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Emilio Grau SalaInterior con madre e hijo
$22,619.15
£16,812.18
€19,000
CA$31,230.83
A$34,632.68
CHF 18,196.91
MX$423,152.51
NOK 227,668.11
SEK 213,705.42
DKK 144,675.50
About the Item
EMILIO GRAU SALA
Spanish, 1911 - 1975
INTERIOR CON MADRE E HIJO
signed "Grau Sala" (lower right)
oil on canvas
18-1/8 x 21-5/8 inches (46 x 55 cm.)
framed: 24-3/4 x 28-1/8 inches (63 x 71.5 cm.)
PROVENANCE
Private Collection, France
Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona.
His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc.
Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land.
He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms.
In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it.
All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful.
He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting.
His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar Museum, Philadelphia Museum, Museum of Buenos Aires, etc.
EXHIBITION
Museo de Arte Moderno, Madrid
Galería Muller, Buenos Aires
Dindley Gallery, New York
Outdoor and Autumn Halls, Paris
Galería Charpentier, París
Monique de Groote, París
Sala Parés, Barcelona
Sala Rovira, Barcelona
Sala Syra, Barcelona
- Creator:Emilio Grau Sala (1911-1975, Spanish)
- Dimensions:Height: 18.12 in (46 cm)Width: 21.66 in (55 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU1281116660522
Emilio Grau Sala
Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land.
He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it.
All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar Museum, Philadelphia Museum, Museum of Buenos Aires, etc. EXHIBITION
Museo de Arte Moderno, Madrid
Galería Muller, Buenos Aires
Dindley Gallery, New York
Outdoor and Autumn Halls, Paris
Galería Charpentier, París
Monique de Groote, París
Sala Parés, Barcelona
Sala Rovira, Barcelona
Sala Syra, Barcelona
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View AllSCÈNE FAMILLIALLE
By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA
Spanish, 1911 - 1975
SCÈNE FAMILLIALLE
signed "Grau Sala" (lower right)
signed, titled, located and dated "GRAU SALA / SCÈNE FALLIALLE / PARIS 1969" (on the reverse)...
Category
1960s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
"Jardin Familial", 20th Century Oil on Canvas by Spanish Artist Emilio Grau Sala
By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA
Spanish, 1911 - 1975
JARDIN FAMILIAL
signed "Grau Sala" (lower right)
signed again, dated & titled "Grau Sala / 1974 / Jardin Familial" (on the reverse)
oil on canvas
18-1/8 x 21-3/4 inches (46 x 55 cm.)
framed: 25 x 28-1/2 inches (63.5 x 72.5 cm.)
PROVENANCE
Private Collection, Barcelona, Spain
Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona.
His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc.
Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land.
He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms.
In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it.
All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful.
He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting.
His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...
Category
1970s Post-Impressionist Figurative Paintings
Materials
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"Espagnoles, 1971", 20th Century Oil on Canvas by Artist Emilio Grau Sala
By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA
Spanish, 1911 - 1975
ESPAGNOLES, 1971
signed "Grau Sala" (lower left)
signed again, dated and titled "Grau Sala, 1971, espagnoles" (on the reverse)
oil on canvas
1...
Category
1970s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
"Interieur aux Fleurs Jaunes" 20th Century Oil on Canvas by Emilio Grau Sala
By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA
Spanish, 1911 - 1975
INTERIEUR AUX FLEURS JAUNES
signed "Grau Sala" (lower left)
signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse)
oil on canvas
15 x 18-1/4 inches (38 x 46 cm.)
framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.)
PROVENANCE
Private Parisian Collection
Interieur aux fleurs jaunes
This interior with two female figures where also the plans made in different colors are drawing the composition.
The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them.
The fruit bowl and flowers give a cheerful touch with their pastel tones.
Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona.
His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc.
Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land.
He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms.
In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it.
All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful.
He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting.
His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...
Category
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By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA
Spanish, 1911 - 1975
GENS DU CIRQUE
signed "Grau Sala" (lower right)
signed, titled, located and dated "Grau Sala / Gens du cirque / París 72" (on the reverse)
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Located in Madrid, ES
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signed "Grau Sala" (lower left)
signed, located and dated "GRAU SALA / PARIS 1967" (on the reverse)
oil on canvas
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Category
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Emilio Grau Sala Nace en Barcelona en 1911.
Maestro catalán de la Escuela de París, recordado por sus magníficas escenas realistas. Se forma en la Escuela de Bellas Artes de Barcelona.
Tras varias exposiciones en su ciudad natal y ya siendo un pintor de éxito, contrae matrimonio con la pintora Ángeles Santos Torroella. De ambos nacerá en 1937 el futuro pintor Julián Grau Santos.
En 1936 expuso en el Museo de Arte Moderno de Madrid y, coincidiendo con el inicio de la Guerra Civil Española, se traslada a París. Conoció de cerca las vanguardias inclinándose por una figuración colorista, derivada del impresionismo y el fauvismo. Allí entrará rápidamente en contacto con el núcleo de artistas españoles. Realiza una pintura próxima al postimpresionismo francés, con un marcado acento lírico. En París alcanzó un gran éxito realizando multitud de exposiciones.
En 1936 recibe el Premio Carnegie.
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