Scottish National Portrait Galleries, the Smithsonian National Portrait Gallery, as well as several other notable museums. Paul has had over a dozen solo shows and his work is included in collections world-wide. Known for his bravura brushwork and his ability to capture light, Oxborough's frequent travels provide inspiration for his work, allowing him to paint a seemingly unlimited variety of subjects from intimate portraits and interiors to outdoor figures...